Shakespeare Quotes - Page 4

Ambition should be made from sterner stuff.

I can’t help but ask, “Do you know where you are?”She turns to me with a foreboding glare. “Do you?

From too much liberty, my Lucio, libertyAs surfeit is the father of much fast,So every scope of the immoderate useTurns to restraint. Our natures do pursue, -Like rats that ravin down their proper bane, - A thirsty evil; and when we drink we die.

For all that beauty that doth cover theeIs but the seemly raiment of my heart,Which in thy breast doth live, as thine in me.How can I then be elder than thou art?

They lie deadly that tell you have good faces.

The time approachesThat will with due decision make us knowWhat we shall say we have and what we owe.Thoughts speculative their unsure hopes relate,But certain issue strokes must arbitrate;Towards which, advance th

From women's eyes this doctrine I derive:They are the ground, the books, the academes,From whence doth spring the true Promethean fire.

Miranda opened her eyes in time to see the sunrise. A wash of violent color, pink and streaks of brilliant orange, the container ships on the horizon suspended between the blaze of the sky and the water aflame, the seascape bleeding into confused visions of Station Eleven, its extravagant sunsets the its indigo sea. The lights of the fleet fading into morning, the ocean burning into sky.

... All who have brought about a state of sex-consciousness are to blame, and it is they who drive me, when I want to stretch my faculties on a book, to seek it in that happy age ... when the writer used both sides of his mind [the male and female sides of his mind] equally. One must turn back to Shakespeare then, for Shakespeare was androgynous; and so were Keats and Sterne and Cowper and Lamb and Coleridge. Shelley perhaps was sexless. Milton and Ben Jonson had a dash too much of the male in them. So had Wordsworth and Tolstoy.

One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too.

Nay, Nay! Try thou not.But do thou or do thou not, For there is no "try.

We've been told that with regard to seduction, "candy is dandy, but liquor is quicker," but in truth, rather, properly selected: "candy makes randy; liquor makes desire flicker"; or, as Shakespeare's porter said to Macduff: "[drink] provokes the desire but it takes away the performance." The wines and beers of antiquity, however, which were potent infusions of innumerable psychoactive plants, often requiring dilution with water and in which alcohol served rather as preservative then inebriating active principle.

My Crown is in my heart, not on my head:Not deck'd with Diamonds, and Indian stones:Nor to be seen: my Crown is call'd Content,A Crown it is, that seldom Kings enjoy.

You can't go by what a girl says, when she's giving you the devil for making a chump of yourself. It's like Shakespeare. Sounds well, but doesn't mean anything.

[Measure for Measure] leaves me with the sense that life is all there is, so we might as well live it as best we can; that being human is not a given something we have to strive for. That the reason we are here is to live and that this involves making many difficult judgements.

No, take more! What may be sworn by, both divine and human, Seal what I end withal! This double worship, Where [one] part does disdain with cause, the other Insult without all reason; where gentry, title, wisdom, Cannot conclude but by the yea and no Of general ignorance— it must omit Real necessities, and give way the while To unstable slightness. Purpose so barr’d, it follows Nothing is done to purpose. Therefore beseech you— You that will be less fearful than discreet; That love the fundamental part of state More than you doubt the change on’t; that prefer A noble life before a long, and wish To jump a body with a dangerous physic That’s sure of death without it— at once pluck out The multitudinous tongue; let them not lick The sweet which is their poison. Your dishonor Mangles true judgment, and bereaves the state Of that integrity which should become’t; Not having the power to do the good it would, For th’ ill which doth control’t.

To be or not to be: that is the question. That's from Hamlet's - maybe Shakespeare's - most famous soliloquy. I had to memorize the whole speech for sophomore English, and I can still remember every word. I didn't give it much thought back then. I just wanted to get all the words right and collect my A.

Turn hell-hound, turn.

LEELA: 'To be, or not to be, that is the question.' That is a very stupid question!THE DOCTOR: It's Shakespeare.LEELA: And that is a very stupid name. You do not shake a spear, you throw it! Throwspeare, now that is a name.

If I could write the beauty of your eyesAnd in fresh numbers number all your graces,The age to come would say 'this poet lies! Such heaven never touched earthly faces

You can't just skip the boring parts.""Of course I can skip the boring parts.""How do you know they're boring if you don't read them?""I can tell.""Then you can't say you've read the whole play.""I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark.""Who knows?" she said. "Maybe you can't.

The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

If you want a language to survive, capture great thoughts within it. William Shakespeare has ensured Elizabethan English will never perish from this world.

People want what was best about the world.

You gotta be cruel to be kind.

Reply not to me with a fool-born jest.

Mad I call it, for to define true madness, what is't to be nothing else but mad?

Tacitus laughed at the Germanic tribes who tried to stop a torrent with their shields, but it is no less naive to believe in planetary migration or to believe in the establishment by purely human means of a society fully satisfied and perfectly inoffensive and continuing to progress indefinitely. All this proves that man ,though he has inevitably become less naive in some things, has nonetheless learned nothing as far as essentials are concerned; the only thing that man is capable of when left to himself is to "commit the oldest sins the newest kind of ways," as Shakespeare would say. And the world being what it is, one is doubtless not guilty of a truism in adding that it is better to go to Heaven naively than to go intelligently to hell.

Good name in man and woman, dear my lord,Is the immediate jewel of their souls:Who steals my purse steals trash; ’tis something, nothing;’twas mine, ’tis his, and has been slave to thousands;But he that filches from me my good nameRobs me of that which not enriches him, And makes me poor indeed.

No one has yet managed to be post-Shakespearean.

