Poetry Quotes - Page 69

I am trying to both be happy and pay attention to the world around me. I do not know if it is possible to do both at the same time.

In poetry, the best way to say cuss words is to hide it behind metaphors.

She was a beautiful dreamer. The kind of girl, who kept her head in the clouds, loved above the stars and left regret beneath the earth she walked on.

The sun is an arrogant thing, always leaving the world behind when it tires of us.The moon is a loyal companion.It never leaves. It's always there, watching, steadfast, knowing us in our light and dark moments, changing forever just as we do. Everyday it's a different version of itself. Sometimes weak and wan, sometimes strong and full of light. The moon understands what it means to be human.Uncertain. Alone. Cratered by imperfections.

I will not feel, I will notfeel, untilI have to

A good poet is someone who manages in a lifetime of standing out in thunderstorms to be struck by lightning five or six times.

we're lost where the mind can't find usutterly lost

When the immense drugged universe explodesIn a cascade of unendurable colourAnd leaves us gasping naked,This is no more than the ectasy of chaos:Hold fast, with both hands, to that royal loveWhich alone, as we know certainly, restoresFragmentation into true being.Ecstasy of Chaos

Ik weet nietof er woorden bestaandie de geur van je huidkunnen vangen, het beweeglijkelicht in je ogen, de warmtedie in me opspringt zodraje me aanraakt, het rullegevoel van je haaraan mijn vingertoppen,de bloemblaadjestere huidvan je oogleden tegenmijn lippen.Als daar woorden voor waren,kon ik alles snelvastleggen op papiervoor als je er niet bent(en dat is dikwijls).

Failures of nerve and energy are not permitted. That's what it means to be an object.

Men had always been the reciters of poetry in the desert.

God doesn't listen to me too, but people have their suspicions. सुनता तो रब हमारी भी नहीं,पर लोगों को अल्लाह पे शक बेशक है

it was the kind of moonthat I would want to send back to my ancestorsand gift to my descendantsso they know that I too,have been bruised...by beauty.

A little bunny or some kind of ferret was probablythere too, and bore witness as only rodents can.

Teach me to sing and recite,To whistle and jingle and strum.Teach me to color and paint,To sculpt and weave and create.Teach me to sway and dance,To tap and leap and twirl.Teach me to laugh and giggle,To tickle and play and pretend.Teach me that life is beautiful.

i want to stay curled and cosiedand chocolated....foreverin my mother’s arms.

I believein love at first sightbut I will always believe that the peoplewe lovewe have loved before.Many, many, many times beforeand when we stumblethrough grace and circumstance and that brilliant illusion of choiceto finally meet them again, we feel it fastereach time through.The one glance that set life alightis two sets of two eyesstaring through the layersof lifetimes and stolen glancesand first kisses and hands held;the brace against the weight and unrelenting tideof waiting.I believein love at first sightbut am not burdened with the misconceptionthat it's a first sightat all.

Why should I have been surprised?Hunters walk the forestwithout a sound.The hunter, strapped to his rifle,the fox on his feet of silk,the serpent on his empire of muscles—all move in a stillness,hungry, careful, intent.Just as the cancerentered the forest of my body,without a sound.

dark say:berthenia bellenever forgetthe tongue hid name

The Incarnation of Christ raised the energy of everything. And when Hopkins placed his conviction of this into poetry, he tended to mention electricity, lightening, fire, flash, flame. He wrote in his late, great poem, "That Nature is a Heraclitean Fire and the comfort of the Resurrection": 'In a flash, at a trumpet crash, / I am all at once what Christ is, / since he was what I am and / This jack, joke, poor potsherd, / patch matchwood, immortal diamond, / Is immortal diamond.

She wildly burned for the one she loved and he stood there watching, hoping he too would catch a blaze from the violence stirring in her heart.

The secret of poetry is never explained - is always new. We have not got farther than mere wonder at the delicacy of the touch, & the eternity it inherits. In every house a child that in mere play utters oracles, & knows not that they are such. 'Tis as easy as breath. 'Tis like this gravity, which holds the Universe together, & none knows what it is.

Not much more than a broke disgrace who's hooked on tonics, so excuse him if his poker face has puke on it.

Trying to explain feelings that are foreign to your heart, make communication daunting, even frightful. How does one express sensations that cower in the corners, fearful they will not be accepted by their inspiration?

There is the staircase,there is the sun.There is the kitchen,the plate with toast and strawberry jam,your subterfuge,your ordinary mirage.You stand red-handed.You want to wash yourself in earth, in rocks and grassWhat are you supposed to dowith all this loss?In the daylight we knowwhat's gone is gone,but at night it's different.Nothing gets finished,not dying, not mourning;the dead repeat themselves, like clumsy drunkslurching sideways through the doorswe open to them in sleep;these slurred guests, never entirely welcome,even those we have loved the most,especially those we have loved the most,returning from where we shoved themaway too quickly:from under the ground, from under the water,they clutch at us, they clutch at us,we won't let go.

I choose solitude over cold kisses. If it isn't love, it is poison.

To say more while saying less is the secret of being simple.

Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed.

History will be erased in the universal purgatory.

All of my insecuritiesshine in the dark.

How long your closet held a whiff of you,Long after hangers hung austere and bare.I would walk in and suddenly the trueSharp sweet sweat scent controlled the airAnd life was in that small still living breath.Where are you? since so much of you is here,Your unique odour quite ignoring death.My hands reach out to touch, to hold what's dearAnd vital in my longing empty arms.But other clothes fill up the space, your space,And scent on scent send out strange false alarms.Not of your odour there is not a trace.But something unexpected still breaks throughThe goneness to the presentness of you.

