Stories Quotes

Stories come alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth. Or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.

The real reason why so many artists now take to politics, ‘commitment’ and so on is that they are rushing into a discipline, any discipline at all, which will save them from the poison of the word ‘artist’ used by the enemy. I remember very clearly the moments in which that novel was born. The pulse beat, violently; afterwards, when I knew I would write, I worked out what I would write. The ‘subject’ was almost immaterial. Yet now what interests me is precisely this — why did I not write an account of what had happened, instead of shaping a ‘story’ which had nothing to do with the material that fuelled it. Of course, the straight, simple, formless account would not have been a ‘novel’, and would not have got published, but I was genuinely not interested in ‘being a writer’ or even in making money. I am not talking now of that game writers play with themselves when writing, the psychological game — that written incident came from that real incident, that character was transposed from that one in life, this relationship was the psychological twin of that. I am simply asking myself: Why a story at all — not that it was a bad story, or untrue, or that it debased anything. Why not, simply, the truth?

What the famous big blue Boy Scout told to a green Kryptonite? What?? YOU rock!

Run your purpose on the toes of your feet before people can type your success stories with the fingers of their hands.

Stored personal memories along with handed down collective memories of stories, legends, and history allows us to collate our interactions with a physical and social world and develop a personal code of survival. In essence, we all become self-styled sages, creating our own book of wisdom based upon our studied observations and practical knowledge gleaned from living and learning. What we quickly discover is that no textbook exist how to conduct our life, because the world has yet to produce a perfect person – an ideal observer – whom is capable of handing down a concrete exemplar of epistemic virtues. We each draw upon the guiding knowledge, theories, and advice available for us in order to explore the paradoxes, ironies, inconsistencies, and the absurdities encountered while living in a supernatural world. We mold our personal collection of information into a practical practicum how to live and die. Each day we define and redefine who we are, determine how we will react today, and chart our quest into an uncertain future.

What a storyteller does is *see* more than most of us. We say he's making up his stories, but he—or better yet, *she*—watches more carefully, and then tells us what we would have seen ourselves if we'd just stopped to look."-Leah said—to Nadine, although she was looking at Marjorie (pg 138)

Lunatics are writers whose works write them, Bat." "Not all lunatics are writers, Mrs. Rey-believe me." "But most writers are lunatics, Bat-believe me. The human world is made up of stories, not people.

Fiction isn't bad. It is vital. Without commonly accepted stories about things like money, states or corporations, no complex human society can function. We can't play football unless everyone believes in the same made-up rules, and we can't enjoy the benefits of markets and courts without similar make-believe stories. But the stories are just tools. They should not become our goals or yardsticks. When we forget that they are mere fiction, we lose touch with reality.

Those stories tended to be located around the places where things went wrong, and people were cruel to one another, and so on. They reflected what was probably the most urgent truth operating in me at that time: oh, shit, things can go wrong, and if they do, people get hurt, and I might be one of them, in spite of the fact that I am, you know, me.

...but there are stories that cannot begin at their beginning, and perhaps this is one of them.

Here, there isn't much but stories and rain. And a fella can get tired of the rain.

The moral of this story is that no matter how much we try, no matter how much we want it ... some stories just don't have a happy ending.

Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written.

I'm interested in things women do that aren't spoken about. Manto's stories let me breathe. They make me feel like less of a monster.

She closed her eyes. Said the four most comforting words she knew: "Once upon a time." An incantation.

We tell stories to talk out the trouble in our lives, trouble otherwise so often so unspeakable. It is one of our main ways of making our lives sensible. Trying to live without stories can make us crazy. They help us recognize what we believe to be most valuable in the world, and help us identify what we hold demonic.

The stories I tell myself about myself are contexts for what I believe is possible. These stories affect not only my attitudes about myself and others, but affect my behavior in what could become a self-fulfilling prophecy.

When you’re here, an i in the Ocean, you’re no longer waiting for something to happen or to change. When you’re here you have what you seek. Your heart opens to the gift you receive, that you are.

Those places where sadness and misery abound are favoured settings for stories of ghosts and apparitions. Calcutta has countless such stories hidden in its darkness, stories that nobody wants to admit they believe but which nevertheless survive in the memory of generations as the only chronicle of the past. It is as if the people who inhabit the streets, inspired by some mysterious wisdom, relalise that the true history of Calcutta has always been written in the invisible tales of its spirits and unspoken curses.

This is a classic story of the friendship between humans and cats. Yes. I got in a lie right from the start!

The only thing a closed book is good for is a table that wobbles. Be an open book.

Don’t let the poison of the past spoil a fruitful future.

Maybe those stories did more harm than good by giving us false hope. All they did was reinforce our faith that the world was once made up almost entirely of magic or miracles. But where was that magic now, when we needed it?

Wit smiled. "All stories told have been told before. We tell them to ourselves, as did all men who ever were. And all men who ever will be. The only things new are the names.

God is up to something, but you will never know unless you figure out the difference between who is the messenger carrying your future and who is the person holding you back.

Our stories are what we have,” Our Good Mother says. “Our stories preserve us. we give them to one another. Our stories have value. Do you understand?