That such a slave as this should wear a sword,Who wears no honesty. Such smiling rogues as these,Like rats, oft bite the holy cords atwainWhich are too intrinse t' unloose; smooth every passionThat in the natures of their lords rebel,Being oil to the fire, snow to the colder moods,Renege, affirm, and turn their halcyon beaksWith every gale and vary of their mastersKnowing naught, like dogs, but following.

You tell me the dead are coming through a crack in my barn, but I shouldn’t worry?

I believe it was Shakespeare, or possibly Howard Cosell, who first observed that marriage is very much like a birthday candle, in that 'the flames of passion burn brightest when the wick of intimacy is first ignited by the disposable butane lighter of physical attraction, but sooner or later the heat of familiarity causes the wax of boredom to drip all over the vanilla frosting of novelty and the shredded coconut of romance.' I could not have phrased it better myself.

O mother, mother!What have you done? Behold, the heavens do ope,The gods look down, and this unnatural sceneThey laugh at. O my mother, mother! O!You have won a happy victory to Rome;But, for your son,--believe it, O, believe it,Most dangerously you have with him prevail'd,If not most mortal to him.

He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close.

A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity at the illiteracy of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is about the scientific equivalent of: Have you read a work of Shakespeare's?

If Shakespeare had never existed, he asked, would the world have differed much from what it is today? Does the progress of civilization depend upon great men? Is the lot of the average human being better now that in the time of the Pharaohs?

This place looks like the last scene in Hamlet.

In my mind's eye

Shakespeare was so ahead of his time that people still don't talk that way.

Shakespeare said, 'the robbed that smiles steals something from the thief.

We've all heard that a million monkeys banging on a million typewriters will eventually reproduce the entire works of Shakespeare. Now, thanks to the Internet, we know this is not true.

Why can’t you remember your Shakespeare and forget the third-raters. You’ll find what you’re trying to say in him- as you’ll find everything else worth saying. 'We are such stuff as dreams are made on, and our little life is rounded with sleep.''- 'Fine! That’s beautiful. But I wasn’t trying to say that. We are such stuff as manure is made on, so let’s drink up and forget it. That’s more my idea.

They are the books, the arts, the academes,That show, contain and nourish all the world.

Excellent wretch! Perdition catch my soul But I do love thee! and when I love thee not, Chaos is come again.

Here comes a pair of very strange beast, which in all tongues are called "fools".

I knew exactly when the fever had struck. I had been reading Hamlet in an English class at school. Everyone else stumbled, puzzling over the strange words. Then it had been my turn, and the language had suddenly woken in me, so that my heart and lungs and tongue and throat were on fire. Later, I understood that this was why people spoke of Shakespeare as a god. At the time, I felt like weeping. Somebody had released me from dumbness, from utter isolation. I knew that I could live inside these words, that they would give me a a shape, a shell. I had no idea, then, that I would never play Hamlet…. I’m an actor, and in a good year I earn eleven thousand pounds for dressing up as a carrot.

He was digging in his garden--digging, too, in his own mind, laboriously turning up the substance of his thought. Death--and he drove in his spade once, and again, and yet again. And all our yesterdays have lighted fools they way to dusty death. A convincing thunder rumbled through the words. He lifted another spadeful of earth. Why had Linda died? Why had she been allowed to become gradually less than human and at last... He shuddered. A good kissing carrion. He planted his foot on his spade and stamped it fiercely into the tough ground. As flies to wanton boys are we to the gods; they kills us for their sport. Thunder again; words that proclaimed themselves true--truer somehow than truth itself. And yet that same Gloucester had called them ever-gentle gods. Besides, thy best of rest is sleep, and that thou oft provok'st; yet grossly fear'st thy death which is no more. No more than sleep. Sleep. Perchance to dream. His spade struck against a stone; he stooped to pick it up. For in that sleep of death, what dreams...?

Love and kindness are never wasted. They always make a difference. They bless the one who receives them, and they bless you, the giver.

More grief to hide than hate to utter love. Polonius, Hamlet.

Olivia: What's a drunken man like, fool?Feste: Like a drowned man, a fool, and a madman: one draught above heat makes him a fool; the second mads him; and a third drowns him.

Mother, you have my father much offended.

I said ”I love you so much it’s killing me”and you kept saying sorryso I stopped explainingfor it never made sense to youwhat always did to meto let what you love kill youand never regret. As Romeo is dying Juliet says”I am willing to die to remain by your side”and love was never a static place of restbut the last second of euphoriawhile throwing yourself out from a 20 store windowto be able to say”I flew before I hit the ground”,and it was glorious.Don’t be sorry.The fall was beautiful, dear.The crash was beautiful.

i heard someone tried the monkeys-on-typewriters bit trying for the plays of W. Shakespeare, but all they got was the collected works of Francis Bacon.

There is more in the world than is dreamt of in your philosophy, Doctor - or in the Merck Manual.

I have no spurTo prick the sides of my intent, but onlyVaulting ambition, which o'erleaps itselfAnd falls on the other.

She is never alone when she has Her Books. Books, to her, are Friends. Give her Shakespeare or Jane Austen, Meredith or Hardy, and she is Lost - lost in a world of her own. She sleeps so little that most of her nights are spent reading.

Everyone in this tale has a rock-solid hamartia: hers, that she is so sick; yours, that you are so well. Were she better or you sicker, then the stars would not be so terribly crossed, but it is the nature of stars to cross, and never was Shakespeare more wrong than when he had Cassius, "The fault, dear Brutus, is not in our stars, but in ourselves.

Shakespeare wrote Moby-Dick, using Melville as a Ouija board.

Reading Shakespeare is sometimes like looking through a window into a dark room. You don't see in. You see nothing but a reflection of yourself unable to see in. An unflattering image of yourself blind.