Writing Quotes - Page 100

Don't classify me, read me. I'm a writer, not a genre.

With grace and beauty, feel.

Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.

Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.

You are either born a writer or you are not.

A writer must teach himself that the basest of all things is to be afraid.

Which story do you want to hear my child?"he picked him up and made him sit on his lap."Tell us the story of that fairy who lived in a house of wafers,had a garden of chocolate trees and a pond full of goldfishes,"the child wrapped his arms around his shoulder.

You once said that you would like to sit beside me while I write. Listen, in that case I could not write at all. For writing means revealing oneself to excess; that utmost of self-revelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind-- for everyone wants to live as long as he is alive-- even the degree of self-revelation and surrender is not enough for writing.Writing that springs from the surface of existence-- when there is no other way and deeper wells have dried up-- is nothing, and collapses the moment a truer emotion makes the surface shake. That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.

My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.

These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers’ faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings in all kinds, wherewith this ancient sect has honoured the world, shall immediately find, from the whole thread and tenor of them, that the ideas of the authors have been altogether conversant and taken up with the faults and blemishes, and oversights, and mistakes of other writers; and let the subject treated on be whatever it will, their imaginations are so entirely possessed and replete with the defects of other pens, that the very quintessence of what is bad does of necessity distil into their own, by which means the whole appears to be nothing else but an abstract of the criticisms themselves have made.

She got inside me with her story. I could feel her flowing in me and far, faraway I related in parallel. Her smile was a reflection of my own brokenness. It defined buried feelings that I could never ignore.

I am not and autobiographical writer--one can't be without a solid and explicable self--and read all autobiographical writers with the same curiosity. What kind of life permits a person the right to become his own subject?

The purpose of a writer is to keep civilisation from destroying itself.", September 14, 1958)

In days long past, Jarod said he’d write a sentence about my love, translated in Russian, and that sentence, like my love, is clearly not for sale, unlike his virginity, or this book, which I’m both offering at ten times the market value, so hurry up and buy now, before it goes down.

Better a good journalist than a poor assassin.

Every experience is story to be written.

Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?

What I am interested in, what I write and care about, exists in the slow lane, somewhere between hand-ploughed fields and a pint of real ale.

Writing a novel is like traveling the universe on foot.

It's my attempt to remain invisible, not distract the reader from the story with obvious writing.

When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.

When words failed I realized there was something unspeakably beautiful in not being able to put words to your happiness.

The stream of Time, irresistible, ever moving, carries off and bears away all things that come to birth and plunges them into utter darkness, both deeds of no account and deeds which are mighty and worthy of commemoration; as the playwright [Sophocles] says, it 'brings to light that which was unseen and shrouds from us that which was manifest.' Nevertheless, the science of History is a great bulwark against this stream of Time; in a way it checks this irresistible flood, it holds in a tight grasp whatever it can seize floating on the surface and will not allow it to slip away into the depths of Oblivion....I, having realized the effects wrought by Time, desire now by means of my writings to give an account of my father's deeds, which do not deserve to be consigned to Forgetfulness nor to be swept away on the flood of Time into an ocean of Non-Remembrance; I wish to recall everything....

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too.

A poor, who hates power, once become powerful, hates poor.

He possessed the logic of all good intentions and a knowledge of all the tricks of his trade, and yet he never succeeded at anything, because he believed too much in the impossible. Surprising? Why so? He was forever in the act of conceiving it!

The written word is the greatest sacred documentation.

You can write nothing of value unless you give yourself wholly to the the theme -- and when you so give yourself -- you lose appetite ans sleep -- it cannot be helped --

words are a border collie’s worst nightmare.

I now understand that writing fiction was a seed planted in my soul, though I would not be ready to grow that seed for a long time.

Times change and discoveries are made that render earlier techniques and approaches less effective. Change is inevitable. To remain rigid when the whole world is changing and advancing is to invite misfortune. The AA program in particular is challenged with an opportunity of unprecedented magnitude.

