Writing Quotes - Page 50

It is my ambition to say in ten sentences what others say in a whole book.

Productivity is about looking forward. Looking back too much, or trying to be too much of a perfectionist, can destroy that productivity. So keep going. Keep creating. Keep building.

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things-- a chair, a window curtain, a fork, a stone, a woman's earring-- with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine-- the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me.

Art is too often discounted as a secondary priority. The writer is necessary to society.

You cannot hope to sweep someone else away by the force of your writing until it has been done to you.

When you're a sportswriter, you learn how to use your imagination and to flex your literary muscle, because it's the same game played over and over again. There's nothing unique or marvelous. It's not an earthquake, or a weird mass murder. It's just the same old game played over and over, and you have to bring out the personalities. You have to drag them kicking and screaming out into the light of day, or you're not a good sportswriter.

Our most basic instinct is not for survival but for family. Most of us would give our own life for the survival of a family member, yet we lead our daily life too often as if we take our family for granted.

Intercourse with resuscitated wife for particular number of days, superstitious act designed to insure safe operation of household machinery. Electricity mourns the absence of the energy from (wife) within the household’s walls by stalling its flow to the outlets. As such, an improvised friction need to take the place of electricity, to goad the natural currents back to their proper levels. This is achieved with the dead wife. She must be found, revived, and then penetrated until heat fills the room, until the toaster is shooting bread onto the floor, until she is smiling beneath you with black teeth and grabbing your bottom. Then the vacuum rides by and no one is pushing it, it is on full steam. Days flip past in chunks of fake light, and the intercourse is placed in the back of the mind. But it is always there, that moving into a static-ridden corpse that once spoke familiar messages in the morning when the sun was new.

Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.

To write a book is to risk being shot at in public.

There’s a little trick called the Rule of Three: if you use any three of the five senses, it will make the scene immediately three-dimensional.

Trying to compose even a single sentence can have the same effect, as we try to juggle grammatical and syntactical alternatives plus all the possibilities of tone, nuance, and rhythm even a simple sentence offers. Composing, then, is a cognitive activity thatconstantly threatens to overload short-term memory.

In order to be created, a work of art must first make use of the dark forces of the soul

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.

Writing feels safer somehow. I can catch myself before I say the wrong thing.

All I need to dois place my pen against paperand your lovewrites for me.

We all have the time we need to tell our stories.

(Witness also that when we talk about literature, we do so in the present tense. When we speak of the dead, we are not so kind.) You do not immortalize the lost by writing about them. Language buries, but does not resurrect.

Writer's block is a fancy term made up by whiners so they can have an excuse to drink alcohol.

Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is?I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths!Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.

To be a decent writer you must have both empathy and imagination. While these attributes aid your art, they can plague your soul. You don’t simply suffer your own sadness, experience your own longing and worry about your own wife and children, you are burdened with experiencing the emotional states of multitudes of others you don’t know.

I write because there is nothing as joyful as writing, even when the writing is twisted and full of hate, the self-hate that makes writing not only possible but necessary. I hate myself, I hate the people around me, but what I crave is the fulfillment of some ideal.

Very well then! I'll write, write write. He let the words soak into his mind and displace all else.A man had a choice, after all. He devoted his life to his work or to his wife and children and home. It could not be combined; not in this day and age. In this insane world where God was second to income and goodness to wealth.

Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.

A word is a bud attempting to become a twig. How can one not dream while writing? It is the pen which dreams. The blank page gives the right to dream.

Listen to what you have written. A dud rhythm in a passage of dialogue may show that you don't yet understand the characters well enough to write in their vo

I want characters to do bad things and get away with their misdeeds. I want characters to think ugly thoughts and make ugly decisions. I want characters to make mistakes and put themselves first without apologizing for it.

Writing is the voice of the heart' Julia Suzuki

If the storytellers told it true, all stories would end in death.

We are in the middle of the biggest revolution in reading and writing since the advent of the Gutenberg press.

Writing is both an act of power and surrender. Passion and discovery. It is a tug at your soul that continues to pull you forward, even as you go kicking and screaming.” (p.18)

Writing a story is like ruling the world. Except it's even better. How many rulers out there that you know can tell people what they say?

Jane's stories are too sensible. Then Diana puts too much murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them." -Anne Shirley

Take a deep breath. Inhale peace. Exhale happiness.

Don't be dismayed by the opinions of editors, or critics. They are only the traffic cops of the arts.

We should write because it is human nature to write. Writing claims our world. It makes it directly and specifically our own. We should write because humans are spiritual beings and writing is a powerful form of prayer and meditation, connecting us both to our own insights and to a higher and deeper level of inner guidance.We should write because writing brings clarity and passion to the act of living. Writing is sensual, experiential, grounding. We should write because writing is good for the soul. We should write because writing yields us a body of work, a felt path through the world we live in. We should write, above all, because we are writers, whether we call ourselves that or not.

The thing is, work has simply swamped my whole existence. Slowly but surely it's robbed me of my mother, my wife, and everything that meant anything to me. It's like a germ planted in the skull that devours the brain, spreads to the trunk and the limbs, and destroys the entire body in time. No sooner am I out of bed in the morning than work clamps down on me and pins me to my desk before I've even had a breath of fresh air. It follows me to lunch and I find myself chewing over sentences as I'm chewing my food. It goes with me when I go out, eats out of my plate at dinner and shares my pillow in bed at night. It's so extremely merciless that once the process of creation is started, it's impossible for me to stop it, and it goes on growing and working even when I'm asleep. ... Outside that, nothing, nobody exists.

