Writing Process Quotes - Page 4

Half the fun of writing a novel is finding out from other people later on what you actually meant.

When I write, I fall into the zone many writers, painters, musicians, athletes, and craftsmen of all sorts seem to share: In doing something I enjoy and am expert at, deliberate thought falls aside and it is all just THERE. I think of the next word no more than the composer thinks of the next note.

When you’re speaking in the truest, most intimate voice about your life, you are speaking with the universal voice.

We write our personal story as intermittent authors; the narrator is always searching for a unitive point of view. We strive to perceive oneself from a unified perspective, but it is virtually impossible to do so. Human perception of the self is an illusion. We constantly sift through shifting memories. We experience the present under the fragrance cast by the past and under the illusionary aura of the future.

It was the worst--the bleakest, the most physically exhausting, the most emotionally enervating--writing experience I'd had...I felt, and feared, that the book was controlling me, somehow, as if I'd somehow become possessed by it.

When you start out writing, your inner creative is just a little seedling with tiny leaves above the earth, peeping out into the air for the first time.

Writing's in the nouns.

Well, I like him. There’s a darkness to him. But does he make it all the way through?”She shrugged. “It’s entirely up to him.”“What do you mean?” He smiled quizzically at her.“Characters talk to you. Transform. Make choices,” she replied.“Choices,” he echoed.“Of who they become.

As you write your novel, you gradually start thinking like some of your characters in it. And at times the writer may lose himself completely in some character.

I was afraid I wrote neither well enough nor ill enough for success.

In order to protect their good names for posterity, many writers never wrote what they thought or the truth as it stood. That's why truth still lies hidden in matters of power, sex and religion. No wonder they chose to do so, many who dared paid with their heads

If a writer writes something that he or she has never experienced, I think the reader can sense right away that it is garbage. The only thing that can replace experience, though, is imagination; however it takes experience to grow an imagination.

I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It’s ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking

People who want to write books do so because they feel it to be the easiest thing they can do. They can read and write, they can afford any of the instruments of book writing such as pens, paper, computers, tape recorders, and generally by the time they have reached this decision, they have had a simple education.

More and more I don't have any philosophy about writing, except that it is something we can do if God is good to us. Of course we are the ones who have to do the paperwork.

Get your story written, you always have the second and third draft to fix things like tense, 1st vs 3rd person, the exact right word, etc.

I do not put in long hours at the keys - or very seldom. Instead, I snatch time. I write in the crannies of my life.

I prefer to be on the side of losers, the misunderstood or lonely people rather than writing about the strong and powerful.

Experience is the catalyst for all great stories.

But for many writers, and to borrow a popular cliché, it’s like getting blood from a stone. You have the want and the desire, but with experience and time, your self-doubt becomes louder and your inner critic comes out to play. It silences your creativity. You feel you aren’t allowed to make mistakes.

Humility is an essential quality in writers who want to write well.

A writer seeks to discover a lucid state of creative consciousness uncoiling from a boule of internal disequilibrium and dutifully attempts to bridge that cavernous divide between the known and the unknown and articulate raw truths.

Isn't the writing of good prose an emotional excitement?""Yes, of course it is. At least, when you get the thing dead right and know it's dead right, there's no excitement like it. It's marvelous. It makes you feel like God on the Seventh Day – for a bit, anyhow.

It was a dark and stormy night. . .perfect for staying indoors and writing a novel!

In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.

But today, something begins to shift. I see that there might be some way I can take the raw material of my life and transform it into something that has order and structure. I can make sense of what, until now, has been senseless.

Don't say it was "delightful"; make us say "delightful" when we've read the description.

What is your advice to young writers?” “Drink, fuck and smoke plenty of cigarettes.

Words are not cubicles for truth telling. Words do not allow us to touch the face of God or define the contours of the soul. Words are imprecise and cannot capture all aspects of reality or replicate all facets of a person’s emotional mélange. Language allows for limited explorations of reality and minimal probing of the human mind. I accept that the only possible relation between language and the world is the image displayed in each person’s head by the picture invoking ability of language. Select word pictures might accurately portray what I perceive and still be vague, blatantly inaccurate, completely meaningless, misleading, distorted, or incomprehensible in other persons’ minds.

Writing is the spectrum through which the chaos of life can be seen, studied and understood.

I don't imagine book elitists as my audience when writing. I dream about teachers, morticians and garbage men instead.

So they spread the paintings on the lawn, and the boy explained each of them. "This is the school, and this is the playground, and these are my friends." He stared at the paintings for a long time and then shook his head in discouragement. "In my mind, they were a whole lot better."Isn't that the truth? Every morning, I go to my desk and reread yesterday's pages, only to be discouraged that the prose isn't as good as it seemed during the excitement of composition. In my mind, it was a whole lot better.Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind.

A writing day is like any other day. Except I live in my pajamas, I forget to eat, and I suddenly look up, wondering when day turned into night.

Story seems to say that everything happens for a reason and I want to say, No, it doesn’t.

Sometimes when I am writing, I feel as though I were not reliving the events I describe here, but rather living them. That there is no distance at all, and that I do not know how my story will end. It is an extraordinary sensation, since, of course, I know only too well how it will all end.

Writing a personal essay or memoir addresses how a person thinks and behaves in the context of society’s prevailing moral and ethical codes, informal rules, laws, and customs. A self-ethnographer emphasis what he or she considers important regarding how people perceive and categorize the world, their meaning for behavior, how they imagine and explain things, and ascertaining what has meaning for them. Expository writing, a discursive examination of a broad field of subjects, is one method of cohering the dimensions of a person’s emic and etic thoughts and a linked series of memorable events into a unified personal ideology how to live a purposeful life. In cultural anthropology, the emic approach focuses on what people of a local culture think and how they interpret events whereas the etic approach takes a more objective view of how an outsider evaluates the behavior and customs of a culture. Usage of both emic and etic analysis provides the richest description of a cultural or a society in which the personal essayist operates within.

