Quotes by Novelists - Page 84

Religious people tend to encounter, among those who are not, a cemented certainty that belief in God is a crutch for the weak and the fearful...Now the belief in God may turn out at the last trump to be a mistake. Meantime, let us be quite clear, it is not merely the comfort of the simple--though it is that too, much to its glory--it is a formidable intellectual position with which most of the first-class minds of the human race, century in and century out, have concurred, each in his own way....speaking of crutches--Freud can be a crutch, Marx can be a crutch, rationalism can be a crutch, and atheism can be two canes and a pair of iron braces. We none of us have all the answers, nor are we likely to have. But in the country of the halt, the man who is surest he has no limp may be the worst-crippled.

I don't think humanity just replays history, but we are the same people our ancestors were, and our descendants are going to face a lot of the same situations we do. It's instructive to imagine how they would react, with different technologies on different worlds. That's why I write science fiction -- even though the term 'science fiction' excites disdain in certain persons.

Sometimes a crumb fallsFrom the tables of joy, Sometimes a boneIs flung.To some peopleLove is given, To othersOnly heaven.

Oh dire, dreadful death, you drag your heels.Why dawdle and draw back? You drown my heart.

Why, then,' answered the squire, 'I am very sorry you have given him so much learning; for, if he cannot get his living by that, it will rather spoil him for anything else; and your other son, who can hardly write his name, will do more at ploughing and sowing, and is in a better condition, than he.' And indeed so it proved; for the poor lad, not finding friends to maintain him in his learning, as he had expected, and being unwilling to work, fell to drinking, though he was a very sober lad before; and in a short time, partly with grief, and partly with good liquor, fell into a consumption, and died.

The fool's crime is the crime that is found out and the wise man's crime is the crime that is not found out.

If you your lips would keep from slips Five things observe with care To whom you speak of whom you speak And how and when and where.

You can only kill disappointment with a new try.

Better to have one woman on your side than ten men.

All idealisation makes life poorer. To beautify it is to take away its character of complexity — it is to destroy it.

He truly was a man of faith. He believed in his friends, in the truth of things and in something to which he didn’t dare put a name or a face because he said as priests that was our job. Senor Sempere believed we are all a part of something, and that when we leave this world our memories and our desires are not lost, but go on to become the memories and desires of those who take our place. He didn’t know whether we created God in our own image or whether God created us without knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay. Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them and to making sure their pages, like our memories and our desires, are never lost. He believed, and he made me believe it too, that as long as there is one person left in the world who is capable of reading them and experiencing them, a small piece of God, or of life, will remain” (p. 348).

I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. "I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH."Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?""I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it.""Aye. I...I liked it some. No one taught you such?""There's been no one," he confessed. "Only you.

Perhaps his tragedy is that he is the only normal writer left on earth -- and it is this that adds to his isolation and so too his so sense of guilt.

I've been all over the place in all kinds of living situations. Due to the fact that my mind is my own worst enemy. In a way I am perpetually and permanently in a state of rehabilitation m in an attempt to rehabilitate from the shock of being born.Some people are too sensitive to withstand that.

Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future!

Fabre stood up. He placed his fingertips on d‘Anton’s temples. “Put your fingers here,” he said. “Feel the resonance. Put them here, and here.” He jabbed at d’Anton’s face: below the cheekbones, at the side of his jaw. “I’ll teach you like an actor,” he said. “This city is our stage.”Camille said: “Book of Ezekiel. ‘This city is the cauldron, and we the flesh’ ...”Fabre turned. “This stutter,” he said. “You don’t have to do it.” Camille put his hands over his eyes. “Leave me alone,” he said. “Even you.” Fabre’s face was incandescent. “Even you, I am going to teach.” He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. “You’re going to talk properly,” Fabre said. “Even if it kills one of us.” Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d’Anton was too tired to intervene.

Dumbfounded, I stood before the court, trying to figure out if there was a state of being between “guilty” and “innocent.” Why were those my only alternatives? I thought. Why couldn’t I be “neither” or “both”? After a long pause, I finally faced the bench and said, “Your Honor, I plead human.

Writers are always anxious, always on the run--from the telephone, from responsibilities, from the distractions of the world.

