Nostalgia Quotes - Page 6

Nostalgic memory is a sudden encounter with the thingness of the thing that has been forgotten, not the continuous desire for possessions, whether past, present, or future.

We cannot escape the longing, no matter what life we choose. We’re either longing for people, places or times gone by, which are essentially the same things: memories. And, whether or not we travel, the older we get, the more memories we collect. Nostalgia is simply the result of aging and liking the life you’ve lived. Be happy you can feel it—it’s a good sign.

The thing about memories wasn't that many of them inevitably faded, but that repeated recall of the ones you remembered burnished them into shining, gorgeous lies

We all leave behind bits of loose thread. Old operations, old enemies. They pull at you, like memories of old lovers.

We were nostalgic for a time that wasn't yet over.

The 'what should be' never did exist, but people keep trying to live up to it. There is no 'what should be,' there is only what is.

Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.

How promising today's generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I'd like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination - things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.

Now and then I see a balloon caught in the power lines, holding on, waving, flapping softly in the evening air, and I wonder if somebody in some faraway city tried to send it to heaven the way my mother and I used to do.

I am filled time and againwith a heart-aching wonder when I thinkof the fireand frost of memoriesof the everlastingnessof lovethe solace of familyand the power of prayer.

Not very long ago I was driving with my husband on the back roads of Grey County, which is to the north and east of Huron County. We passed a country store standing empty at a crossroads. It had old-fashioned store windows, with long narrow panes. Out in front there was a stand for gas pumps which weren't there anymore. Close beside it was a mound of sumac trees and strangling vines, into which all kinds of junk had been thrown. The sumacs jogged my memory and I looked back at the store. It seemed to me that I had been here once, and the the scene was connected with some disappointment or dismay. I knew that I had never driven this way before in my adult life and I did not think I could have come here as a child. It was too far from home. Most of our drives out of town where to my grandparents'house in Blyth--they had retired there after they sold the farm. And once a summer we drove to the lake at Goderich. But even as I was saying this to my husband I remembered the disappointment. Ice cream. Then I remembered everything--the trip my father and I had made to Muskoka in 1941, when my mother was already there, selling furs at the Pine Tree Hotel north of Gravehurst.

This sweet-bitter scentIs still making me faintEnduring the painThat makes me insane.Trying to smile everydayTo hide the feelings I bearHide in bed and layPraying to ease the fear.The scent of perfumeIs the reason of my consciousnessIt wakens the inner loomAnd brings back the memories.

Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes.On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers.We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.

The campus, an academy of trees,under which some hand, the wind's I guess,had scattered the pale lightof thousands of spring beauties,petals stained with pink veins;secret, blooming for themselves.We sat among them.Your long fingers, thin body,and long bones of improbable genius;some scattered gene as Kafka must have had.Your deep voice, this passing dust of miracles.That simple that was myself, half conscious,as though each moment was a pagewhere words appeared; the bent hammer of the typestruck against the moving ribbon.The light air, the restless leaves;the ripple of time warped by our longing.There, as if we were paintedby some unknown impressionist.

You. You are the last page of hundred pages I have written in my journal. Filling its pages with special kind of spoken words without a sound, and the I Love You that's been written and rewritten countless times. After all this time that I spent writing about you in my journals, can you still not understand? Only you can fill this quietness and emptiness, only you can take this grief away, isn't it obvious? Who else will save your soul and mine? God knows, it is you that will heal the holes and cracks of times.

Nostalgia is an illness for those who haven't realized that todayis tomorrow's nostalgia.

That night I looked up at those same stars, but I didn't want any of those things. I didn't want Egypt, or France, or far-flung destinations. I just wanted to go back to my life from my childhood, just to visit it, and touch it, and to convince myself that yes, it had been real.

…nostalgia is, by definition, the least authentic of all feelings.

Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?

The hours were long, but the days were short, and as much as I willed it to never come, the end of summer arrived anyway.

It should not be a surprise, even if it is not expected, if a shadow dances among the leaves, a face appears (or seems to), even a community of phantoms from the past. Here you will find answers, questions, and a host of stories.

Home is where you feel more welcome, more secure, have more rights, where you are loved. This place can be any place even away from what you would normally call home.

Parched by the deprivation of your love for so long made me forget what a cup brimming with love, on my lips, felt like. Everything that now wets it, only wrinkles it with a bland taste.

I have never forgotten, and I can't imagine you have, and I've thought of it over the years. It was so good, when it was good, I kept thinking. How could it go wrong?

When people talk about the good old days, I say to people, 'It's not the days that are old, it's you that's old.' I hate the good old days. What is important is that today is good.

Nostalgia is best cured via horse whipping.

Maybe that's just what nostalgia is: a willingness to embrace the pain of the past.

She should have died on that day. Perhaps, in a way, she had.

Nostalgia can be more painful than a surgeon's knife.

There's just something about the way he sings. It makes me think of when it snows outside, and the fire is warm, and Podo is telling us a story while you're cooking, and there's no place I'd rather be--but for some reason I still feel... homesick.

I may be a little like the grown-ups. I must have grown old.