I don't know which is worse—to have a bad teacher or no teacher at all. In any case, I believe the teacher's work should be largely negative. He can't put the gift into you, but if he finds it there, he can try to keep it from going in an obviously wrong direction. We can learn how not to write, but this is a discipline that does not simply concern writing itself but concerns the whole intellectual life. A mind cleared of false emotion and false sentiment and egocentricity is going to have at least those roadblocks removed from its path. If you don't think cheaply, then there at least won't be the quality of cheapness in your writing, even though you may not be able to write well. The teacher can try to weed out what is positively bad, and this should be the aim of the whole college. Any discipline can help your writing: logic, mathematics, theology, and of course and particularly drawing. Anything that helps you to see, anything that makes you look. The writer should never be ashamed of staring. There is nothing that doesn't require his attention.

I feel like part of getting better at writing is knowing where to find that inspiration. Right after something happens to me, the first thing I’ll do is go write when those feelings are really, really fresh.

You know too little and it doesn't exist. You know too much and it doesn't exist. Writing is drawing the essence of what we know out of the shadows. That is what writing is about. Not what happens there, not what actions are played out there, but the THERE itself. There, that is writing's location and aim. But how to get there?

The difference between wanting to write and having written is one year of hard, relentless labour. It's a bridge you have to build all by yourself, all alone, all through the night, while the world goes about its business without giving a damn. The only way of making this perilous passage is by looking at it as a pilgrimage.

The sooner you finish procrastinating, the sooner you can get back to your art.

Writing is one way to explore new ideas and by doing so blunt the sense of personal unrest and discontent. Writing assist us recognize, explore, and accept the patent absurdity of life. Writing facilitates thinking; the reagent substances we produce through writing augment our expanding system of ideas. Writing boldly triggers a chain reaction in our philosophical structure and thus writing can operate to transform who we are.

You might not write well every day, but you can always edit a bad page. You can't edit a blank page.

He who could write so easily, who could spend a thousand words down along his plunging fingers on the green-rubber keyboard of his machine, had stumbled like a first-grader over this single paragraph. A dozen times he had begun it and written into it a naked desperation; a dozen times he had begun it and written into it the frosted mathematics of logic. Finally he'd written out quickly the sentences that kept cropping up in all the versions. Those must be, to whatever censor there was in him, the most acceptable ones. He sealed it without rereading it and went out to mail it. An hour later he despised himself for having sent it.

We write, edit, and rewrite the story of our own life employing descriptive words, metaphors, and symbols. Our lives are full of symbols including those supplied by nature and religion, which touch upon the mystical and spiritual aspects of life. Symbols inspire enduring hope by formulating idealist expectations.

I am not a supporter of burning books; but like poison, some books should be kept away from simple minds who can't take in the strong content they provide

There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose “story” “plot” “continuity”... Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function... I am not an entertainer...

Autobiographical writing stands as lasting memorial for enduring the travails of an earthly life. Writing is an apt technique to score our storyline into the annuals of time. To endure a mortal life is merely a transitory experience whereas writing about how one lived is an internalized exposition of what it means to be human. Writing is an external exhibition injecting the author into the world’s consciousness.

Dance above the surface of the world. Let your thoughts lift you into creativity that is not hampered by opinion.

I treat my writing life like a fabulous, enchanting lover, because that is what it is to me. Something that is terribly time consuming, delicious and time-stopping. I have missed important meetings for love, and I will continue to put my writing life in the same position. My writing life is the lover at the center, not the neglected cranky demanding millstone, my ball and chain.When you are love, truly and passionately, you don't have to write down in your daily schedule "Spend quality time with Lover today. You can't not.

Whether pleasant or dismal, the past is always a safe territory, if only because it is already experienced, and the species' capacity to revert, to run backward -especially in its thoughts or dreams, since there we are safe as well - is extremely strong in all of us, quite irrespective of the reality we are facing. Yet this machinery has been built into us, not for cherishing or grasping the past (in the end, we don't do either), but more for delaying the arrival of the present - for, in other words, slowing down a bit the passage of time.

At first the creative mind submits to its entry into the symbolic register and gets itself structured like everyone else. Then he balks at a fateful moment which becomes a turning point in the history of his mental growth. From the entry into the imaginary order where he acknowledges his ego and then to the symbolic order where he recognizes his place in the society and finally in his de-symbolization or a refusal to obey the Law that is the rules of the world of symbols, a creative genius is born.

The art of writing involves making as many cups of tea as you can in the time available for writing. Then adding extra time for writing...

Write it as you see in your own perspective, you may be right or wrong but then what, that's how you see it

And there he would lie all day long on the lawn brooding presumably over his poetry, till he reminded one of a cat watching birds, when he had found the word, and her husband said, "Poor old Augustus--he's a true poet," which was high praise from her husband.

The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.

Having read several prize-winning novels, Fancy was confident that she now knew the recipe: 1. Write a simple narrative. 2. Make a long list. 3. Scatter the contents of your list throughout your narrative.

The pen is mightier than the sword as long as it doesn't run out of ink.

I suppose that I did for myself what psychoanalysts do for their patients. I expressed some very long felt and deeply felt emotion. And in expressing it I explained it and then laid it to rest.

The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.