Joseph Campbell Quotes

If you want to change the world, change the metaphor.

One great thing about growing old is that nothing is going to lead to anything. Everything is of the moment.

A mythological image that has to be explained to the brain is not working.

We're in a free fall into the future. We don't know where we're going. Things are changing so fast. And always when you're going through a long tunnel, anxiety comes along. But all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective . . . Joyfully participate in the sorrows of the world and everything changes.

Follow your bliss and doors will open where there were no doors before.

The imitation of Christ is the joyful participation in the sorrows of the world.

The ego is as you think of yourself. You in relation to all the commitments of your life, as you understand them. The self is the whole range of possibilities that you've never even thought of. And you're stuck with you're past when you're stuck with the ego. Because if all you know about yourself is what you found out about yourself, well, that already happened. The self is a whole field of potentialities to come through.

The problem in our society and in our schools is to inclulcate, without overdoing it, the notion of education, as in the Latin educere--to lead, to bring out what is in someone rather than merely to indoctrinate him/her from the outside. (89)

Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved.

They thought that it would be a disgrace to go forth as a group. Each entered the forest at a point that he himself had chosen, where it was darkest and there was no path. If there is a path it is someone else's path and you are not on the adventure.

Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.

It may be a species of impudence to think that the way you understand God is the way God is. (60).

People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances with our own innermost being and reality, so that we actually feel the rapture of being alive.

When you don't have a job (requiring reading) and you are doing your own reading you've got deep psychological questions. As deep as those of a little boy.

You must give up the life you planned in order to have the life that is waiting for you.

Only birth can conquer death—the birth , not of the old thing again, but of something new .

[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachments to the forms; comedy, the wild and careless, inexhaustible joy of life invincible.

Follow your bliss and the universe will open doors for you where there were only walls.

Now I found it in writing sentences. You can write that sentence in a way that you would have written it last year. Or you can write it in the way of the exquisite nuance that is sriting in your mind now. But that takes a lot of ... waiting for the right word to come.

In our society of fixed texts and printed words, it is the function of the poet to see the life value of the facts round about, and to deify them, as it were, to provide images that relate the everyday to the eternal.

In marriage you are not sacrificing yourself to the other person. You are sacrificing yourself to the relationship.You become mature when you become the authority of your own life.Life will always be sorrowful. We can't change it, but we can change our attitude toward it.Awe is what moves us forward.

The cave you fear to enter holds the treasure you seek.

Myth is what we call other people's religion.

A bit of adviceGiven to a young Native AmericanAt the time of his initiation:As you go the way of life,You will see a great chasm. Jump.It is not as wide as you think.

For the bliss of the deep abode is not lightly abandoned in favor of the self-scattering of the wakened state,

We must be willing to let go of the life we planned so as to have the life that is waiting for us.

You can get a lot of work done if you stay with it and are excited and its play instead of work.

Myths are public dreams, dreams are private myths.We must be willing to get rid of the life we planned, so as to have the life that is waiting for us.I have bought this wonderful machine — a computer ... it seems to me to be an Old Testament god, with a lot of rules and no mercy.

Society has provided [children] no rituals by which they become members of the tribe, of the community. All children need to be twice born, to learn to function rationally in the present world, leaving childhood behind.

The child's world is alert and alive, governed by rules of response and command, not by physical laws: a portentous continuum of consciousness, endowed with purpose and intent, either resistant or responsive to the child itself. This infantile notion of a world governed by moral rather than physical laws, kept under control by a superordinated parental personality instead of impersonal physical forces, and oriented to the weal and woe of man, is an illusion that dominates men's thoughts all over the world.The sense then, of this world as an undifferentiated continuum of simultaneously subjective and objective experience (Participation), which is all alive (Animism), and which was created by a superior being (Artificialism), may be said to constitute the frame of reference of all childhood experience no matter where in the world. No small wonder then, that the above Three Principles are precisely those most represented in the mythologies and religious systems of the whole world.

The boy answers, "Don't ask unless you are willing to be hurt."Indra says, "I ask. Teach." (That, by the way, is a good Oriental idea: you don't teach until you are asked. You don't force your mission down people's throats.)

You become mature when you become the authority of your own life.

If the path before you is clear, you're probably on someone else's.

You enter the forestat the darkest point,where there is no path.Where there is a way or path,it is someone else's path.You are not on your own path.If you follow someone else's way,you are not going to realizeyour potential.

What each must seek in his life never was on land or sea. It is something out of his own unique potentiality for experience, something that never has been and never could have been experienced by anyone else.

Humor is the touchstone of the truly mythological as distinct from the more literal-minded and sentimental theological mood.

[T]he experience of mystery comes not from expecting it but through yielding all your programs, because your programs are based on fear and desire. Drop them and the radiance comes. (16)

There seem to be only two kinds of people: Those who think that metaphors are facts, and those who know that they are not facts. Those who know they are not facts are what we call "atheists," and those who think they are facts are "religious." Which group really gets the message?

