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Taking trips tore all of us up inside, for they seemed, each journey away from home, something that might have been less selfishly undertaken, or something that would test us, or something that had better be momentous, to justify such a leap into the dark. The torment and guilt – the torment of having the loved one go, the guilt of being the loved one gone – comes into my fiction as it did and does in my life. And most of all the guilt then was because it was true: I had left to arrive at some future and secret joy, at what was unknown, and what was no in New York, waiting to be discovered. My joy was connected with my writing; that was as much as I knew.