Audience Quotes

Always mystify, torture, mislead, and surprise the audience as much as possible.

The best way to waste your life is by taking notes. The easiest way to avoid living is to just watch. Look for the details. Report. Don't participate. Let Big Brother do the singing and dancing for you. Be a reporter. Be a good witness. A grateful member of theaudience.

Most of the people in the audience were white and old. They had the gaunt look of people who have seen all the important movies and can now only look forward to reruns.

Disgust with injustice may sharpen the desire for justice. Readers who don’t see this connection merely wish to be entertained, and I have neither skill nor desire to turn the agony of a people into entertainment.

Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.

If we really exist merely to fulfill God’s plan: then life is a television drama; with God being the scriptwriter, the director, and, the audience.

Between Monday and Saturday men make an audience. On Sunday, they make a congregation.

When everyone has a microphone, you can't hear anything. Choose one voice carefully and listen in.

When I write I like to give equal justice to lyrics, too. I want the song to have meaning for me so I can make it have meaning for the audience.

I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.

Any general statement is like a cheque drawn on a bank. Its value depends on what is there to meet it.

Regarding the creative: never assume you're the master, only the student. Your audience will determine if you're masterful.

Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.

When you're writing, don't forget to keep your favorite audience in mind--you.

Everyone likes to reminisce, but not one wants to listen, and everyone feels annoyed when someone else tells a story.

To make our communications more effective, we need to shift our thinking from "What information do I need to convey?" to "What questions do I want my audience to ask?

I'm always trying to gain and keep the audience's respect. I always want them to know that the show doesn't think they're stupid for watching.

If you have to explain your sense of humor, then you are performing for the wrong crowd.

There is no such thing as an “independent artist”. All artists are essentially co-dependent of the audience.

As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story.

Yes, movies! Look at them — All of those glamorous people — having adventures — hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves — Goody, goody! — It's our turn now, to go to the south Sea Island — to make a safari — to be exotic, far-off! — But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!

I'm very aware we are the first generation ever to have such incredible opportunities to express ourselves publicly to a worldwide audience.

Someone is pounding on a door within you and hoping for an answer. They want to tell us the secret tale of ourselves. The stories we’ve never told. Some African tribes believe if you were to tell someone your entire story the audience would actually become you. From then on, the only life the teller would have would be in and through the listener. Some believe this is the relationship between Jesus and his disciples. How I wished for my story to be blemish free. How I wished to be a good-natured soul giving back to the world, regardless of how broken I was. In the end, it’s those things we are willing to die to change that sculpt our story. Some people open the floodgates of their minds and hearts so memories burst forth like water through a breached dam. Pieces of our lives can be found among the floating wreckage, and somewhere, the presence of God hovers over the surface of the deep. Inside, I am treading, biding my time, waiting for the magic I thought I owned as a child. Many seek this enchantment. I sought my wife, daughter and the power to conjure hope.

When students learn to wrestle with questions about purpose, audience, and genre, they develop a conceptual view of writing that has lifelong usefulness in any communicative context.

The death of a billionaire is worth more to the media than the lives of a billion poor people.

One forgets that part of one's performance is one's history—or sometimes the lack of it. You're playing against what an audience knows, what they expect. This seems to be true of all performers; there's baggage that gets carried into the venue that we can't see.

My wit is only as stupid as the audience.

Some of the people who hate me love some of the sentences that I have written, until they get to the name of the person to whom the sentences are attributed.

This is the responsibility we all owe to ourselves– that the purpose of our existence be to positively affect others with our gift and this does not begin when we feel we have become “something”. It begins when we decide to pick our gift and align it with it’s purpose.

The purpose of music as an art form, is to engage the audience.

But my way of writing is rather to think aloud, and follow my own humours, than much to consider who is listening to me; and, if I stop to consider what is proper to be said to this or that person, I shall soon come to doubt whether any part at all is proper.

When art sets racism in the past, no matter how good it is, it allows white people in the audience (and others) to say to themselves "Wow! That racism sure was bad way back then!" It's what happens when people go see 12 Years a Slave. My response is always, "Yeah, you wanna know another time when racism was bad? Earlier today.

