Death Quotes - Page 105

When you kill someone, something from that person passes to you - a sigh, a smell or a gesture. I call it "the curse of the victim." It clings to your body and seeps into your skin, going all the way into your heart, and thus continues to live within you. I carry with me the traces of all the men I have killed. I wear them around my neck like invisible necklaces, feeling their presence against my flesh, tight and heavy. In every murderer breathes the man he murdered.

I sometimes stare into fire or into the night sky alone and wish for a girl or my situation to be different. I also then think why would god who created the beautiful Earth let Humans suffer and act the way they do. But I then realize that god has left you and everyone else a long time ago. This is the reason why I do not live my life for him. Because in the end, the only god who is always guaranteed to call for you by name, is Death.

As for karma itself, it is apparently only that which binds "jiva" (sentience, life, spirit, etc.) with "ajiva" (the lifeless, material aspect of this world) - perhaps not unlike that which science seeks to bind energy with mass (if I understand either concept correctly). But it is only through asceticism that one might shed his predestined karmic allotment.I suppose this is what I still don't quite understand in any of these shramanic philosophies, though - their end-game. Their "moksha", or "mukti", or "samsara". This oneness/emptiness, liberation/ transcendence of karma/ajiva, of rebirth and ego - of "the self", of life, of everything. How exactly would this state differ from any standard, scientific definition of death? Plain old death. Or, at most, if any experience remains, from what might be more commonly imagined/feared to be death - some dark perpetual existence of paralyzed, semi-conscious nothingness. An incessant dreamless sleep from which one never wakes? They all assure you, of course, that this will be no condition of endless torment, but rather one of "eternal bliss". Inexplicable, incommunicable "bliss", mind you, but "bliss" nonetheless. So many in the realm of science, too, seem to propagate a notion of "bliss" - only here, in this world, with the universe being some great amusement park of non-stop "wonder" and "discovery". Any truly scientific, unbiased examination of their "discoveries", though, only ever seems to reveal a world that simply just "is" - where "wonder" is merely a euphemism for ignorance, and learning is its own reward because, frankly, nothing else ever could be. Still, the scientist seeks to conquer this ignorance, even though his very happiness depends on it - offering only some pale vision of eternal dumbfoundedness, and endless hollow surprises. The shramana, on the other hand, offers total knowledge of this hollowness, all at once - renouncing any form of happiness or pleasure, here, to seek some other ultimate, unknowable "bliss", off in the beyond...

People do not die from suicide. They die from sadness.

He rose up and looked down at her. "If I'd known you were out there, I would've begun searching for you thousands of years ago."tHer smile was soft and glorious. "That was the perfect response."t"It's the truth.

I offer you your life, friend, and recommend you take it.

Have you ever taken time to think about the commoners who are slaughtered in wars? Any war! Those who didn’t want the war, those who couldn’t say no, even those who have no voice. Why would another man have the power to declare war on behalf of anyone? Why should people be made to die by the mere fact that someone somewhere decides that the answer to a problem is war? Call me a coward, but war is not an answer to any question.

Once the soul has left the body it had to walk across a bridge as narrow as a knife edge, with paradise on the right and, on the left, a series of circles that lead down into the darkness inside the earth. Before crossing the bridge, each person had to place all his virtues in his right hand and all his sins in his left, and the imbalance between the two meant that the person always fell towards the side to which his actions on Earth had inclined him.

If you reflect on death, you find the vanity of life.

There are always two deaths, the real one and the one people know about.

A man falling off a cliff to certain death will stretch out a hand even to his worst enemy.

DeathIf he is a good man, death will be a release;If he is a bad one, it will release others from him.

And I got to thinking about the moral meaning of memory, per se. And what it means to forget, what it means to fail to find and preserve the connection with the dead whose lives you, or I, want or need to honor with our own.

Death does not end my life, it opens the door to a life without end.

I have a scar-a faint gouge in my knee from when I fell down on the sidewalk as a child. It's always seemed stupid to me that none of the pain I've experienced has left a visible mark; sometimes, without a way to prove it to myself. I began to doubt that I had lied through it at all, with the memories becoming hazy over time. I want to have some kind of reminder that while wounds heal, they don't disappear forever- I carry them everywhere, always, and that is the way of things, the way of scars.That is what this tattoo will be, for me: a scar. And it seems fitting that it should document the worst memory of pain I have.

The Quaker did not scream: not when the blood began to come swiftly down his face, not when the force of Elf's attack carried both of them tumbling out over the walls and down into the ether, the desperate and hoped-for outcome, a fatal embrace descending, together forever, into the darkness.

It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops.And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.

The embodied self is the same person who woke to the world in a burst of visonary immediacy, who soon found that he was not the center of that world but on the contrary, a dependent and even hapless creature, and who then discovered that he was doomed to die

Miss Mary Mack, Mack, Mack, all dressed in black, black, black. She has a knife, knife, knife, stuck in her back, back, back. She cannot breathe, breathe, breathe. She cannot cry, cry, cry. Thats why she begs, begs, begs. She begs to die, die ,die..

She leaves, carrying a biodegradable carrier bag that reads THE SUICIDE SHOP on one side, and on the other: HAS YOUR LIFE BEEN A FAILURE? LET’S MAKE YOUR DEATH A SUCCESS!

The motionless person was once full of life in one moment in time. What a misery?

I care not a man can die but once we owe God a death.

No one wanted to die with secrets in their grave.

Wars are indeed fought by children, by young people who have little to say in where they are sent to die.

The only thing I regret about my life is the length of it. If I had to live my life again I'd make all the same mistakes - only sooner.

If it had been a heart attack, the new

We are pagans. We deify each other.

The unknown...the unforetold, the unproven, that is what life is based on. Ignorance is the ground of thought...The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.

