Storytelling Quotes - Page 2

Only your children’s grandchildren may remember our stories, but the stories are not what makes a life. It’s living with a smile and a free spirit that will ripple throughout the stars.

Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths.

we compose our life in stories we tell ourselves

Stories give color to black and white information.

Most of the pain we feel is nothing more than a story that needs telling.

Keep in mind that in the whole long tradition of storytelling, from Greek myths through Shakespeare through King Arthur and Robin Hood, this whole notion that you can't tell stories about certain characters because someone else owns them is a very modern one - and to my mind, a very strange one.

Everyone is a raconteur without realizing it. We speak to our friends, we speak to our doctors and therapists about the nothing-meaning nonsense that goes on in our lives, but the difference in telling a story and complaining about the ills of one’s life is in the delivery. We can talk about how someone slighted you at work, or we can talk about how that person looked when they promptly fell down the stairs a moment after disdaining you. There, you see, is the difference: people will often notice the main but not the nuance; they will notice the face of the person yelling at them and the pitch of their shouts, but will not notice the comfort that the ululations of agony and twisted limbs lying on the bottom stile can promise.

Talent and work ethic are nothing without belief.

You know what a storyteller is, don't you? It's a person that has a good memory who hopes other people don't.

Of course I believe in magic. I believe in storytelling.

Nothing opens up the mind and the heart like books do, and so they have the power to change the whole world. That's why the are burning books, Ava. To stop us thinking, and feeling, and imagining...

Storytelling? God started that. Discovery. Lust. Murder. Revenge. Power. Sin. Redemption. Forgiveness. Miracles. We simply retell the stories in the language of our generation.

A story from beginning to end that might entertain, teach, or simply bore your listener. It's all in the delivery, my dear."He got a smug look on his face as he scooted his posterior deeper into the chair and took his pipe between his teeth. "I'm just better at it than most.

Francie always remembered what that kind teacher told her. “You know, Francie, a lot of people would think that these stories that you’re making up all the time were terrible lies because they are not the truth as people see the truth. In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won’t get mixed up.

Hard and cruel though it may seem," said the Cardinal, "yet we, who hold our high office as keepers and watchmen to the story, may tell you, verily, that to its human characters there is salvation in nothing else in the universe. If you tell them -- you compassionate and accommodating human readers -- that they may bring their distress and anguish before any other authority, you will be cruelly deceiving and mocking them. For within our whole universe the story only has authority to answer that cry of heart of its characters, that one cry of heart of each of them: 'Who am I?

No matter how shitty things are, you can always get a song out of it.

I don't judge a scene or a line of dialog by whether or not it advances the plot, for example. Imagine an edit of Tarantino's Pulp Fiction wherein only dialog that advances the plot was allowed to remain. I don't obsess over the balance of conflict and interaction. I don't generally fret over the possibility that something I do may cause some reader to experience a "disconnect" (what an odious metaphor). I don't think in dramatic arcs. I don't spend a lot of time wondering if the plot is getting lost in description and conversation. To me, this all seems like a wealth of tedious confusion being introduced into an act that ought to be instinctive, natural, intuitive. I want to say, stop thinking about all that stuff and just write the story you have to tell. Let the story show you how it needs you to write it. I don't try to imagine how the reader will react to X or if maybe A, B, and C should have happened by page R. It's not that I don't want the story to be read. I desire readers as much as anyone. But I desire readers who want to read what I'm writing, not readers who approach fiction with so many expectations that they're constantly second-guessing and critiquing the author's every move, book in one hand, some workshop checklist in the other, and a stopwatch on the desk before them. If writing or reading like this seems to work for you, fine. I mean, I've always said that when you find something that works, stick with it. But, for me, it seems as though such an anal approach to creating any art would bleed from it any spark of enjoyment on the part of the artist (not to mention the audience). It also feels like an attempt to side-step the nasty issue of talent, as if we can all write equally well if we only follow the rules, because, you know, good writing is really 99% craft, not inexplicable, inconvenient, unquantifiable talent.

When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.

When a writer's heart is filled with the music of her soul, her words sing.

Stories are important too. Stories help make sense of things. They make you believe you can do things. They help you imagine that things may be different, that if you just have enough courage... or faith... or goodness... you can change things for the better.

Open your arms to the world.

The depth of any story is proportionate to the protagonist's commitment to their goal, the complexity of the problem, and the grace of the solution.

