Nostalgia Quotes - Page 9

Why is it that places thousands of miles from my childhood village home send me back, opening the sluice-gates of the past? Well, we are all emigrants from the homeland of our childhoods. It may be, then, that the natural place to meet ourselves as children is 'abroad', and that includes the foreign country of our growing up and aging. So it is that the personal, physical feeling of departure from the time of childhood may merge in a special symbiosis with geographical departure, biography and geography resonating now on a single wavelength.

I love the way he smelled whenever his head dipped close to hear what I was saying—like the sun striking th cheek of a tomato, or soap drying in the hood of a car. I loved the way his hand felt on my spine. I loved.

What are days for?Days are where we live. They come, they wake us Time and time over.They are to be happy in: Where can we live but days?Ah, solving that questionBrings the priest and the doctor In their long coatsRunning over the fields.

The dreams of childhood—its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed-in once, so good to be remembered when outgrown, for the least among them rises to the stature of a great Charity in the heart, suffering the little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world

All you will have is the present. Waste no energy crying over yesterday or dreaming of tomorrow. Nostalgia is fatiguing and destructive, it is the vice of the expatriate. You must put down roots as if they were forever, you must have a sense of permanence.

Sometimes loneliness makes the loudest noise.

Those hours given over to basking in the glow of an imaginedfuture, of being carried away in streams of promise by a love ora passion so strong that one felt altered forever and convincedthat even the smallest particle of the surrounding world wascharged with purpose of impossible grandeur; ah, yes, andone would look up into the trees and be thrilled by the wind-loosened river of pale, gold foliage cascading down and by thehigh, melodious singing of countless birds; those moments, somany and so long ago, still come back, but briefly, like firefliesin the perfumed heat of summer night.

Moments never stay, whether or not you ask them, they do not care, no moment cares, and the ones you wish could stretch out like a hammock for you to lie in, well, those moments leave the quickest and take everything good with them, little burglars, those moments, those hours, those days you loved the most.

It is said that when a person is experiencing death, and when shards of life begins to disintegrate from his mortal body, he starts getting a flashback of his entire life right in front of his eyes, like a reverie – a dream, or sometimes even a nightmare. When a person is dying, he can get a brief look of all the significant milestones of his life right in front of his eyes, as if time doesn’t exist and he is still right there, in that moment, where everything is possible; where he can get a piece of forever, while living in that uninvited flashback, and dying in his life, both at the same time.

Cabel felt the familiar nostalgic excitement of the endless possibilities encapsulated in a summers' night at Silver Beach. He smiled at himself as a boy and, more ruefully, at the man who now stood on the worn planks of the boardwalk. This night held no possibilities for him, though it was pleasant to remember a time when it did.

The terrible thing is that it's impossible to tear the past out by the roots.

That's most interesting. But I was no more a mind-reader then than today. Iwas weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. Morescientific, efficient, yes. More cures for the old sicknesses. Very good. But aharsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could notremain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.

College was at the heart of his sentimental imagination.

And perhaps we have reason to be very grateful that, both as children and long afterwards, we are never allowed to guess how the absorbing pursuit of the moment will appear, not only to others, but to ourselves, a very short time hence.

When I first began to write, I had been a child for most of my life, and my childhood memories were vivid and potent, and the forces that shaped me, Most of them have grown fainter with time, and whenever I write one down, I give it away: it ceases to have the shadowy life of memory and becomes fixed in letters: it ceases to be mine; it loses that mobile unreliability of the live.

For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don’t feel it. Today is what they feel, and when they say ‘When I grow up,’ there is always an edge of disbelief—how could they ever be other than what they are?

The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Úrsula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory.

Nostalgia has a way of blocking the reality of the past.

Whether the Eisenhower administration has underestimated the American people's interest in space exploration or Truman never full appreciated MacArthur, the Soviet Union's Sputnik program has created a public spectacle that even Disney and von Braun might envy.

A part of my appreciation for the good which moments bring has come from awareness and recognition. But it has also come from a correspnding sadness which arises from their passing. When something that can never quite be reenacted comes to an end (and all moments are that way), I feel a pensiveness within. This pensiveness gives my life a quality that might be best described as bittersweet. And those moments take on double meaning and richness - because they are here now - and because they will not always be.

Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess.The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago.

Dark came early and stayed full of lights and the shouts of children.

The past is for learning from and letting go. You can't revisit it. It vanishes.

It’s not a crime to wish for other worlds. You’ll get taxed for it but they can’t throw you in jail for creating your own private world…yet. Dramatics are fun, an indulgence. ‘You can’t go backward,’ ‘You can’t live in the past,’ they tell you. Why not? ‘You’ve got to put all that behind you and move on to other things,’ they say. Bullshit! These are all expressions of modern disposability. It’s a mediocritizing technique—trying to get rid of what I call ‘past orthodoxies.’ It’s our past that makes us unique, therefore it’s our past that economic interests want to rob from us, so they can sell us a new, improved future. Society now depends on a disposable world—out with the old, in with the new, including relationships. But how we weep and wish we could hold onto those cherished moments forever, to those long-whispered dreams, those tortured nights—how we want to grasp them and stop them from sifting through our fingers. I say, ‘Don’t let it happen. Keep things the way you want them and let the rest of the world be duped.