For what is it to die but to stand naked in the wind and melt into the sun?

A girl calls and asks, "Does it hurt very much to die?""Well, sweetheart," I tell her, "yes, but it hurts a lot more to keep living.

In a while the organism will repair itself, and I, the ghost within it, will be my old self again. But the truth, he knows, is otherwise. His pleasure in living has been snuffed out. Like a leaf on a stream, like a puffball on a breeze, he has begun to float toward his end.

That was the thing. You never got used to it, the idea of someone being gone. Just when you think it's reconciled, accepted, someone points it out to you, and it just hits you all over again, that shocking.

It is almost startling to hear this warning of departed time sounding among the tombs, and telling the lapse of the hour, which, like a billow, has rolled us onward towards the grave.

I loved her. I did not know what state of mind I would be in when I got where I was going and I was most worried that in the process I might forget her. I did not ever want to forget her! I held the image of her in my mind so strongly and the eternal love for her so deep within my heart that it could never ever be erased, no matter what. My love for her was stronger than anything that could happen to me.

The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.

You can choose when and when not to be stopped... Choose to be stopped after you die... when your work is done and done well.

His name was Theo.

We are all dust passing through the air, the difference is, some are flying high in the sky, while others are flying low. But eventually, we all settle on the same ground.

So many things are lost in the dark. A slight misstep and we lose our footing. A quick hand in a pocket and we lose our money. A coat hanger in a womb and we lose a fetus. A swift puncture and we lose a life.

The saddest sorrow is to desire death while you have life.

What i took away from witnessing the broken climbers in Moshi was this: *Everything is easy until it isn't.*

There once was a girl who found herself dead.She peered over the ledge of heavenand saw that back on earthher sister missed her too much,was way too sad,so she crossed some pathsthat would not have crossed,took some moments in her handshook them upand spilled them like diceover the living world.It worked.The boy with the guitar collidedwith her sister."There you go, Len," she whispered. "The rest is up to you.

When I die I hope it may be said:'Her suffering was black, but her books were read'.

Although I rail against it, death is the dark demarcation beyond which I am at the mercy of my own end. To the contrary, an empty tomb says that my end is at the mercy of God’s beginning.

To make sense of it - that's the challenge. To bear witness to the death, without being broken by the weight of it.

The desire of death will not always lead you to death but the fear of death will.

She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay.

The size of a plane does not change the weather but it will get you above it. The size of your faith may not change your situation but it will get you over it.

Under the pathologist's microscope, life and death fight in an illuminated circle in a sort of cellular bullfight. The pathologist's job is to find the bull among the matador cells

Between the desireAnd the spasm,Between the potencyAnd the existence,Between the essenceAnd the descent,Falls the Shadow.

One day we will all wear a garment which has no pockets...

A poet might die at twenty-one, a revolutionary or a rock star at twenty four. But after that you assume everything’s going to be all right. you’ve made it past Dead Man’s Curve and you’re out of the tunnel, cruising straight for your destination down a six lane highway whether you want it or not.

Nico didn’t like to be touched, but somehow this brief contact with his father felt reassuring – the same way the Chapel of Bones was reassuring. Like death, his father’s presence was cold and often callous, but it was real – brutally honest, inescapably dependable.

The dead do not harm us, only the alive.

Imagine being just strong enough to remember what life was like, feeling things, your heartbeat, the world around you. And imagine you couldn’t have it anymore, couldn’t even properly remember it, but there was just enough that some deep part of you knew what you were missing. Wouldn’t you do anything to get it back, if it was right there for the taking? Wouldn’t you be willing to kill for it?

As long as there is love and memory, there is no true death," - John Carstairs

Death is the destiny of every man. Why do people fight over power and material wealth.We brought nothing into the world, certainly, we will take nothing out of the world.

LADY LAZARUSI have done it again.One year in every tenI manage it--A sort of walking miracle, my skinBright as a Nazi lampshade,My right footA paperweight,My face a featureless, fineJew linen.Peel off the napkinO my enemy.Do I terrify?--The nose, the eye pits, the full set of teeth?The sour breathWill vanish in a day.Soon, soon the fleshThe grave cave ate will beAt home on meAnd I a smiling woman.I am only thirty.And like the cat I have nine times to die.This is Number Three.What a trashTo annihilate each decade.What a million filaments.The peanut-crunching crowdShoves in to seeThem unwrap me hand and foot--The big strip tease.Gentlemen, ladiesThese are my handsMy knees.I may be skin and bone,Nevertheless, I am the same, identical woman.The first time it happened I was ten.It was an accident.The second time I meantTo last it out and not come back at all.I rocked shutAs a seashell.They had to call and callAnd pick the worms off me like sticky pearls.DyingIs an art, like everything else.I do it exceptionally well.I do it so it feels like hell.I do it so it feels real.I guess you could say I've a call.It's easy enough to do it in a cell.It's easy enough to do it and stay put.It's the theatricalComeback in broad dayTo the same place, the same face, the same bruteAmused shout:'A miracle!'That knocks me out.There is a chargeFor the eyeing of my scars, there is a chargeFor the hearing of my heart--It really goes.And there is a charge, a very large chargeFor a word or a touchOr a bit of bloodOr a piece of my hair or my clothes.So, so, Herr Doktor.So, Herr Enemy.I am your opus,I am your valuable,The pure gold babyThat melts to a shriek.I turn and burn.Do not think I underestimate your great concern.Ash, ash--You poke and stir.Flesh, bone, there is nothing there--A cake of soap, A wedding ring,A gold filling.Herr God, Herr LuciferBewareBeware.Out of the ashI rise with my red hairAnd I eat men like air.

Learn as if you might live forever and you'll live as if you might die tomorrow.

It's a small thing, a life.