Creation Quotes - Page 3

But Ilúvatar knew that Men, being set amid the turmoils of the powers of the world, would stray often, and would not use their gifts in harmony; and he said: 'These too in their time shall find that all that they do redounds at the end only to the glory of my work.

To create something new, knowledge is essentially required, but not academic degree.

The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.

Imagination is the first step of creation

The gods wanted to create creatures who would worship them. First they made the animals, but they couldn’t talk. Then the gods created people out of mud, but when it rained, they fell apart. Then the gods created people out of wood, but they had no feelings, so the gods washed them away in a big flood. Finally, the gods created people out of corn, and they turned out just right.

Winning the Origins Lottery Nontheistic models adhere to a central premise that humans arose by strictly natural unguided steps from a bacterial life-form that sprang into being 3.8 billion years ago. Famed evolutionary biologist Francisco Ayala, an advocate for the hypothesis that natural selection and mutations can efficiently generate distinctly different species, nevertheless calculated the probability that humans (or a similarly intelligent species) arose from single-celled organisms as a possibility so small (10-1,000,000) that it might as well be zero (roughly equivalent to the likelihood of winning the California lottery 150,000 consecutive times with the purchase of just one ticket each time).2 He and other evolutionary biologists agree that natural selection and mutations could have yielded any of a virtually infinite number of other outcomes. Astrophysicists Brandon Carter, John Barrow, and Frank Tipler produced an even smaller probability.

Originality is nothing but judicious imitation.

To exist in this poem [of creation] is a greater gift than any finite creature can imagine. To be so insignificant and yet still be given a speaking part, to be given scenes that are my own, and my own only, scenes where the audience is limited to the Author Himself (scenes that I often flub), to have been here with my frozen nose, to have been crafted with at least as much care as a snowflake (though I'm harder to melt), and to hear and feel and see and taste and smell the heavy poetry of God, that is enough.

Humans do not create, we pro-create from that which The Creator has already created.

We make our own monsters, then fear them for what they show us about ourselves.

Let us seek the respite where it is—in the very thick of battle. For in my opinion, and this is where I shall close, it is there. Great ideas, it has been said, come into the world as gently as doves. Perhaps then, if we listen attentively, we shall hear, amid the uproar of empires and nations, a faint flutter of wings, the gentle stirring of life and hope. Some will say that this hope lies in a nation; others, in a man. I believe rather that it is awakened, revived, nourished by millions of solitary individuals whose deeds and works every day negate frontiers and the crudest implications of history. As a result, there shines forth fleetingly the ever threatened truth that each and every man, on the foundation of his own suffering and joys, builds for all.

We do not observe reality, we observe our REACTIONS to it.In other words:Reality is, in essence, neutral. YOU give it meaning.

Nothingness is the basis of everything that exists today. It's the mother of creation & consciousness!

The world would have been a better place if some men had just shut their mouths.

But we have reason to think that the annihilation of work is no less a physical impossibility than its creation, that is, than perpetual motion.

Any foolish boy can stamp on a beetle, but all the professors in the world cannot make a beetle.

In the beginning there was nothing, and then god created "me".

I am a choreographer. A choreographer is a poet. I do not create. God creates. I assemble and I will steal from everywhere to do it.

The choices you make in life creates your destiny.

Being free means "being free for the other," because the other has bound me to him. Only in relationship with the other am I free

Have you ever wanted something so desperately that you imagine it, day in and day out, until you have created an image of perfection that becomes the 'real thing'? Suddenly, all you have to live for is the image in your head that may not be real to anyone else in the world, but is most certainly real to you. Nothing is as perfect, not even the thing itself, as the image you have created in your mind.

All seasons are beautifully filled with splendid wonders.

Creativity is just an attraction to the second rate minds but simplification to the first rate minds.

They have a special confidence in Christ, plus thoughtfulness plus faithfulness plus humility: for there are no things, in all creation, more beautiful, more rare than the so very disciplined and free, joyful and principled daughters of God.

We co-create our reality with others in unseen ways.

In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.

You can't force creatives into a box. If you try, they'll no longer be creative. And no one will want your box.

The necessity of creation is the sovereign power of choice

God is master architect of our lives.

It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ

And so it was that Michael built a brown castle on the peak of his mountain, Gabriel built a golden pyramid in the midst of his plain, saying it was both a holy temple in my praise and an edifice that would guide him on his pattern for his future work, though I knew that only he would ever understand it, to my amusement, and Raphael built a silver palace to sparkle above the trees of his forests, as his home and celestial workshop, and I was well pleased with their work, as ever it was better than what I had hoped for. "That was the First Age, the Archangel Age, long over. I can speak in much detail about each stage in my creation, and my scribes have written all my words on each stage in the books I gave to the angel courts, for study and meditation and for prayer, but such details are for my sons and daughters most interested in them, when they are of an age, with the understanding, to comprehend such things.

The act of creation, the impetus to undertake it, is always some kind of feeble attempt to understand one’s own creation, the nature of creation itself.

I loved the fact there was a God who had made me, who had created everything around me. Jesus made sense to me. He’s real. He’s personal.”“He likes you,” Bishop remarked gently.“Exactly…I wasn’t smarted than He was. I adored Jesus for that fact. Every question I had, Jesus knew how to answer. That was such a relief. Not that He would always answer, but I knew I could search for an answer and find one, and it often felt like God was helping me go the right direction with my search.”“I’d bump into something cool God had made, and I’d promptly tell Him all about what I’d found and bombard Him with questions about it.