–We are all dying– she told me. –Even something of the immortal will die–“What?”–Meaning–

For an instant I think I saw. I saw the loneliness of man as a gigantic wave which had been frozen in front of me, held back by the invisible wall of a metaphor.

If I were a doctor, I would diagnose his condition thus: "The patient is suffering from nostalgic insufficiency.

In short, the man displayed a constant and insurmountable impulse to wrap himself in a covering, to make himself, so to speak, a case which would isolate him and protect him from external influences. Reality irritated him, frightened him, kept him in continual agitation, and, perhaps to justify his timidity, his aversion for the actual, he always praised the past and what had never existed; and even the classical languages which he taught were in reality for him goloshes and umbrellas in which he sheltered himself from real life.

Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.

I miss it like an ex-con misses the other inmates.

Nobody has ever taken a photograph of something they want to forget. We can build a wall of happy Kodak moments around ourselves, a wall of our Christmases, birthdays, baby showers and weddings, but we can never forget that celluloid film is see-through, that behind it, all the misery of real life waits for our wall to collapse someday.

She didn't want to forget how deeply she had loved him, how important it had been to her; she felt as if to discard the memory would be a betrayal of her younger self.

We cannot turn back the clock and relive cherished pastimes. We move beyond our origins. A person must make their way in an evolving social, political, and economic world order. We must not be too quick writing off the influence of our prior experiences, because the long tentacles the past remain vibrant strands within us. While the past does not cast our future in stone, its durable mold shapes our present. The ingrained strumming of our personal histories, sentimental or otherwise, also portents what might come along in our future.

In the quagmire of feelings and emotions that engulf us on our drab and monotonous days and starry, resplendent nights, the ones that bring back past memories hold a special place, almost a unique pedestal, in our hearts! The distinct fragrance of nostalgia that serenades us in our minds is incomparable and is akin to a feeling of ecstasy. A feeling that hovers in our minds for a humongous period of time, one that takes us to leviathan heights in the midst of chaos and cacophony. It is as if we found a new elixir that rejuvenates us and makes us spring back into life.

Nostalgia is the only friend that stays with you forever.

94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.

The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can.

Peter is suffering from an attack of nostalgia, she knows the symptoms. She mustn't join in otherwise she'll be swept away too, drowning in a quicksand of the past.

Which one of us has never felt, walking through the twilight or writing down a date from his past, that he has lost something infinite?

You'll live through my words and my pictures, and I'll live somewhere the skies are blue.

I didn't really want to come back here and again have to feel like my lungs were drowning in this perverse nostalgia.

We seem to be going through a period of nostalgia, and everyone seems to think yesterday was better than today. I don't think it was, and I would advise you not to wait ten years before admitting today was great. If you're hung up on nostalgia, pretend today is yesterday and just go out and have one hell of a time.

I can hardly keep track of the things I don't know, but every now and then comes an ignorance that makes me nostalgic.

His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

A person in her twenties has been a child for most of her life, but as time goes by that portion that is childhood becomes smaller and smaller, more and more distant, more and more faded, though they say at the end of life the beginning returns with renewed vividness, as though you had sailed all the way around the world and were going back into the darkness from which you came.

[T]he very color of the air in the place I was born was different, the smell of the earth was special, redolent with memories of my parents.

And in an essential way, this was what he was most ashamed of: not his poor understanding of sex, not his traitorous racial tendencies, not his inability to separate himself from his parents or make his own money or behave like an autonomous creature. It was that, when he and his colleagues sat there at night, the group of them burrowed deep into their own ambitious dream-structures, all of them drawing and planning their improbable buildings, he was doing nothing. He had lost the ability to imagine anything. And so every evening, while the others created, he copied: he drew buildings he had seen on his travels, buildings other people had dreamed and constructed, buildings he had lived in or passed through. Again and again, he made what had already been made, not bothering to improve them, just mimicking them. He was twenty-eight; his imagination had deserted him; he was a copyist.It frightened him. JB had his series. Jude had his work, Willem had his. But what if Malcolm never again created anything? He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge.

Nostalgia, she knew, has the power to make you smile and also to make you cry.

Do you know why they call me the Count? Because I love to count! Ah-ha

The machines men are so intent on making have carried them very far from the old sweet things.

We long to have again the vanished past, in spite of all its pain.

Because nobody knows you better than somebody who knew you way back then.

We paw at nostalgia even before we hit twenty, wanting a holiday that never happened, a wholesomeness that could not survive in the wild.

The existence of flying saucers is unlikely to be verified by an accumulation of facts and figures, dates and times, which, if anything, tend to dull and distract the creative intelligence, obscuring more than they reveal.

...And nostalgia is a cancer. Nostalgia will fill your heart up with tumors. Yeah, yeah, yeah, that's what you are. You're just an old fart dying of terminal nostalgia.

Dachux: It’s not like in the old days where you could kill a hogre or two, and nobody asked questions.

Eraritjaritjaka albutjikaNkinjaba iturala albutjika ...His heart is filled with longing to turn for homeIn the heat of the sun to return home ...'Ulamba chant, Aboriginal Central Australia

However, I suppose VH1 *is* selling me something; they're selling nostalgia, which means they're selling my own memories back to me, which means they're selling me to me.

It is strange how we hold on to the pieces of the past while we wait for our futures.

This Heart at Peace is My Homeland. (Su Shih)