The job of an educator is to teach students to see vitality in themselves

Thinking in mythological terms helps to put you in accord with the inevitables of this vale of tears. You learn to recognize the positive values in what appear to be the negative moments and aspects of your life. The big question is whether you are going to be able to say a hearty yes to your adventure.

We're so engaged in doing things to achieve purposes of outer value that we forget the inner value, the rapture that is associated with being alive, is what it is all about.

The first step to the knowledge of the wonder and mystery of life is the recognition of the monstrous nature of the earthly human realm as well as its glory, the realization that this is just how it is and that it cannot and will not be changed. Those who think they know how the universe could have been had they created it, without pain, without sorrow, without time, without death, are unfit for illumination.

How to teach again what has been taught correctly it incorrectly 1000 thousand times, throughout the millenniums of mankind's prudent folly? That is the hero's ultimate difficult task. How to render back into light-world language the speech-defying pronouncements of the dark? Many failures attest to the difficulties of this life-affirmative threshold.

A hero ventures forth from the worldof common day into a region ofsupernatural wonder. Fabulous forcesare there encountered and a decisivevictory is won.

There were formerly horizons within which people lived and thought and mythologized. There are now no more horizons. And with the dissolution of horizons we have experienced and are experiencing collisions, terrific collisions, not only of peoples but also of their mythologies. It is as when dividing panels are withdrawn from between chambers of very hot and very cold airs: there is a rush of these forces together. And so we are right now in an extremely perilous age of thunder, lightning, and hurricanes all around. I think it is improper to become hysterical about it, projecting hatred and blame. It is an inevitable, altogether natural thing that when energies that have never met before come into collision—each bearing its own pride—there should be turbulence. That is just what we are experiencing; and we are riding it: riding it to a new age, a new birth, a totally new condition of mankind—to which no one anywhere alive today can say that he has the key, the answer, the prophecy, to its dawn. Nor is there anyone to condemn here (”Judge not, that you may not be judged!”). What is occurring is completely natural, as are its pains, confusions, and mistakes.

Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. The living images become only remote facts of a distant time or sky. Furthermore, it is never difficult to demonstrate that as science and history mythology is absurd. When a civilization begins to reinterpret its mythology in this way, the life goes out of it, temples become museums, and the link between the two perspectives is dissolved. Such a blight has certainly descended on the Bible and on a great part of the Christian cult.To bring the images back to life, one has to seek, not interesting applications to modern affairs, but illuminating hints from the inspired past. When these are found, vast areas of half-dead iconography disclose again their permanently human meaning.

Awe is what moves us forward.

If you want to understand what's most important to a society, don't examine its art or literature, simply look at its biggest buildings.

Is the god the source, or is the god a human manner of conceiving of the force and energy that supports the world? In our tradition God is a male. This male and female differentiation is made, however, within the field of time and space, the field of duality. If God is beyond duality, you cannot say that God is a "He." You cannot say God is a "She." You cannot say God is an "It." (18)

Myth is much more important and true than history. History is just journalism and you know how reliable that is.

Our life evokes our character. You find out more about yourself as you go on. That’s why it’s good to be able to put yourself in situations that will evoke your higher nature rather than your lower.

Reading what you want, and having one book lead to the next, is the way I found my discipline.

The first function of mythology is showing everything as a metaphor to transcendence.

The moral, I suppose, would be that the first requirements for a heroic career are the knightly virtues of loyalty, temperance, and courage. The loyalty in this case is of two degrees or commitments: first, to the chosen adventure, but then, also, to the ideals of the order of knighthood. Now, this second commitment seems to put Gawain's way in opposition to the way of the Buddha, who when ordered by the Lord of Duty to perform the social duties proper to his caste, simply ignored the command, and that night achieved illumination as well as release from rebirth. Gawain is a European and, like Odysseus, who remained true to the earth and returned from the Island of the Sun to his marriage with Penelope, he has accepted, as the commitment of his life, not release from but loyalty to the values of life in this world. And yet, as we have just seen, whether following the middle way of the Buddha or the middle way of Gawain, the passage to fulfillment lies between the perils of desire and fear.

The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.

The Garden is a metaphor for the following: our minds, and our thinking in terms of pairs of opposites--man and woman, good and evil--are as holy as that of a god. (50)

Your sacred space is where you can find yourself over and over again.

When the Buddha declares there is escape from sorrow, the escape is Nirvana, which is not a place, like heaven, but a psychological state of mind in which you are are released from desire and fear. And your life becomes harmonious, centered and affirmative. Even with suffering. The Buddhists speak of the bodhisattva - the one who knows immortality, yet voluntarily enters into the field of the fragmentation of time and participates willingly and joyfully in the sorrows of the world.

Mythology is composed by poets out of their insights and realizations. Mythologies are not invented they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience.

How does the ordinary person come to the transcendent? For a start, I would say, study poetry. Learn how to read a poem. You need not have the experience to get the message, or at least some indication of the message. It may come gradually. (92)