This one god could be of the deistic or pantheistic sort. Deism might be superior in explaining why God has seemingly left us to our own devices and pantheism could be the more logical option as it fits well with the ontological argument's 'maximally-great entity' and doesn't rely on unproven concepts about 'nothing' (as in 'creation out of nothing'). A mixture of the two, pandeism, could be the most likely God-concept of all.

If you are writing fiction, think like a god. Release all the power of your imagination; create worlds and destroy them at your will, create as many miracles as your story needs

The American people spend thousands of dollars to propagate the doctrines of the fall of man, the creation of the world out of nothing in six days by a personal God, vicarious atonement, absolution from sin by the shedding of innocent blood. This is the Christianity offered to the poor and illiterate of India...Christianity has percolated through the layers of dogmatism and bigotry, of intolerance and superstition, of damnation and hell fire. It takes on itself the quality of these layers and imparts them to those that are received within its folds.

Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.

Creation signifies, above all, emotion, and that not in literature or art alone. We all know the concentration and effort implied in scientific discovery. Genius has been defined as an infinite capacity for taking pains.

Darwin caused controversy, not merely because his ideas contradicted Genesis, but because they fell foul of the way in which Genesis had been read by those influenced by the Enlightenment, for it was the Enlightenment that conceived of the human as almost exclusively rational and intellectual, and set the human at a distance from the animal.

Because you thought love was just gonna be there. You weren't taught that it had to be made, it had to be mixed, kneaded, recycled. Over and over, you have to keep creating it. Over and over with everyone you love. Over and over.

Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers.

In the view of such harmony in the cosmos which I, with my limited human mind, am able to recognize, there are yet people who says there is no God. But what makes me really angry is that they quote me for support of such views. (The Expanded Quotable Einstein, Princeton University, page 214)

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time.tI recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. tI remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on.tAll these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling.tAt last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes.tWe all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

My art is an act of creation and destruction, with all the sorrow and joy these engender as well as all the shadow and light these contain.

Cinders patter, falling with the snow. We creep infinitesimally northward through the dirty chaos of a world in the process of making itself. Praise then Creation unfinished!

In time, all great masterpieces turn into shameless creatures who laugh at their creators.

I simply can’t look into the heavens on a crisp starry night and somehow bring myself to believe that the gaping expanse that engulfs the whole of me is the product of chance happenstance. And neither can I believe that the gaping expanse that rests within me is anything less.

Like the spider spinning its web, we create much of the outer world from within ourselves. The universe is a joint product of the observer and the observed.

If the creation is separated from the creator, the creation will die

Send a solid idea to beyond this universe!A neighbour universe will soon be existed.

There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.

The love of nature is the love for the Creator.

In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.

If we feel good, we can keep going in the direction of the reality we’re creating. If we don’t feel good, we may reflect upon our beliefs and change them according to the reality we do wish to create.

When happiness depends on a situation or creation, it is not happiness; it is the joy of action.

It is impossible to see how good work might be accomplished by people who think that our life in this world either signifies nothing or has only a negative significance.If, on the other hand, we believe that we are living souls, God's dust and God's breath, acting our parts among other creatures all made of the same dust and breath as ourselves; and if we understand that we are free, within the obvious limits of moral human life, to do evil or good to ourselves and to the other creatures - then all our acts have a supreme significance. If it is true that we are living souls and morally free, then all of us are artists. All of us are makers, within mortal terms and limits, of our lives, of one another's lives, of things we need and use...If we think of ourselves as living souls, immortal creatures, living in the midst of a Creation that is mostly mysterious, and if we see that everything we make or do cannot help but have an everlasting significance for ourselves, for others, and for the world, then we see why some religious teachers have understood work as a form of prayer...Work connects us both to Creation and to eternity. (pg. 316, Christianity and the Survival of Creation)

Who among us has not suddenly looked into his child's face, in the midst of the toils and troubles of everyday life, and at that moment "seen" that everything which is good, is loved and lovable, loved by God! Such certainties all mean, at bottom, one and the same thing: that the world is plumb and sound; that everything comes to its appointed goal; that in spite of all appearances, underlying all things is - peace, salvation, gloria; that nothing and no one is lost; that "God holds in his hand the beginning, middle, and end of all that is." Such nonrational, intuitive certainties of the divine base of all that is can be vouchsafed to our gaze even when it is turned toward the most insignificant-looking things, if only it is a gaze inspired by love. That, in the precise sense, is contemplation...Out of this kind of contemplation of the created world arise in never-ending wealth all true poetry and all real art, for it is the nature of poetry and art to be paean and praise heard above all the wails of lamentation. No one who is not capable of such contemplation can grasp poetry in a poetic fashion, that is to say, in the only meaningful fashion. The indispensability, the vital function of the arts in man's life, consists above all in this: that through them contemplation of the created world is kept alive and active.

Look up on a starry night, and you will see the majesty and power of an infinite Creator.

Allah loves His creation. That’s why He rewards so greatly for serving them.

The debate that has been conducted in terms of "creation versus evolution" has gotten caught up with all kinds of other debates, and this has provided a singularly unhelpful backdrop to the would-be serious discussion of other parts of the Bible.