Hilary Mantel Quotes - Page 2

A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

In order not to make a liar out of Henry or Katherine, one or the other, the committee men think up circumstances in which the match may have been partly consummated, or somewhat consummated, and to do this they have to imagine every disaster and shame that can occur between a man and a woman alone in a room in the dark.

He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them.

For I chase but one hind, he says, one strange deer timid and wild, and she leads me off the paths that other men have trod, and by myself into the depths of the wood.

He finds he cannot think of the dying men at all. Into his mind instead strays the picture of More on the scaffold, seen through the veil of rain: his body, already dead, folding back neatly from the impact of the axe. The cardinal when he fell had no persecutor more relentless than Thomas More. Yet, he thinks, I did not hate him. I exercised my skills to the utmost to persuade him to reconcile with the king. And I thought I would win him, I really thought I would, for he was tenacious of the world, tenacious of his person, and had a good deal to live for. In the end he was his own murderer. He wrote and wrote and he talked and talked, then suddenly at a stroke he cancelled himself. If ever a man came close to beheading himself, Thomas More was that man.

Sion calls Anne an eel, he calls her a slippery dipper from the slime, and he remembers what the cardinal had called her: my serpentine enemy. Sion says, she goes to it with her brother; he says, what, her brother George? ‘Any brother she's got. Those kind keep it in the family. They do filthy French tricks, like –’‘Can you keep your voice down?’ He looks around, as if spies might be swimming by the boat.‘– and that's how she trusts herself she don't give in to Henry, because if she lets him do it and she gets a boy he's, thanks very much, now clear off, girl – so she's oh, Your Highness, I never could allow – because she knows that very night her brother's inside her, licking her up to the lungs, and then he's, excuse me, sister, what shall I do with this big package – she says, oh,don't distress yourself, my lord brother, shove it up the back entry, it'll come to no harm there.

Every time you go to see Hamlet you don't expect it to have a happy ending...you're still enthralled.(Interview BBC Radio 4 Today 17 October 2012.)

The gift blesses the giver.

But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind.[Author Hilary Mantel on being told her endometriosis was imagined pain, From Oct 2009 Daily Mail interview]

What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumour, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

He is not a man wedded to action, Boleyn, but rather a man who stands by, smirking and stroking his beard; he thinks he looks enigmatic, but instead he looks as if he's pleasuring himself.

You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.

Law of Suspects. Suspects are those: who have in any way aided tyranny (royal tyranny, Brissotin tyranny...); who cannot show that they have performed their civic duties; who do not starve, and yet have no visible means of support; who have been refused certificates of citizenship by their Sections; who have been removed from public office by the Convention or its representatives; who belong to an aristocratic family, and have not given proof of constant and extraordinary revolutionary fervor; or who have emigrated.

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.", 25 February 2010]

The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbowmen are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.

He says in his defence he never meddled with married women, only with virgins.

The way I tell it, he says to Fitzwilliam, you would think that the blow on the head had improved him. That he actually set out to get it. That every monarch needs a blow on the head, from time to time.

She lives on the fumes of whiskey and the iron in the blood of her prey.

When I was small I dreamed of demons. I thought they were under my bed, but you said, it can't be so, you don't get demons our side of the river, the guards won't let them over London Bridge.

Last night he kept the vigil alone. He lay awake, wishing Liz back; waiting for her to come and lie beside him. It's true he is at Esher with the cardinal, not at home at the Austin Friars. But, he thought, she'll know how to find me. She'll look for the cardinal, drawn through the space between worlds by incense and candlelight. Whereever the cardinal is, I will be.

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

The door was flung open. Maurice Duplay filled it; energetic master, shirt- sleeves rolled up. He threw out his arms, the good Jacobin Duplay, and formed a sentence totally original, something which had never been uttered in the history of the world: “Camille, you have a son, and your wife is very well, and is asking you to be at home, right now.

Men say," Liz reaches for her scissors, "'I can't endure it when women cry'--just as people say, 'I can't endure this wet weather.' As if it were nothing to do with the men at all, the crying. Just one of those things that happen.

He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?"A silence. After a while, Thurston proffers, "At this moment, master, I would have to say...

The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.

One summer at the fag end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I'd agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting.

