Criticism Quotes - Page 5

Goya’s savage verve, his harsh, brutal genius, captivated Des Esseintes. On the other hand, the universal admiration his works had won rather put him off, and for years he had refrained from framing them, for fear that if he hung them up, the first idiot who saw them would might feel obliged to dishonour them with a few inanities and go into stereotyped ecstasies over them.

...chuck-full of error, masturbation and Jesus.

The aim of language...is to communicate...to impart to others the results one has obtained...As I talk, I reveal the situation...I reveal it to myself and to others in order to change it.

Novel is a particular form of narrative./ And narrative is a phenomenon which extends considerably beyond the scope of literature; it is one of the essential constituents of our understanding of reality. From the time we begin to understand language until our death, we are perpetually surrounded by narratives, first of all in our family, then at school, then through our encounters with people and reading. - The Novel as Research. (1968)

Plenty of people will think you're crazy, no matter what you do. Don't let that stop you from finding the people who think you're incredible—the ones who need to hear your voice, because it reminds them of their own. Your tribe. They're out there. Don’t let your critics interfere with your search for them.

To escape criticism - do nothing say nothing be nothing.

deluded or not, supporters of superstition and pseudoscience are human beings with real feelings, who, like the skeptics, are trying to figure out how the world works and what our role in it might be. Their motives are in many cases consonant with science. If their culture has not given them all the tools they need to pursue this great quest, let us temper our criticism with kindness. None of us comes fully equipped.

Everybody makes excuses for themselves they wouldn't be prepared to make for other people.

Had she any respect for him at all, his words would've affected her. But no value accompanies comments spewed from the mouth of a brute.

We shall, as we ripen in grace, have greater sweetness towards our fellow Christians. Bitter-spirited Christians may know a great deal, but they are immature. Those who are quick to censure may be very acute in judgment, but they are as yet very immature in heart. He who grows in grace remembers that he is but dust, and he therefore does not expect his fellow Christians to be anything more; he overlooks ten thousand of their faults, because he knows his God overlooks twenty thousand in his own case. He does not expect perfection in the creature, and, therefore, he is not disappointed when he does not find it. ... I know we who are young beginners in grace think ourselves qualified to reform the whole Christian church. We drag her before us, and condemn her straightway; but when our virtues become more mature, I trust we shall not be more tolerant of evil, but we shall be more tolerant of infirmity, more hopeful for the people of God, and certainly less arrogant in our criticisms.

When you are loving, kind, and appreciative, you can help change others without using criticism.

People quick to criticize others, but won't shine the light on themselves. You can't always judge a book by the outside appearance. You have to open it up and read in order to discover how precious it is.

1. Everyone is entitled to their opinion about the things they read (or watch, or listen to, or taste, or whatever). They’re also entitled to express them online.2. Sometimes those opinions will be ones you don’t like.3. Sometimes those opinions won’t be very nice.4. The people expressing those may be (but are not always) ass

A question I have often asked is, ‘What would an inoffensive political cartoon look like?’ What would a respectful cartoon look like? The form requires disrespect and so if we are going to have in the world things like cartoons and satire, we just have to accept it as part of the price of fre

No weakness of the human mind has more frequently incurred animadversion, than the negligence with which men overlook their own faults, however flagrant, and the easiness with which they pardon them, however frequently repeated.

A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey.The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.

And if I am further pressed to declare straightforwardly whether I mean to disparage these authorities [who criticize Ibsen], I reply, pointedly, that I do. I affirm that such criticisms are written by men who know as much of political life as I know of navigation. (P. 56)

There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth — an open-air art, boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art.

Appreciation always enhances performance. Criticism destroys the enthusiasm.

Before publication, and if provided by persons whose judgment you trust, yes, of course criticism helps. But after something is published, all I want to read or hear is praise.

For this kind of commodity will not bear exportation, the flesh being of too tender a consistence to admit a long continuance in salt, although perhaps I could name a country which would be glad to eat up our whole nation without it.

Book reviewers are little old ladies of both sexes.

[A] writer’s most powerful weapon, his true strength, was his intuition, and regardless of whether he had any talent, if the critics combined to discredit an author’s nose for things, he would be reduced to a fearful creature who took a mistakenly guarded, absurdly cautious approach to his work, which would end up stifling his latent genius.

Don’t criticize what you don’t understand, son. You never walked in that man’s shoes.

Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.

Nature gives children great emotional resilience to help them survive the oppressions of being small, but these oppressions still make them into slightly insane adults, either mad to seize all the power they once lacked or (more usually) mad to avoid it.

The self-centered man will always expect nothing but praise. He will hope and expect all incoming criticism to be mere self-projection from the critic because when you're self-centered, self-projection is all you can imagine one can do.

Being a critic is a terrific method for killing your love of art

Critics are the men who have failed in literature and art.

The truth is not that we need the critics in order to enjoy the authors, but that we need the authors in order to enjoy the critics.

Have faith in yourself. All the power is in your biology already. Be conscious of that power and bring it out. Remember, truth is indestructible, virtue is indestructible, purity is indestructible.

The artist is the creator of beautiful things.    To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things.      The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

Opinions of the masses kill the 'extra' in an 'extraordinary' idea.

It is a poor critic who says that a lack of effect on them implies all others are insincere in their love.

A satirist that criticizes religion is seen as a satanist.

Illusion is whatever is fixed or definable, and reality is best understood as its negation…

When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent -Dear to the Loves, and to the Graces vowed,The Queen drew back the wimple that she wore- he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis.Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils.

It is easy for those who conflate religion with government to interpret any criticism of government or policy as an 'attack' on their 'faith'.

To listen to criticism and act on it if it is valid and ignore it if it is not is a sign of intelligence.

It shows a mediocre architect at the top of his game [on the Beetham Tower in Manchester]

Context is everything in both narrative and real life, and while the accusation is never that these creators deliberately set out to discriminate against gay and female characters, the unavoidable implication is that they should have known better than to add to the sum total of those stories which, en masse, do exactly that. And if the listmakers can identify the trend so thoroughly – if, despite all the individual qualifications, protests and contextualisations of the authors, these problems can still be said to exist – then the onus, however disconnected from the work of any one individual, nonetheless falls to those individuals, in their role as cultural creators, to acknowledge the problem; to do better next time; perhaps even to apologise. This last is a particular sticking point. By and large, human beings tend not to volunteer apologies for things they perceive to be the fault of other people, for the simple reason that apology connotes guilt, and how can we feel guilty – or rather, why should we – if we’re not the ones at fault? But while we might argue over who broke a vase, the vase itself is still broken, and will remain so, its shards ground into the carpet, until someone decides to clean it up.Blog Post: Love Team Freezer

Wise parents do not criticize each other in front of their children or their friends. Nor do they talk negatively about their children when others are present. That is disloyalty.

Critique by creating.

Fear cannot capture us, criticism cannot harm us, and pride cannot make us fall.

Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is – I repeat it – a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.

It is much more valuable to look for the strength in others. You can gain nothing by criticizing their imperfections.

Nothing ruins a good thing quite like knowing you share your opinions with mindless little tits.

Often those that criticise others reveal what he himself lacks.

There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium

It is peculiar to “ressentiment criticism” that it does not seriously desire that its demands be fulfilled. It does not want to cure the evil. The evil is merely the pretext for the criticism.

When critics disagree the artist is in accord with himself.

When it comes to the crusty behavior of some people, give them the benefit of the doubt. They may be drowning right before your eyes, but you can't see it. And you would never ask someone to drown with a smile on his face.

I purposely used a pretty cocky, abrasive writing style in Sex and Crime, to stir up some drama. My confrontational style quickly became the talk of the scene. Some of the things I wrote were so inflammatory, people had to vent about it on online forums. So suddenly everyone in the scene was talking about Sex and Crime, just as I had hoped. I enjoyed playing the role of agitator, and people from competing hacking crews didn't even realize that the more they bitched about the things I wrote, the more credibility and notoriety they were adding to my scene mag. Thanks to all the positive as well as negative feedback I was getting, the things I wrote actually mattered. Suddenly I was the most important opinion maker in the scene.

Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. ‘Respect for religion’ has become a code phrase meaning ‘fear of religion.’ Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disres

It is an EVIL thing to be an expert in the weaknesses of our brothers and sisters. We need to be experts in the strengths of our brothers and sisters.

A novel is a tricky thing to map.

Every garden looks beautiful in May.' Meaning: Everyone is somewhat attractive when she's young.

A tightly woven argument is impermeable to the frigid winds of criticism.

Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.

Procrastination threatens critics’ livelihood.