And, of course, people are interested only in themselves. If a story is not about the hearer he will not listen. And I here make a rule - a great and lasting story is about everyone or it will not last. The strange and foreign is not interesting - only the deeply personal and familiar.

A Writer is Actor, Creator, Director & Producer Of HIS Life. Ask ME anything.

Online personal branding is not about self-promotion... it's about transferring your real world reputation into the online world.

When a story gets wedged in your head and refuses to go away, when it keeps coming back, again and again, despite your seeming inability to tell it, know this..the story has chosen you and You are ready, so tell it or it’ll haunt you to the end of your days. Characters too! They will find you, drop anchor and before you know, they will speak through you, shaping their own narrative, their own unique destiny. Let go and allow them. You have no option but to be a channel for them. This joy of surrender can only be felt… never truly explained.

So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.

And it's just dawned on me that I might be the author of my own story, but so is everyone else the author of their own stories, and sometimes, like now, there's no overlap.

The more you read, the more you write, and the more you free yourself to do so, the better writer you will become.

The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.

We make our lives bigger or smaller, more expansive or more limited, according to the interpretation of life that is our story.

You know that when a utility company is going down the fantasy route, they are likely hiding some illegal activity that they are engaging in. Fabricating fictional stories to their government regulator is just one of the many illegal activities that they engage in.

Gratefulness heightens awareness.

Infinite possibilities exist within the art of storytelling. To me, it is nothing less than the magic of creation.

Magicians and Mentalist predict the future because they create it.

An event without a good presentation is like a pizza without cheese.

The gift of knowledge is empowering, but the gift of wisdom is life-changing.

But I hasten to finish my story. Brevity is justified at once to those who readily understand, and to those who will never understand.

A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.

Storytellers don't show, they tell. I'm sticking with that.

A good presentation = Conviction + Story + Message. Subject does't matter.

Without desire how is it possible to make a story?

A story begins with this nebulous feeling that’s hard to get a hold of and you’re testing your feelings and assumptions, testing what you believe. They end up turning into keepsakes and mementos—like amber in which a memory gets trapped.

Write your sacred story.

Margherita Margheritone put the pot of water on the fire and the Wicked Witch emptied the sack into it and the little wash-bear jumped out and started biting both of them, went down into the yard and started eating the hens, and threw all the rubbish into the air.

Chimerical words, the words were written,Some are wasted; some are still on the page,Tattered words, the words were written,Some are young, some are aged,Gloomy words, the words were written,Some are unspoken, some are told,Words were hurt, though they can heal,Words are breathless, though can feel,Words won hearts, words shattered hearts,Words lost battles, words won wars,Wars within, words had scars.

Probably every subject is interesting if an avenue into it can be found that has humanity and that an ordinary person can follow.

What if things happened to you—special, magic things—because you’d been preparing for them?

Pheoby's hungry listening helped Janie to tell her story.

Academics have given up trying to recover an honest picture of the past and have decided that their history-writing should be simply an instrument of moral hand-wringing.

We hold these stories and mad idea and events in our head and they run around and around telling us we are different, separate, broken. Then one day the mad idea escapes the asylum. Most times it’s unplanned. It just tumbles out on the lap of the man sitting next to us on the bus, or it slips sideways into a conversation on line at the Trader Joe’s or it falls out at the kitchen table when your neighbor comes to pick up her cat. And there is a terrifying moment when it first hits the light of day, where we think, “holy mother of God! What have I done? How could I have been to casual with my crazy ways?”But the man on the bus just smiles and nods his head, and the casher takes a moment to look us in the eye and the neighbor sits for a cup of tea and together we move into some new agreements that we are all in fact crazy and it’s so much nicer to be out of the closet with it all.

It was a strange feeling, like touching a void.

Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doin

In this time of 'information overload', people do not need more information. They want a story they can relate to.

The folly and the glory of the world... the wild, the wise and the wicked... the hero, the madman, the wanderer and the fool... the earth, the seas, the wild heavens... are all part of an endless, unfolding tapestry, woven by time and hemmed by memory.

We don't do well with infinity and endless possibility, and so we break things down into individual units and into stories. And then we accidentally believe in those stories, and we accidentally start acting them out. Stories about what love is, what happiness is. What men are, what women are. Unable to shape our own stories about the madness that surrounds us, we get infected with other people's stories, trying to ignore the discomfort that comes with an imperfect fit.

The Adventure called and I followed with my thumb like a character being written by an intractable author. Which, of course, I was.

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling.

I think today is a day for the heart. What do you think?

and their days make no story for they were good and joyful and without event