Writing Advice Quotes - Page 6

The show must go on, and so must The Book.

Words are the writer's sorcery, our dark arts and our sleight of hand. They're our enchantment and our temptation

Let us not neglect the forbidden. Let us not sophisticate ourselves out of the cheap thrill and chill of it: the story told for perversity's sake, and all the better for that; the image created because an artist gets tired of reasons sometimes, and wants to dredge up some picture he's been haunted by, and parade it like a new tattoo. I go with it, readily.

...ugly interlopers threaten to choke off your story, depriving it of much-needed nutrition, sunlight and water. Identify and cut those weeds – the life-sucking adverbs, the shade-killing descriptions that don’t move the story forward, the crowding passive voice sentences.

According to Wallace, the expectation that art amuses is a 'poisonous lesson for a would-be artist to grow up with,' since it places all of the power with the audience, sometimes breeding resentment on the part of the author. 'I can see it in myself and in other young writers,' he told McCaffery: 'this desperate desire to please coupled with a kind of hostility to the reader.' Wallace expressed his 'hostility' by writing unwieldy sentences, refusing to fulfill readers' expectations, and 'bludgeoning the reader with data'--all strategies he used to wrestle back some of the power held by modern audiences.

We write to strengthen our soul and the spirit of other souls.

6 criteria to upgrade literary production; Correct language, the power of the idea, the fluency in expressing, the connection between ideas and the depth of their meanings, the characters movements towards high convictions whether in the beginning or in the middle, and the ending must serves ideals and values and accomplishes victory to the human beings.

Use what you stand for and what you oppose as a foundation to write great content that resonates with readers and creates a ripple effect.

Write what you love. Passion is the key to a good story.

. . . But then you will want to put that {publication} behind you right away. You will want to recover the obscurity you swim best through. You've got eternal youth there. You'll never be satisfied. If you get lucky, it will be a darkness so pure it will mirror not the 'self,' but the mysterious 'other.

...it's good to know wave and particle alpha code, but more than that, the writer must go to the heart of life ...

You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart--your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it's why you were born.

Life is not a submarine.

Daily life is always extraordinary when rendered precisely. We can unlock our lives with a pencil tip.

Don't be afraid to get off the internet, the answers aren't all there. You may have to ask a cop about the kickback from a shotgun, or how sweaty they get in summer wearing body armor. Or what color blood is in the moonlight, or the vibrations through a serrated knife’s handle you feel in your fingers when you are hacking through somebody’s neck and hit cartilage.

Trying to write something of permanent value is a full-time job.

All great stories began as shitty first drafts.There are no exceptions to this.

Turn those deep feelings and obsessions of your heart into captivating pieces of literature.

Tighten your prose so the story flows.

Honesty makes stories real and characters memorable. From there, taking them to where they need to go will be all the development they need.

What are minnows but brief flashes? And what are thoughts? And how do you capture a brief flash, even for a second?

Fiction---good fiction, anyway---is dream made flesh, given purpose and drive, and set on a quest to show us the best in us and to give us the power and the tools to dream beyond reality's 'merely good enough' to a vision of what is truly great......and then to give us the stories of men and women of character who in turn inspire those of us who dare to reach for the truly great within ourselves.THAT is why you write fiction.

But apart from these lazinesses of logic, what makes the story so tired is the failure of the writer to reach for anything but the nearest cliche'. "Shouldered his way," "only to be met," "crashing into his face," "waging a lonely war," "corruption that is rife," "sending shock waves," "New York's finest," - these dreary phrases constitute writing at its most banal. We know just what to expect. No surprise awaits us in the form of an unusual word, an oblique look. We are in the hands of a hack, and we know it right away, We stop reading.

You gotta dig through the shit to get to the gold.

Don’t wait. Writers are the only artists I know of who expect to get somewhere by waiting. Everyone knows you have to dance to be a dancer, you have to sing to be a singer, you have to act to be an actor, but far too many people seem to believe that you. don’t have to write to be a writer. So, instead of writing, they wait. Isaac Asimov said it beautifully in just six words: “It’s the writing that teaches you.” Writing is what teaches you. Writing is what leads to “inspiration.” Writing is what generates ideas. Nothing else-and nothing less. Don’t meditate, don’t do yoga, don’t do drugs. Just write.

We write, not because we claim to know more than others, but perhaps because we want to know more than others. Writers are explorers

Set fire to cities and nations, to hearts and minds, to the very core of every human spirit. Make sure your words seep into the skin of the reader, leaving trace minerals that sustain the ailing human shell. Make them pay attention. Set fire to the soul. Anything less is an abomination to creation.

The only way to overcome fear and doubt is to go against them.

Writing is the neck muscle allowing us to see the important stuff in our periphery.

Writing is easy. Writing well is hard work.

If you were waiting for a sign that you’re meant to be a writer…THIS IS IT.