To condemn slavery was one thing—that I could do in my own individual heart—but female ministers!

Yet the higher a man climbs the further he has to fall.

A jaw like a mastiff's, a frame like a giant's, eyes like two daggers, a smile like a tiger's snarl,"Bernard murmured."Aye, he is all that!!" Master Herbert said."A murrain be on him! And when I came to him,what did I do? I did bow in all politeness, yet stiffly withal to show him I'd not brook his surliness.""I did hear ye did bow so low that your head came below your knees,"Bernard said.

It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.

In these days of faith-cures, and hypnotism, and telepathy, and subliminalities – why, the simple old world grows very confusing. But rarely, very rarely novel.

Words dazzle and deceive because they are mimed by the face. But black words on a white page are the soul laid bare.

Animals don't behave like men,' he said. 'If they have to fight, they fight; and if they have to kill they kill. But they don't sit down and set their wits to work to devise ways of spoiling other creatures' lives and hurting them. They have dignity and animality.

Her only shame was that she felt none.

I would love to become a poor writer as per my choice then a billionaire businessman as per them...

She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.

As a matter of fact, when it comes to seeing, men display two tendencies: they see what they wish to see, what is useful to them, what is agreeable. The second is the tendency toward inhibition; they do not see what they do not wish to see, what is useless to them, or disagreeable.

I have a problem... i choose to love them rather than myself... and that's why i am always the one who suffer...

For me, art in our time is strongest when it is aware of science, includes science, is inspired by science, or is about science. On the linguistic level, the new words coined by scientists to describe their new discoveries form a giant growing lexicon that means English is simply bursting with new possibilities, resembling the Elizabethan age in that respect. Then conceptually, science is creating new stories to tell, by deluging us with new information and potentialities. In this deluge we need art to do its usual job of sorting things out, by giving things their human dimension and by exploring how they might feel and what they might mean. So to me the arts and the sciences are completely intertwined. Maybe that's always been true, but now more than ever.

Those that can be troubled to muse upon the meaning of life are general disappointed when they figure it out.

But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.That, said the Dean, is the Parthenon.- So it is.- I haven’t the time to waste on silly questions.- All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it?- It’s the Parthenon! - said the Dean.- Yes, God damn it, the Parthenon!The ruler struck the glass over the picture.- Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?

Glossa Time goes by, time comes along,All is old and all is new;What is right and what is wrong,You must think and ask of you;Have no hope and have no fear,Waves that rise can never hold;If they urge or if they cheer,You remain aloof and cold. To our sight a lot will glisten,Many sounds will reach our ear;Who could take the time to listenAnd remember all we hear?Keep aside from all that patter,Seek yourself, far from the throng When with loud and idle clatterTime goes by, time comes along.Nor forget the tongue of reasonOr its even scales depressWhen the moment, changing season,Wears the mask of happiness -It is born of reason's slumberAnd may last a wink as true:For the one who knows its numberAll is old and all is new.Be as to a play, spectator,As the world unfolds before:You will know the heart of matterShould they act two parts or four;When they cry or tear asunderFrom your seat enjoy alongAnd you'll learn from art to wonderWhat is right and what is wrong.Past and future, ever blending,Are the twin sides of same page:New start will begin with endingWhen you know to learn from age;All that was or be tomorrowWe have in the present, too;But what's vain and futile sorrowYou must think and ask of you;For the living cannot severFrom the means we've always had:Now, as years ago, and ever,Men are happy or are sad:Other masks, same play repeated;Diff'rent tongues, same words to hear;Of your dreams so often cheated,Have no hope and have no fear.Hope not when the villains clusterBy success and glory drawn:Fools with perfect lack of lusterWill outshine Hyperion!Fear it not, they'll push each otherTo reach higher in the fold,Do not side with them as brother,Waves that rise can never hold.Sounds of siren songs call steadyToward golden nets, astray;Life attracts you into eddiesTo change actors in the play;Steal aside from crowd and bustle,Do not look, seem not to hearFrom your path, away from hustle,If they urge or if they cheer;If they reach for you, go faster,Hold your tongue when slanders yell;Your advice they cannot master,Don't you know their measure well?Let them talk and let them chatter,Let all go past, young and old;Unattached to man or matter,You remain aloof and cold.You remain aloof and coldIf they urge or if they cheer;Waves that rise can never hold,Have no hope and have no fear;You must think and ask of youWhat is right and what is wrong;All is old and all is new,Time goes by, time comes along.

