Metaphor Quotes - Page 9

Like a dog defeated in a frenzied circle by its own tail and slowing and realizing then that the tail it was after all along was already its possession

I was on the sidewalk, buffering, wondering if it was okay to follow people in real life.

It´s a metaphor: you see, you put the killing thing right between your teeth,you just don't give it the power to do it's killing.

We were as big as the ocean, but as fragile as an ego.

Being postmodern, however, is about being complicit rather than virtuous, it is about approaching categories like Good and Evil with a certain ironic skepticism.

You're a marshmallow. Soft and sweet and when you get heated up you go all gooey and delicious."-

We begin in the world as anagrams of our antecedents.

... the future is a teenage crackhead who makes shit up as he goes along.

Metaphorically, governance is like a “Steer,” Risk Management is like a “Brake.

...[P]hilosophical theories are structured by conceptual metaphors that constrain which inferences can be drawn within that philosophical theory. The (typically unconscious) conceptual metaphors that are constitutive of a philosophical theory have the causal effect of constraining how you can reason within that philosophical framework.

I didn't know what to say. I knew I had a big choice to make. I could let it all go and try to love him, try to trust him, try to make something lasting and good. He obviously had strong feelings for me or about me. And he wasn't being so bad right now. We could build something sturdy, beautiful. Or I could try to make a dash for the door by crawling under the dining room table.There was a good chance that he would kill me later either way.

Theories cannot claim to be indestructible. They are only the plough which the ploughman uses to draw his furrow and which he has every right to discard for another one, of improved design, after the harvest. To be this ploughman, to see my labours result in the furtherance of scientific progress, was the height of my ambition, and now the Swedish Academy of Sciences has come, at this harvest, to add the most brilliant of crowns.

Self under self, a pile of selves I standThreaded on time, and with metaphysic handLift the farm like a lid and seeFarm within farm, and in the centre, me.

Until the thirst for power parched his throat, he was a fearless and noble lord.

Smoke and mirrors’ is a useful metaphor for the ways in which organised abuse has chided conceptualisation and understanding. The chapter provides an overview of cite often incendiary debates over organised abuse before going on to suggest that critical theories on gender, crime and intersubjectivity may offer new insights into the phenomenon.

Arts degrees are awesome. And they help you find meaning where there is none. And let me assure you, there is none. Don’t go looking for it. Searching for meaning is like searching for a rhyme scheme in a cookbook: you won’t find it and you’ll bugger up your soufflé.

My master gives me bread and beer and every good thing.

Sometimes it seemed that one of the stars came loose from the firmament and sailed off with dizzying speed to a far corner of the night. In the dark hours before sunrise, constellations came apart and reformed and fell in burning streaks.

Just being out of the house with Daddy like this at Fisher's lights me up enough for somebody to read by me.

The heart pointed to the brain and said with great disdain, “Those who live their lives in here live the lives most full of fear.

One of the things that happens a lot is you get to see how many times things happen, literal things happen and how they are completely metaphors for where you are. It’s like a mirror is being held up just about an inch to your face.

I saw a doctor. I went in case there were any remnants of the summer inside me—sticky, slender fish bones that needed to be scraped into the bin. He was dismissive of my concerns and said my body would have let me know by now. Did I have what was known as female intuition? I said I'd had my feminine intuition somewhat scrambled in the past.

Living a good life is like flipping pancakes. If you hesitate, it splatters all over the place.

The true magic of novels dwells within us individually. Each reader will interpret every single character, scene, and metaphor in a slightly different way

As accurate as a blind man pissing during an earthquake.”“Wow...,” I breathed.She frowned

Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.

You're saying,' he said, weighing each word, 'that we should send Carrot away to be a duck among humans because Bjorn Stronginthearm is my uncle.

His love for me seemed to overflow my limits by its flood of wealth and service. But my necessity was more for giving than foe receiving; for love is a vagabond, who can make his flowers bloom in the wayside dust, better than in the crystal jars kept in the drawing-room.

I allowed myself the supernatural, the transcendent, because, I told myself, our love of metaphor is pre-religious, born of our need to express what is inexpressible, our dreams of otherness, of more.

[About describing atomic models in the language of classical physics:]We must be clear that when it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images and establishing mental connections.

The LSD phenomenon, on the other hand, is—to me at least—more interesting. It is an intentionally achieved schizophrenia, with the expectation of a spontaneous remission—which, however, does not always follow. Yoga, too, is intentional schizophrenia: one breaks away from the world, plunging inward, and the ranges of vision experienced are in fact the same as those of a psychosis. But what, then, is the difference? What is the difference between a psychotic or LSD experience and a yogic, or a mystical? The plunges are all into the same deep inward sea; of that there can be no doubt. The symbolic figures encountered are in many instances identical (and I shall have something more to say about those in a moment). But there is an important difference. The difference—to put it sharply—is equivalent simply to that between a diver who can swim and one who cannot. The mystic, endowed with native talents for this sort of thing and following, stage by stage, the instruction of a master, enters the waters and finds he can swim; whereas the schizophrenic, unprepared, unguided, and ungifted, has fallen or has intentionally plunged, and is drowning.

You either see it or you don't

It's a mind, it works by metaphor.

Not all beaches are fun and sunscreen.

It would not be fair to say that the fire stole my faith, since in truth it has been slipping away from me all my life, flipping between my fingers like a shiny little minnow--such a far cry from the trophy salmon that dangled from my father's fist.

She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.

I don't pay much attention to the distinction between fantasy and science fiction–or between “genre” and “mainstream” for that matter. For me, all fiction is about prizing the logic of metaphors-which is the logic of narratives in general–over reality, which is irreducibly random and senseless.We spend our entire lives trying to tell stories about ourselves–they’re the essence of memory. It is how we make living in this unfeeling accidental universe tolerable. That we call such a tendency “the narrative fallacy” doesn’t mean it doesn’t also touch upon some aspect of the truth.Some stories simply literalize their metaphors a bit more explicitly.