Writing Advice Quotes - Page 3

Fiction must convince our bodies for it to have any chance of convincing our minds.

Writing is magic happening on paper

A writer reports on the universe. When he presents his credentials, the gates of heaven and hell are equally opened to him. He can hear the devil’s defense and god’s accusations. The guards at the king’s heart let him in. The writer can be anything and any one he wants. When he writes he is a god, he creates.

In reading we live hundreds lives, in writing we live thousands of lives.

Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind. The chances are that you'll never make them identical. That's one reason I'm still hitting the keyboard. Obsessed by the secrets of my past, I try to put metaphorical versions of them on the page, but each time, no matter how honest and hard my effort, what's in my mind hasn't been fully expressed, compelling me to keep trying. To paraphrase a passage from John Barth's "Lost in the Funhouse," I'll die telling stories to myself in the dark. But there's never enough time. There was never enough time.

First drafts don’t have to be perfect. They just have to be written.

I made a decision long ago not to make any apologies. Romance rocks, and even though my books don't actually fall into the romance genre, I tout them as very much being about the romance. It's fun. We're all obsessed with it. And it's human nature. Remember, NO APOLOGIES! Write what 's in your heart!

Because as any writer will tell you, an IDEA for a book is like falling in love, it’s all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

Here’s my advice: you hold in your heart everything you need to know to write anything your story needs written. Dig deep and go where the pain and fear and joy are, and put it out there. The minute you shy away from pure honesty in your writing, you become a liar and people will smell it. People are suckers for the truth and they know it when they see it. Open your soul and they will stop and watch.

Stop beating yourself up over all the days you didn’t work on your story. Focus on what you can do today.Sit down, and write.

We will always come against people who don't like our books. People who think what we're doing is trivial or cliché or tries too hard. But there will always be people who love what we do and we have to take those good moments to heart.

Not everyone is fodder for books," said Rosalind.

‏Don’t live with a lover or roommate who doesn’t respect your work.

The written word is greatest sacred documentation.

The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.

There is a ruthlessness to the creative act. It often involves a betrayal of the status quo.

Very early on, near the beginning of my writing life, I came to believe that I had to seize on some object outside of literature. Writing as a sylistic exercise seemed barren to me. Poetry as the art of the word made me yawn. I also understood that I couldn't sustain myself very long on the poems of others. I had to go out from myself and literature, look around in the world and lay hold of other spheres of reality.

Write, what you feel about. Feel, what you have written about.

Let your eyes be the camera and your imagination be the set.

But if you don't understand that story is character and not just idea, you will not be able to breathe life into even the most intriguing flash of inspiration.

The unwritten novel has a basilisk’s stare.

Ten good lines out of four hundred, Emily—comparatively good, that is—and all the rest balderdash—balderdash, Emily.""I—suppose so," said Emily faintly.Her eyes brimmed with tears—her lips quivered. She could not help it. Pride was hopelessly submerged in the bitterness of her disappointment. She felt exactly like a candle that somebody had blown out."What are you crying for? demanded Mr. Carpenter.Emily blinked away tears and tried to laugh."I—I'm sorry—you think it's no good—" she said.Mr. Carpenter gave the desk a mighty thump."No good! Didn't I tell you there were ten good lines? Jade, for ten righteous men Sodom had been spared.""Do you mean—that—after all—" The candle was being relighted again."Of course, I mean. If at thirteen you can write ten good lines, at twenty you'll write ten times ten—if the gods are kind. Stop messing over months, though—and don't imagine you're a genius, either, if you have written ten decent lines. I think there's something trying to speak through you—but you'll have to make yourself a fit instrument for it. You've got to work hard and sacrifice—by gad, girl, you've chosen a jealous goddess. And she never lets her votaries go—not even when she shuts her ears forever to their plea.

I thought you could beat, pummel, and thrash an idea into existence. Under such treatment, of course, any decent idea folds up its paws, turns on its back, fixes its eyes on eternity, and dies.

Do not forget to write your sacred book.