And we kissed again. It was a warm, indescribably lovely feeling. But it was more than just physical. It was a dialogue between two young people with high ideals and a Big Plan. It was about belonging, secrets, partnership, commitment.

Some people can stay longer in an hour than others can in a week.

Peace at any price.

I wanted to get away from him before he led me into talking, before he made me feel angry, or grieved, or jealous all over again. I did not want to feel anything for him, not desire, not resentment. I wanted to be cold to him, so I turned on my heel and started to walk away.

Trees, for example, carry the memory of rainfall. In their rings we read ancient weather—storms, sunlight, and temperatures, the growing seasons of centuries. A forest shares a history, which each tree remembers even after it has been felled.

In his madness he became a terrifying actor!

The measure of a work of art is how much art it has in it, not how much ‘relevance’. Relevant to whom? Relevant to what? Nothing is more ephemeral than a hot topic.

Life is like that, full of words that are not worth saying or that were worth saying once but not any more, each word that we utter will take up the space of another more deserving word, not deserving in its own right, but because of the possible consequences of saying it.

What we love once, we love forever. Shall there be joy in heaven over those who repent, yet no forgiveness for them upon earth?--"Wanda

How sad, however, if we're givenOur youth as something to betray,And what if youth in turn is drivenTo cheat on us, each hour, each day,If our most precious aspirations,Our freshest dreams, imaginationsIn fast succession have decayed,As leaves, in putrid autumn, fade.It is too much to see before oneNothing but dinners in a row,Behind the seemly crowd to go,Regarding life as mere decorum,Having no common views to share,Nor passions that one might declare.

..each remembered other moments, on a sleepless night, on an afternoon of steady rain, in a church, in an empty street at sunset, when each had wondered why there was so much suffering and ugliness in the world. They had not tried to find the answer and they had gone on living as if no answer were necessary. But each had known a moment when, in lonely, naked honesty, he had felt the need of an answer.

We return to face our superiors, our kindred, our friends--- those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties, --- even those for whom home holds no dear face, no familiar voice, --- even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its tress--- a mute friend, judge, and inspirer. Say what you like, to get its joy, to breathe its peace, to face its truth, one must return with a clear conscience. All this may seem to you sheer sentimentalism; and indeed very few of us have the will or capacity to look consciously under the surface of familiar emotions.There are the girls we love, the men we look up to, the tenderness, the friendships, the opportunities, the pleasures! But the fact remains that you must touch your reward with clean hands, lest it turn to dead leaves, to thorns, in your grasp.

Our heart is a treasury; if you pour out all its wealth at once, you are bankrupt.

I have done many impious things--no great ruler can do otherwise. I have put the good of the Empire before all human considerations. To keep the Empire free from factions I have had to commit many crimes.

No star fades faster than that of a high school athlete.

There is a weird power in a spoken word.

It's not the dying but the manner of it.

No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?

It's because even a good man can't always be right, that we need ... rules.

Or was he merely a mollycoddled favorite, enjoying capriciously prejudiced love? Schenback was inclined to believe the latter. Inborn in nearly every artist’s nature is a voluptuous, treacherous tendency to accept the injustice if it creates beauty and to grant sympathy and homage to aristocratic preferences.

Mama is beautiful,” I said.“Mama is strong,” he said. “Beauty comes and goes. Strength, you keep forever.

The greatest create of power you have on earth, whether you are an angel, a spirit, a man or woman or child is to help others.

Every luxury must be paid for and everything is a luxury starting with being in the world.

It is dangerous to let the public behind the scenes. They are easily disillusioned and then they are angry with you for it was the illusion they loved.

If you are lost, I will find you. If you are in danger, I will protect you," he said seriously. "It's what a gentleman does, Elysse."~Alexi de Warenne to Elysse O'Neil

A sick thought can devour the body's flesh more than fever or consumption.