He looks around at his guests. All are prepared. A Latin grace; English would be his choice, but he will suit his company. Who cross themselves ostentatiously, in papist style. Who look at him, expectant. He shouts for the waiters. The doors burst open. Sweating men heave the platters to the table. It seems the meat is fresh, in fact not slaughtered yet. It is just a minor breach of etiquette. The company must sit and salivate. The Boleyns are laid at his hand to be carved.

Those who are made can be unmade.

I picked up a snake once. In Italy.""Why did you do that?""For a bet.""Was it poisonous?""We didn't know. That was the point of the bet.""Did it bite you?""Of course.""Why of course?""It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?

Evidence is always partial. Facts are not truth, though they are part of it – information is not knowledge. And history is not the past – it is the method we have evolved of organising our ignorance of the past. It’s the record of what’s left on the record. It’s the plan of the positions taken, when we to stop the dance to note them down. It’s what’s left in the sieve when the centuries have run through it – a few stones, scraps of writing, scraps of cloth. It is no more “the past” than a birth certificate is a birth, or a script is a performance, or a map is a journey. It is the multiplication of the evidence of fallible and biased witnesses, combined with incomplete accounts of actions not fully understood by the people who performed them. It’s no more than the best we can do, and often it falls short of that.

I daresay something will happen, between now and ’91, to make your fortunes look up.

His suppressed grief becomes anger. But what can he do with anger? It must also be suppressed.

In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don’t recognise her, you will think she is someone you know.

England is always remaking herself, her cliffs eroding, her sandbanks drifting, springs bubbling up in dead ground. They regroup themselves while we sleep, the landscapes through which we move, and even the histories that trail us; the faces of the dead fade into other faces, as a spine of hills into the mist.

You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do.

All that evening he talked to the Candle of Arras, in a low confidential tone. When you get down to it, he thought, there's not much difference between politics and sex; it's all aboutpower. He didn't suppose he was the first person in the world to make this observation. It's a question of seduction, and how fast and cheap you can effect it: if Camille, he thought, approximates to one of those little milliners who can't make ends meet - in other words, an absolute pushover - then Robespierre is a Carmelite, mind set on becoming Mother Superior. You can't corrupt her; you can wave your cock under her nose, and she's neither shocked nor interested: why should she be, when she hasn't the remotest ideawhat it's for?

... those sectaries in Europe who are always expecting the end of the world, but who hope that, after the earth has been consumed by fire, they will be seated in glory: grilled a little, crisp at the edges and blackened in parts, but still, thanks be to God, alive for eternity, and seated at his right hand.

In the first play, the crisis is Thomas More. In the second it’s Anne Boleyn. In the third book, and the third play, it’s crisis every day, an overlapping series of only just negotiable horrors. It’s climbing and climbing. Then a sudden abrupt fall - within days.

The lawyer's world is entire unto itself, the human pared away.

... every monarch needs a blow on the head, from time to time.

If Mary's blood is Spanish, at least it is royal. And at least she can walk straight and has control of her bowels.

As More says, it hardly makes a man a hero, to agree to stand and burn once he is chained to a stake. I have written books and I cannot unwrite them. I cannot unbelieve what I believe. I cannot unlive my life. pg.404

It is not easy to talk about a condition once dismissed as ‘the career women’s disease’. But women will continue to suffer until we realise the cost of ignoring it

The old always think the world is getting worse; it is for the young, equipped with historical facts, to point out that, compared with 1509, or even 1939, life in 2009 is sweet as honey.

Feminism hasn't failed, it's just never been tried.

I know what you want. One month after the ascension of Philippe the Gullible, M. Laclos found in a gutter, deceased. Blamed on a traffic accident. Two months after, King Philippe found in a gutter, deceased— it really is a bad stretch of road. Philippe’s heirs and assigns having coincidentally expired, end of the monarchy, reign of M.Danton.

Give me a book,” she said. “A book of sermons, anything.”“What do you want a book for?”“I want words. I’ve got to have more words. I was kept stupid on purpose.

The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.

The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.

Fantasy is unconstrained by truth.

I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women.

You know I'm not a man with whom you can have inconsequential conversations. I cannot split myself into two, one your friend and the other the king's servant.

If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems.