What - what - what are you doing?" he demanded."I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!""I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps."Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell.""That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo.""You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself.""Oh, I am positively green with envy," Ragnor snapped."Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion."Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm."Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!"Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch."You are conspiring against me and my art," he declared. "You are a pack of conspirators."He began to play again. Catarina stopped him by putting a hand on his arm."No, but seriously, Magnus," she said. "That noise is appalling."Magnus sighed. "Every warlock's a critic.""Why are you doing this?""I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections.""If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured.Catarina, however, was smiling."I see," she said."Madam, you do not see.""I do. I see it all most clearly," Catarina assured him. "What is her name?""I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!""Oh, all right," Catarina said. "What's his name, then?"His name was Imasu Morales, and he was gorgeous.
Hardly had the light been extinguished, when a peculiar trembling beganto affect the netting under which the three children lay.It consisted of a multitude of dull scratches which produced a metallicsound, as if claws and teeth were gnawing at the copper wire. This wasaccompanied by all sorts of little piercing cries.The little five-year-old boy, on hearing this hubbub overhead, andchilled with terror, jogged his brother's elbow; but the elder brotherhad already shut his peepers, as Gavroche had ordered. Then the littleone, who could no longer control his terror, questioned Gavroche, but ina very low tone, and with bated breath:--"Sir?""Hey?" said Gavroche, who had just closed his eyes."What is that?""It's the rats," replied Gavroche.And he laid his head down on the mat again.The rats, in fact, who swarmed by thousands in the carcass of theelephant, and who were the living black spots which we have alreadymentioned, had been held in awe by the flame of the candle, so long asit had been lighted; but as soon as the cavern, which was the sameas their city, had returned to darkness, scenting what the goodstory-teller Perrault calls "fresh meat," they had hurled themselves inthrongs on Gavroche's tent, had climbed to the top of it, and had begunto bite the meshes as though seeking to pierce this new-fangled trap.Still the little one could not sleep."Sir?" he began again."Hey?" said Gavroche."What are rats?""They are mice."This explanation reassured the child a little. He had seen white mice inthe course of his life, and he was not afraid of them. Nevertheless, helifted up his voice once more."Sir?""Hey?" said Gavroche again."Why don't you have a cat?""I did have one," replied Gavroche, "I brought one here, but they ateher."This second explanation undid the work of the first, and the littlefellow began to tremble again.The dialogue between him and Gavroche began again for the fourth time:--"Monsieur?""Hey?""Who was it that was eaten?""The cat.""And who ate the cat?""The rats.""The mice?""Yes, the rats."The child, in consternation, dismayed at the thought of mice which atecats, pursued:--"Sir, would those mice eat us?""Wouldn't they just!" ejaculated Gavroche.The child's terror had reached its climax. But Gavroche added:--"Don't be afraid. They can't get in. And besides, I'm here! Here, catchhold of my hand. Hold your tongue and shut your peepers!