Apocalyptic saucer cults have started to spring up all over America. One small group, which has been receiving messages from outer space via Lake City housewife Mrs. Marian Keech, becomes the subject of a research team led by psychologist Leon Festinger. According to an alien entity named Sananda, the end of the world is due any day and under the most cataclysmic of circumstances. The group meets regularly to discuss the latest predictions from Sananda and the rest of the Space Brothers, all relayed to them by Mrs. Keech. Some members bake cakes in the shape of flying saucers to be consumed during their gatherings while local college football scores are closely debated.

To be honest, I’ve always made films and I never really stopped, starting with little stop-motion experiments using my dad’s Super 8 camera. In my mind, it’s all one big continuum of filmmaking and I’ve never changed.

And I’ll look back at him because I shan’t be able to help it, remembering about being young, and about being made love to and making love, about pain and dancing and not being afraid of death, about all music I’ve ever loved, and every time I’ve been happy.

nostalgia, underlying cosmological explanation forWeak but detectable interaction between two neighboring universes that are otherwise not causally connected.Manifests itself in humans as a feeling of missing a place one has never been, a place very much like one’s home universe, or as a longing for versions of one’s self that one will never, and can never know.

He decided that we suffer from great temporal homesickness for the decade we were born in.

PatriotismBreathes there the man with soul so dead, Who never to himself hath said, 'This is my own, my native land!' Whose heart hath ne'er within him burn'd As home his footsteps he hath turn'dFrom wandering on a foreign strand? If such there breathe, go, mark him well; For him no Minstrel raptures swell; High though his titles, proud his name, Boundless his wealth as wish can claim;Despite those titles, power, and pelf, The wretch, concentred all in self, Living, shall forfeit fair renown, And, doubly dying, shall go down To the vile dust from whence he sprung,Unwept, unhonour'd, and unsung.

Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being.

It marked the beginning and, of course, an end. At that moment a chapter, no, a whole stage of my closed. Had I known, and had there been a spare second or two, I might have allowed myself a little nostalgia.

I guess everybody thinks about old times, even the happiest people.

Over the years I'd lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I'd dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn't just how distant were the paths we'd taken, it was the measure of loss that was going to strike me--a loss I didn't mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we've stopped thinking of things we lost and may never have cared for.

Freedom, "that terrible word inscribed on the chariot of the storm," is the motivating principle of all revolutions. Without it, justice seems inconceivable to the rebel's mind. There comes a time, however, when justice demands the suspension of freedom. Then terror, on a grand or small scale, makes its appearance to consummate the revolution. Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. But one day nostalgia takes up arms and assumes the responsibility of total guilt; in other words, adopts murder and violence.

...underneath that I'd said something else: we were both a couple of asswipes, and now only I'm an asswipe; why? And underneath that, something else: once an asswipe, always an asswipe.

We lie in wait for the right moment and the just cause, which, at this moment, is simply wanting to live.

If we don't remember where we came from, we'll go back there.

Wendy’s house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy’s bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, “We have the best rates in town!”, but the ‘E’ in ‘rates’ kept flickering on and off day and night so that every few seconds it would switch to, “We have the best rats in town!

I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner.

We are so afraid of being pulled under the water with the anchor. Scared of letting these memories swirl around our mind as they should. As tragic as it might feel, it’s evident that the sea we are drowning in is the same sea we were born into.

A picture's worth a thousand words. But a single word can make you think of over a thousand pictures in your mind, over a thousand moments, a thousand memories.

The best times we’ve had on earth are usually with those we love.

I couldn't understand how boldness and sorrow, how you're so hard and do you really care for me? could be so thoroughly bound together. Nor could I begin to fathom how someone so seemingly vulnerable, hesitant, and eager to confide so many uncertainties about herself could, with one and the same gesture, reach into my pants with unabashed recklessness and hold on to my cock and squeeze it.

The log on the fire: is it dreaming of the forest?

I remembered his laugh, like a flock of crows taking off

Now, obviously, all old people seem cool whenever we see black-and-white images of their younger selves. It's human nature to inject every old picture with positive abstractions. We can't help ourselves. We all do it. We want those things to be true, because we all hope future generations will have the same thoughts when they come across forgotten photographs of us.

Even when our children are still young and defenseless, we feel intimations of their departure. We find ourselves staring at them with nostalgia, wistful for the person they're about to no longer be.

Our misconception in viewing the past lies in assuming that doubt and fear, permit, protests, violence and hate were not equally present.

Whenever they were together they couldn't let sixty of their minutes pass without asking each other what time it was; as if time was a volatile currency that they either possessed or did not possess, when in fact time was more of a fog that rose inexorably over all their words and deeds so that their were either forgotten or misremembered.

Schoolboy days are no happier than the days of afterlife, but we look back upon them regretfully because we have forgotten our punishments at school and how we grieved when our marbles were lost and our kites destroyed – because we have forgotten all the sorrows and privations of the canonized ethic and remember only its orchard robberies, its wooden-sword pageants, and its fishing holidays.

There are no days more full than those we go back to.

It's the problem in seeing too much of the world. In loving too much of it. You can only live in one place at a time. And eventually, you pick your spot, and the memories of all the others just become ghosts.