What spares us is memory,” he said. “It’s what makes us worth saving. However low we sink, whatever promise we no longer fulfill, we tell our stories. That’s why you’re so important, Charlie. You’re a guardian of our national memory.

Fire will burn any human body it touches, and starvation will waste it, but stories are not so predictable in their effects.

Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.

These were the tales that echoed in the head long after the books that contained them were cast aside.

I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house?

…what your life means depends on how you tell the story.

Stories set the inner life into motion, and this is particularly important where the inner life is frightened, wedged, or cornered. Story greases the hoists and pulleys, it causes adrenaline to surge, shows us the way out, down, or up, and for our trouble, cuts for us fine wide doors in previously blank walls, openings that lead to the dreamland, that lead to love and learning, that lead us back to our own real lives as knowing wildish women.

Often, when I am able to check out a book, I read it a dozen times before returning it, desperate to remain lost in the magic of someone else's story.

Stories worked much the same way…A false note at the beginning was much more costly than one nearer the end because early errors were part of the foundation.

Literature for me… tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader.

Reasons were invented, and stories were reasons that allowed us to connect ourselves to the world, to compose ourselves in ways that others could read. Fragments were true but we needed stories greater than fragments. We needed stories in order to imagine the mad world we lived in.

One of the most important things you can do on this earth is to let people know they are not alone.

By Aladdin's lamplit scrotum, man! Everything is a story. What is there but stories? Stories are the only truth.

People think "monsters" are born without origin. But it is the monsters that have the greatest stories to tell...

It thought about the magic that happens when you tell a story right, and everybody who hears it not only loves the story, but they love you a little bit, too, for telling it so well. Like I love Ms. Washington, in spite of myself, the first time I heard her. When you hear somebody read a story well, you can't help but think there's some good inside them, even if you don't know them.

I just knew there were stories I wanted to tell.

And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose....it made the stories look on the surface like 'a mere bubble of nonsense' within which it was possible to 'utter harsh truths, to say what you dare' about the state of women's lives. Because they were just stories, right? Harmless little fantasies?

A dwarf will always tell tall stories.

Looking back together, telling our stories to one another, we learn how to be on our own.

The coolest most amazing people I have met in my life, I said, are the ones who are not very interested in power or money, but who are very interested in laughter and courage and grace under duress and holding hands against the darkness, and finding new ways to solve old problems, and being attentive and tender and kind to every sort of being, especially dogs and birds, and of course children.

Literature keeps presenting the most vicious things to us an entertainment, but what it appeals to is not any pleasure of these things, but the exhilaration of standing apart from them and being able to see them for what they are because they aren't really happening. The more exposed we are to this, the less likely we are to find an unthinking pleasure in cruel or evil things. As the eighteenth century said in a fine mouth-filling phrase, literature refines our sensibilities.

Every story is a story about death. But perhaps, if we are lucky, our story about death is also a story about love.

Stories, whether they're good or bad, are expressions of interactions within society. Some may be seen as 'boring', but in their own right, they are still stories to be explored. People throughout life have more exciting endeavours than others, and that can be the same for stories. It's just a matter of segregating comparisons between the senseless and the thoughtful. The norm and the unbiased. We are what we are. As are stories.

It did occur to him that perhaps he’d gone to the wrong Academy – the guys in the Space Fleet always had more interesting stories to tell at the spaceport bars. You know, tales about the dude who got vaporized in a plasma accident in the engineering section, or the fella who got turned into a blob of weird space jelly by some alien virus – or the time someone flew a starship into an astor-field at warp four by mistake (they were still trying to find the black box on that one). The Imperial Space Fleet’s recruiting office sure didn’t go around advertising ‘Join up, see the universe, meet interesting aliens and die screaming’, but it was known there were risks involved. It was part of the job after all, and yet somehow, they still got recruits signing up in droves. Yes, indeedy – the stories were far more interesting than his – took a load of ore to Gorda, took a load of mining equipment back to Tordrazil. Took a load of Florpavian Flame-birds to a zoo on Deanna, took a load of machinery to Salus. Picked up and dropped off a few passengers on the way. Still, Florpavian Flame-birds were a risky cargo… and damned tricky to transport – which is probably the only reason he’d had any entertainment at all on the last trip.

...the making of stories is only one part of my craft -mainly, I'm a heart whisperer...

I don’t want to be remembered as a writer. I would rather be remembered as a storyteller.

Sis took Eva to the public library and showed her how to get a card. Every week, Eva read her way through the works of Charles Dickens, Jane Austen, Anthony Trollope, Henry James and Elizabeth Gaskell. She dreamed of heroines from modest backgrounds attracting unprecedented attentions, soaring tales of love across social divides and sudden unexpected reversals of fortunes. In these pages, anything was possible, even for a girl like her.

Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.

Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there.""In the stars?" Bailey asks."No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.

The good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, etc. Find that one idea that has deep roots in your heart.

But here's a great thing about stories: they can be retold.

You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers.

Some of the best stories start out with a person who absolutely does not want anything to do with an adventure.

Because maybe it's in the stories that the people we love are still alive.