...at seventeen I tried to write poetry confining myself solely to Anglo-Saxon words - don't know if it helped, but it made me more concrete ...

An extreme fearfulness moves through all your body, and your mind is troubled more.

Their ghosts are gagged, their books are library flotsam,Some of their names - not all - we learnt in schoolBut, life being short, we rarely read their poems,Mere source-books now to point or except a rule,While those opinions which rank them high are basedOn a wish to be different or on lack of taste.

I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it.

Writing, too, is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you wrote, it pours out of you. If you can capture that reality around you, your writing needs nothing else. You don't only listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. Listening is receptivity. The deeper you can listen, the better you can write. You can take in the way things are without judgment, and the next day you can write the truth about the way things are."...If you can capture the way things are that's all the poetry you ever need.

Mice: But reading all the good writers might discourage you.Y.C.: Then you ought to be discouraged.

If you want to be a writer, write a little bit every day. Pay attention to the world around you. Stories are hiding, waiting everywhere. You just have to open your eyes and your heart.

A writer who doesn’t read is like a director who doesn’t watch movies.

The greatest literature is the Biblical stories.

Those who fear the imagination condemn it: something childish, they say, something monsterish, misbegotten. Not all of us dream awake. But those of us who do have no choice.

Being passionate about something is the most beautiful characteristic you can develop.

In this age where people can become famous without doing anything, we are now encouraging a literary and publishing atmosphere where you must become famous before you can do anything.

For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.

It is a great paradox and a great injustice that writers write because we fear death and want to leave something indestructible in our wake and, at the same time, are drawn to all the things that kill: whiskey and cigarettes, unprotected sex, and deep-fried burritos.

Politeness is the first thing people lose once they get the power.

I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.

Why I write music? Because it hurts not to.

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.

Where did the stereotypical image of the reclusive author in a bathrobe and slippers, indulging in vices and spending hours before a typewriter, even come from? I don't know about you, but most writers don't have the luxury of doing any of this. Otherwise we'd have no life experience and nothing to write about, anyway.

Now the thing is no longer a vision: it is paper.

Nature not content with denying him the ability to think has endowed him with the ability to write.

You can learn to write by writing.

Fiction is a great combination between experience and imagination.

The biggest thing for aspiring writers I would say is that writing is hard work. You can’t sustain the fantasy that it should somehow be otherwise for you because you are more special or more committed than other aspiring writers. You aren’t sitting down to be entertained by the gods or to entertain yourself. At times it can be a thrill and it feels more like play, but we are easily deceived by whatever pleasures or rewards writing can offer. Exhilarating work is still work. Is it work, or is it play? And the answer is “yes.” Does it sometimes feel like it comes easily or naturally? Yes. But did it really come easily? No. Writing doesn’t offer the rhythmic endorphin hit you get scrolling down the screen clicking on memes. Are you up for the work it is going to take to become successful as a writer? It is going to be harder than you think. You are submitting to forces and to a process that you can’t fully control. There is maybe a tiny bit more control if you self-publish, and there is no shame in doing that, but even that is going to introduce hard work. Probably harder than you think. If my next novel can’t find a home, I’m not above self-publishing it in some capacity and then moving on to the next project.

Anytime you write something, you go through so many phases. You go through the I’m a Fraud phase. You go through the I’ll Never Finish phase. And every once in a while you think, What if I actually have created what I set out to create, and it’s received as such?

unless it comes out ofyour soul like a rocket,unless being still woulddrive you to madness orsuicide or murder,don’t do it.unless the sun inside you isburning your gut,don’t do it.when it is truly time,and if you have been chosen,it will do it byitself and it will keep on doing ituntil you die or it dies in you.there is no other way.and there never was.

I do think that poetry is important though, if you don’t strive at it, if you don’t fill it full of stars and falseness.

Writers are not just writers, they are creators of worlds, sculptors of the mind, they are architects of language.

Don't make the editor's decision for her by not submitting.