My earliest poems appear almost skeletal to me now - it seems I've learned to add meat, muscle and a nice suit of clothes.

When I’m depressed, I read Caeiro — he’s my fresh air. I become very calm, content, faithful — yes, I find faith in God, and in the soul’s transcendent living smallness, after reading the poems by that ungodly anti-humanist who goes unsurpassed on earth.

In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first – at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars – to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’.

Poetry is the sound of the human animal.

Each star is a mirror reflecting the truth inside you.

Without pleasure there is no sight or measure.

I didn't know how to hold my lips.

That everything you want to happen, will happen, if you decide you want it enough. That every time you think a sad thought, you can think a happy one instead.That you control that completely.That the people who make you laugh are more beautiful than beautiful people. That you laugh more than you cry. That crying is good for you. That the people you hate wish you would stop and you do too.That your friends are reflections of the best parts of you. That you are more than the sum total of the things you know and how you react to them. That dancing is sometimes more important than listening to the music.That the most embarrassing, awkward moments of your life are only remembered by you and no one else

When catastrophe strikes compassion and love unite. A storm can't break the spirit of love. A storm may crack your windows, tear off your roof, wreck your house, but it absolutely cannot destroy the foundation you hold within yourself. Stay strong. Stay rooted. Carry love in your heart, always, and know the sacred things in life can't be touched.

I was born into this torrid world a degenerate, eternally condemned a vessel of belligerency, destined to one day end. But despite my mortal disposition, I possess my voice. I have that which is gifted to me from the bosom of the gods. The beauty of self-expression. And through this gift I will come to know and share the true nature of reality

A rua dos cataventosDa vez primeira em que me assassinaram,Perdi um jeito de sorrir que eu tinha.Depois, a cada vez que me mataram,Foram levando qualquer coisa minha.Hoje, dos meu cadáveres eu souO mais desnudo, o que não tem mais nada.Arde um toco de Vela amarelada,Como único bem que me ficou.Vinde! Corvos, chacais, ladrões de estrada!Pois dessa mão avaramente aduncaNão haverão de arracar a luz sagrada!Aves da noite! Asas do horror! Voejai!Que a luz trêmula e triste como um ai,A luz de um morto não se apaga nunca!

Ah youth, youth! That's what happens when you go steeping your soul into Shakespeare

Critics write out of intellectual exercise, not poets. Poets write straight from the heart.

Tis the wink of an eye, 'tis the draught of a breath,From the blossom of health to the paleness of death,From the gilded saloon to the bier and the shroud-Oh! why should the spirit of mortal be proud?

No sun—no moon! No morn—no noon—No dawn— No sky—no earthly view— No distance looking blue—No road—no street—no "t'other side the way"— No end to any Row— No indications where the Crescents go— No top to any steeple—No recognitions of familiar people— No courtesies for showing 'em— No knowing 'em!No traveling at all—no locomotion,No inkling of the way—no notion— "No go"—by land or ocean— No mail—no post— No news from any foreign coast—No park—no ring—no afternoon gentility— No company—no nobility—No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member—No shade, no shine, no butterflies, no bees,No fruits, no flowers, no leaves, no birds, November!

If you would hit the mark, you must aim a little above it;Every arrow that flies feels the attraction of earth.

Put the two of us together and we become like moonlight and fireflies... all burning and glowing and lighting up the night.

To make love is to give birth to death.

The only way to find art is to lose touch with reality.

Choice-Judgement.Black coffee acidon an empty stomach.Perception.Cool, clear water.

Many of the poets writing today are hung up on language and symbolism. If the poem does not have depth of meaning or fit a certain academic styles and standards, then it is not poetry. Poetry should relate to the man on the street who has to work for a living. Until poetry connects with the working man, it’s not going to sell; it’s not going to be of value.

Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.

The poet…is the man of metaphor: while the philosopher is interested only in the truth of meaning, beyond even signs and names, and the sophist manipulates empty signs…the poet plays on the multiplicity of signifieds.

The rules of life are nothing that cannot be fixed.

New York! I say New York, let black blood flow into your blood.Let it wash the rust from your steel joints, like an oil of life Let it give your bridges the curve of hips and supple vines. Now the ancient age returns, unity is restored, The recociliation of the Lion and Bull and Tree Idea links to action, the ear to the heart, sign to meaning. See your rivers stirring with musk alligators And sea cows with mirage eyes. No need to invent the Sirens. Just open your eyes to the April rainbow And your eyes, especially your ears, to God Who in one burst of saxophone laughter Created heaven and earth in six days, And on the seventh slept a deep Negro sleep.

We are the living whole of the fragments from the things we've experienced and people we've encountered. Each interaction changes us in a subtle or massive way. The masterpiece we are sheds it's weathered skin, becoming even more than it was before.

I am a ghost,Living in ethereal thoughts.

A thing about poetry is, It takes cuts and pain to bleed words. The deeper the wound is, the more you bleed. And eventually, you will start falling in love with it. But the saddest part is, sometimes there comes a moment when you start to feel that all those wounds on your soul are not enough. And you start cutting yourself deeper, forgetting when to stop.

Haunted by demons of the past, hounded by demons not yet met, the nevermore and evermore left her little peace.” ~A Tale of Two Women