Write to evolve and you'll evolve to write.

Description is the color in the canvas of your story.

Biting my truant pen, beating myself for spite:"Fool!" said my muse to me, "look in thy heart, and write.

Ignore people who say you can't do it, even if this person is yourself.

Atticus told me to delete the adjectives and I'd have the facts.

The writer's silent mind is a period of intermission before orchestrating a symphony of words.

You can only write well ,what you have lived.

Never try to keep it professional, keep it smutty, write with bodily fluids on sandpaper, and damn the men with clipboards in white suits, the literary bean-counters, the prose police.

If you want to be a writer, you have to keep writing, all the time, and when you're not writing, be thinking about and planning writing.

One of the hardest things for a writer to do is delete words.

It's basically an act of faith, hoping that a small idea will unspool into a bigger whole. Sometimes, in fact often, it doesn't and it just runs out of steam. The hope for me is that it will snowball. the best way to put it is that I have no particular method or technique per se, other than this: I plan nothing, I outline nothing, I start with an idea or an image or a line of dialogue and see where it leads me. Because I never know what the next page will contain, let alone the end of the book, I am perpetually surprised by the course that my characters take. The writing process is as full of surprises and twists for me as the reading experience is for my readers. I love the spontaneity of writing this way, the possibilities left open, the feeling that I am not constrained or committed to any given path. Every day, I am surprised by something. It may not be the most efficient way of writing, but it has served me well thus far.

A rain forest springs from the droppings of animals and grows greater than any cultivated garden; likewise, a great mass of literary skill springs from the droppings of writers that cross our minds through the reading we do.

I've never heard a writer feel that way about a device with a screen. Oh sure, they're functional, practical. We would be lost without them. But just as we need to feel our feet on the earth, smell and taste the world around us, the pen scratching against the page, sensory and slow, is the difference between looking at a high-definition picture of a flower and holding that very same flower in your palm, feeling the brush of its petals, the color of its stamen rubbing off on your fingers.

Not everyone is fodder for books,' said Rosalind.

Why is it that women are the only ones who will write perfect men into fiction? It's strange. If a man portrayed his fictional men as archangels, the feminists would throw back their heads and howl, "UNFAIR!" but we women will create our own Mr. Darcy's and Mr. Knightley's and defy anyone who would point out their unrealistic points. The men aren't the ones crazy about Pride and Prejudice. Obviously they don't find perfect men realistic and honest enough to bother reading about. We don't write perfect women characters, do we? No. Our women all have bad tempers, or resentful hearts, or scabby pasts, or hidden fears--things that make them real. It's because we're easy on ourselves and aren't trying to boast perfection because we know we don't measure up. Then why do we hold men to a different standard?..... I'd caution all writers to make sure that your male "hero" in your story has his own flaws. You don't want a one-dimensional character. You don't want a perfect man that will drive away other men from reading the book.Look to the men in your life. The men around you. Look to your brothers and fathers and pastors and neighbors. Your uncles and the guy down the street. Goodness--look to Taylor the Latte Boy if you must, but let's cast aside the Perfect-Man syndrome.

...you are a writer the moment you start writing, not when you've sold your first book.

Aspiring authors, get this through your head. Cover art serves one purpose, and one purpose only, to get potential customers interested long enough to pick up the book to read the back cover blurb. In the internet age that means the thumb nail image needs to be interesting enough to click on. That’s what covers are for.

My best writing happens when I’m fighting to produce it.

What lasts in the reader’s mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what’s it doing there? Make it do its job or cut it without mercy or remorse.

I honestly think in order to be a writer, you have to learn to be reverent. If not, why are you writing? Why are you here? Let's think of reverence as awe, as presence in and openness to the world. The alternative is that we stultify, we shut down. Think of those times when you've read prose or poetry that is presented in such a way that you have a fleeting sense of being startled by beauty or insight, by a glimpse into someone's soul. All of a sudden everything seems to fit together or at least to have some meaning for a moment. This is our goal as writers, I think; to help others have this sense of -- please forgive me -- wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.

Writing is all about self-expression, we want to speak up, to get it off our chest. Whether we make an impact or not that is not for us to decide

For every idea that's been done to DEATH, there's a child being BORN who hasn't read it yet. Don't kill your dragons.

Writing is like surfing on a wild sea, in the middle of a moonless night, in a hailstorm, on a deserted island.Yeah... that about sums it up.

I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flowers that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write.

One author said "I write because I want to live a footprint in the sands of history.” It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants

The beauty of Goodreads is that you know you’re sowing in a field where everyone, by definition and self-selection, loves to read.

To write, live.

I do a lot of rewriting. It’s very painful.

Personally, I am always more impressed by simplicity, clarity; it is the mark of a writer who knows his subject well and is secure enough not to 'lay it on' in the telling. Aim for complexity of thought, not expression.