Regardless of the subject of my films … I am looking for a way of evoking in audiences feelings similar to my own: the physically painful impotence and sorrow that assail me when I see a man weeping at the bus stop, when I observe people struggling vainly to get close to others, when I see someone eating up the left-overs in a cheap restaurant, when I see the first blotches on a woman's hand and know that she too is bitterly aware of them, when I see the kind of appalling and irreparable injustice that so visibly scars the human face. I want this pain to come across to my audience, to see this physical agony, which I think I am beginning to fathom, to seep into my work.

I think comedy as an art involves the audience as a participant as much as is involves the artist.

The meaning you apply to what has happened to you is your decision. There will be critics that have their version, but God didn’t call them to be your audience, someone else did.

A crowd of men stood in front of them. Of all ages, with expressions of sex-wonder in their eyes, gazing curiously as men who cannot solve a mystery that populates graveyards and through the ages has sent poets, popes, kings and fools to the junk heap.

As long as your work remains unwritten in your head, it has no effect on anyone. Except you. And not in a good way. Once you let your idea out of the hermetically sealed vault of your brain and out into the fresh air, it will immediately start to evolve. The minute you get it down on a piece of paper, it will change.And once you let it out of the house — once someone else gets to experience it — everything is changed.You are changed. The project is changed. The audience is changed.That’s the alchemy of art.

I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.

And I was a Child again, watching the bright World. But the Spell broke when at this Juncture some Gallants jumped from the Pitt onto the Stage and behaved as so many Merry-Andrews among the Actors, which reduced all to Confusion. I laugh'd with them also, for I like to make Merry among the Fallen and there is pleasure to be had in the Observation of the Deformity of Things. Thus when the Play resumed after the Disturbance, it was only to excite my Ridicule with its painted Fictions, wicked Hypocrisies and villainous Customs, all depicted with a little pert Jingle of Words and a rambling kind of Mirth to make the Insipidnesse and Sterility pass. There was no pleasure in seeing it, and nothing to burden the Memory after: like a voluntarie before a Lesson it was absolutely forgotten, nothing to be remembered or repeated.

Nothing unleashes curiosity in an audience like good storytelling. Nothing inspires storytelling, in turn, like the results of curiosity.

I expect the audience to assume TV is stupid. I accept that it's my job to overcome it.

Assuming Sandberg's advice is completely useless for working-class women is just as shortsighted as claiming her advice needs to be completely applicable to all women. And let’s be frank: if Sandberg chose to offer career advice for working-class women, a group she clearly knows little about, she would have been just as harshly criticized for overstepping her bounds.

Magic : when you create something from the materials around you to astound and make the audience say "Wow." Magic happens on mundane days. It happens when you least expect it. It brings a spark to our drab and monotonous days.

Your audience is one single reader. I have found that sometimes it helps to pick out one person-a real person you know, or an imagined person-and write to that one.

There’s nothing that makes an artist more beloved than the audience pitying him because his work comes at a price they would never pay.

Writing is a great way of talking with an endless audience for never-ending time.

There is never a bad joke, it's adressing to a wrong audience that makes it look bad!

To tell you the truth, though, I still haven't made up my mind whether I shall publish at all. Tastes differ so widely, and some people are so humourless, so uncharitable, and so absurdly wrong-headed, that one would probably do far better to relax and enjoy life than worry oneself to death trying to instruct or entertain a public which will only despise one's efforts, or at least feel no gratitude for them.

I'm a master of story. Almost a living fiction myself, so resilient am I! Spider-Man beats me down, I rise! Daredevil imprisons me, I escape! That's because stories have power! He who controls the narrative controls the audience, and you're all the audience, every one of you. As they say, the world's a stage...

Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor.

I made mistakes in drama. I thought drama was when actors cried. But drama is when the audience cries.

The funny part of being funny is when you start seeing your fans writing funny words and attributing them to you.

Speech belongs half to the speaker, half to the listener.

Books like Twilight are not art. They are mass-produced crap that is meant to be consumed by the widest possible audience, for the largest possible profit.

We are all actors, set on the stage of the world, as the curtains open we put on our best performance to this audience of life.

Performing magic in the live show thrills me. Just get me a deck of cards and some attentive audience, and I have made my day and theirs too

Like the he-man movie stars who turn out to be queer . . . or the silent-film actors whose voices sound terrible recorded--the audience only wants a limited amount of honesty. [ellipses original]

My friends are always conscious of what people think of them. As though life is something that has an audience.

You don’t have to say everything to be a light. Sometimes a fire built on a hill will bring interested people to your campfire.

Audience can live without a movie but a movie cannot live without an audience.