God, what a ghastly enterprise to be in, though--and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed.

Writing a story, regardless of length, begins always with a single word.

Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.

Respect cannot be inherited, respect is the result of right actions.

In old days books were written by men of letters and read by the public. Nowadays books are written by the public and read by nobody.

Sometimes in composition class, when I have been confronted by someone who simply cannot get the first word written on paper, I give the following advice: Say your essay into a tape recorder and then write it down.

Novel writing is like heroin addiction it takes everything you've got.

The love between a writer and a reader is never celebrated.

Writing is like breathing for my soul.

You need the devotion to your work that a priest of God has for his.

Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.

Reading, for me, is like this: consumptive, pleasing, calming, as much as edifying. It's how I feel after a good dinner. That's why I do it so often: It feels wonderful. The book is mind and I insert myself into it, cover it entire, ear my way through every last slash and dot. That's something you can do with a book, unlike television or movies or the Internet. You can eat it, or mark it, like a dog does on a hydrant.

Why do people go to church on Sundays? A question that is very complicated because I know what the answer is supposed to be but I do not really know the answer.. I think people go because it is a kind of tradition. I think some goes because someone told them if tgey do not they might go to hell. Maybe some go to look for a wife or husband ☺. Maybe some go to church to display their latest designer shoes or handbags. Some goes just to please their Pastor. Some people go to church because they love the music or the preaching. Some goes because of some social reasons and friendship. Some have it in their mind that they will experience the presence of God in the church. Some goes to church because of miracle. Some goes to church when they are expecting something maybe child, comfort, marriage, work etc.. Some felt it is an obligation to give God a day out of the seven days he createdLet me tell you that church is not there to entertain you, Ephesians 3:20... there are things going on in the church that some people barely know about.Ask yourself today why do I go to church. I am sure a sincere answer will help you.

Every evening I sat on the music-stool and wrote down my day, and it was as if I, Anna, were nailing Anna to the page. Every day I shaped Anna, said: Today I got up at seven, cooked breakfast for Janet, sent her to school, etc. etc., and felt as if I had saved that day from chaos. Yet now I read those entries and feel nothing. I am increasingly afflicted by vertigo where words mean nothing. Words mean nothing. They have become, when I think, not the form into which experience is shaped, but a series of meaningless sounds, like nursery talk, and away to one side of experience. Or like the sound track of a film that has slipped its connection with the film. When I am thinking I have only to write a phrase like ‘I walked down the street’, or take a phrase from a newspaper, ‘economic measures which lead to the full use of …’ and immediately the words dissolve, and my minds starts spawning images which have nothing to do with the words, so that every word I see or hear seems like a small raft bobbing about on an enormous sea of images. So I can’t write any longer. Or only when I write fast, without looking back at what I have written. For if I look back, then the words swim and have no sense and I am conscious only of me, Anna, as a pulse in a great darkness, and the words that I, Anna, write down are nothing, or like the secretions of a caterpillar that are forced out in ribbons to harden in the air.

And life is a good thing for a writer. It's where we get our raw material, for a start. We quite like to stop and watch it.

Of course, they were other things too. Sometimes they were even everything all together, but not fame, which was rooted in delusion and lies, if not ambition. Also, fame was reductive. Everything that ended in fame and everything that issued from fame was inevitably diminished. Fame's message was unadorned. Fame and literature were irreconcilable enemies.

That such a slave as this should wear a sword,Who wears no honesty. Such smiling rogues as these,Like rats, oft bite the holy cords atwainWhich are too intrinse t' unloose; smooth every passionThat in the natures of their lords rebel,Being oil to the fire, snow to the colder moods,Renege, affirm, and turn their halcyon beaksWith every gale and vary of their mastersKnowing naught, like dogs, but following.

I love pop culture -- the Rolling Stones, the Doors, David Lynch, things like that. That's why I said I don't like elitism.

If you really want to be a writer, nobody can stop you -- and if you don't, nobody can help you.

Thee, my serenity, one can not bear, Seeing thee befuddled, bereaved,Dimmed like the midnight, secluded, darkened,Thee, my serenity,A window to my eyes, A window to laughter, and peace of mind,Thee, my serenity, one can not bear,Seeing thee wail, whine, cry,Like a gloomy, mourning brume,Thee, my serenity,Soared through fervor and delight,To the crown of heavens, the Almighty Myth,One can not bear, Seeing thee prostrate, razed, demure,Upon the dimmed streets, crawling, for a sight of the lune,Thee, my birdy in love, What befall to thy song, The very chant of my life, Cut short, stopped, along with all I gasp,Thee, my serenity, one can not bear,Seeing thee, caged in thy own night, Encumbered, through thy own heart,Lean on my shoulders now,My beautiful, wonderful Lily,That thee shall not fear, the sorrow of,Of being lonely, apart, not having a peer,As I promise, to my most dear,The girl to my heart, always near,Come what may, don’t age a year,That I will be, forever here,

Knowing that others want to read my writing is the greatest inspiration to write.

Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.