Perhaps the hardest thing in all literature— at least I have found it so: by no voluntary effort can I accomplish it: I have to take it as it comes— is to write anything original. And perhaps the easiest is, when once an original line has been struck out, to follow it up, and to write any amount more to the same tune.

When you have something meaningful to say, you lose your desire for much grammar; for only in the incompetence of words does one seek the redeeming power of vocabulary.

Just get it down on paper, and then we’ll see what to do with it.

If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence.'If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.'Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page?As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick.Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly.

Keep trying, especially at first. It can be very discouraging if your submissions keep being rejected by a publisher, but if your work is what people want to read, you should get there eventually!

Stay within the confines of your chosen topic. If you start to stray away from your topic and find an urge to showcase everything that you know, resist that urge. Remember that you are writing a book, not the book.

Poetic license is not a license to scribe recklessly.

When I am grown up I shall carry a notebook—a fat book with many pages, methodically lettered. I shall enter my phrases.

Maybe those sailors will write bad poems, but the same men would have kept dull diaries, too. The problem has to do not with the evidence but with the witness. The point is not the adventure but the adventurer. Reality cannot be directly rendered. Reality is a pile of bricks that can assume many forms.

Write the words on your heart.

The true writer, the born writer, will scribble words on scraps of litter, the back of a bus tickets, on the wall of a cell.

A writer is never alone, he is always with himself

Every beginner possesses a great potential to be an expert in his or her chosen field.

One day I will write a book. An epitaph

Be daring, take on anything. Don’t labor over little cameo works in which every word is to be perfect. Technique holds a reader from sentence to sentence, but only content will stay in his mind.

Writers, that deep dark secret is not something you should hide from the world. It is your gift. Take it from memory and illuminate it in literature,shake the dust from it, unless it will get you arrested, lol.

Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story … to make him/her forget, whenever possible, that he/she is reading a story at all.

Write a book, not the book.

If I can write, who possibly can’t. Even drawing a line in the sand is writing

A writer can do without food for a few hours, but not without the sight of books.

Plot comes from the mind but the characters come from the heart!

When you’re speaking in the truest, most intimate voice about your life, you are speaking with the universal voice.

Every writer in the history of the world has been afraid to put words on the page. But we only remember those who overcame that fear.

When you start out writing, your inner creative is just a little seedling with tiny leaves above the earth, peeping out into the air for the first time.

I have an idea and a first line -- and that suggests the rest of it. I have little concept of what I’m going to say, or where it’s going. I have some idea of how long it’s going to be -- but not what will happen or what the themes will be. That’s the intrigue of doing it -- it’s a process of discovery. You get to discover what you’re going to say and what it’s going to mean.

Writing's in the nouns.

Max sent Scottie some literary advice, the same dictum he gave every college student who called on him. He stressed the importance of a liberal arts education but urged her to avoid all courses in writing. "Everyone has to find her own way of writing," he wrote Scottie, "and the source of finding it is largely out of literature.

Well, I like him. There’s a darkness to him. But does he make it all the way through?”She shrugged. “It’s entirely up to him.”“What do you mean?” He smiled quizzically at her.“Characters talk to you. Transform. Make choices,” she replied.“Choices,” he echoed.“Of who they become.

You can swap the message around, and whatever the particular norm is, or whatever the particular message is, when you put your pet-peeve message before story, odds are you are going to bore the shit out of your reader.

If you can't stand your own company alone in a room for long hours, or, when it gets tough, the feeling of being in a locked cell, or, when it gets tougher still, the vague feeling of being buried alive--then don't be a writer.

Every wound is a word.

Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Else they are likely going to move on to another book.

In order to protect their good names for posterity, many writers never wrote what they thought or the truth as it stood. That's why truth still lies hidden in matters of power, sex and religion. No wonder they chose to do so, many who dared paid with their heads

If a writer writes something that he or she has never experienced, I think the reader can sense right away that it is garbage. The only thing that can replace experience, though, is imagination; however it takes experience to grow an imagination.

I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It’s ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking

People who want to write books do so because they feel it to be the easiest thing they can do. They can read and write, they can afford any of the instruments of book writing such as pens, paper, computers, tape recorders, and generally by the time they have reached this decision, they have had a simple education.