Poetry Quotes - Page 118

One's-Self I Sing One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing. Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing.

The Amorous Shepherd is a fruitless interlude, but those few poems are among the world’s greatest love poems, because they’re love poems about love, not about being poems. The poet loves because he loves, not because love exists.

She was a Phantom of delightWhen first she gleam'd upon my sight;A lovely Apparition, sentTo be a moment's ornament:Her eyes as stars of twilight fair;Like twilight's, too, her dusky hair;But all things else about her drawnFrom May-time and the cheerful dawn;A dancing shape, an image gay,To haunt, to startle, and waylay.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral.

What differentiated us was our perception of our mutual reality, which made no difference.

Waldo nodded and waved goodbye pathetically, like a young father going off to war. tAs soon as the door was closed and he was gone, Jeanne squelched her own apprehensions, opened the paper and read the poem Waldo had written for her:One taste of Jeanne and out I flewWildly, madly, in no directionBut hers, and yet so straight and trueI fly towards her with no protectionIt feels so strange to move this wayThough I should land, desire it seemsMoves in strange circles and so I stayDisoriented beyond my wildest dreams.

Oh that's right Keep away from me Please give me a pushDon't let me understand you Don't realise meOr we might tumble togetherDepersonalizedIdenticalInto the terrific NirvanaMe you --- you --- me

We need knew knights, but without swords.

It is not growing like a treeIn bulk, doth make Man better be;Or standing long an oak, three hundred year,To fall a log at last, dry, bald, and sere:A lily of a dayIs fairer far in MayAlthough it fall and die that night;It was the plant and flower of Light.In small proportions we just beauties see;And in short measures life may perfect be (Ben Jonson)

Henceforth an individual solace dear; Part of my Soul I seek thee, and thee claim My other half: with that thy gentle hand Seisd mine, I yielded, and from that time see How beauty is excelld by manly grace.

Evening came, a paw, to the gray hut by the river.

Reading a stranger's words and finding yourself in them.

Determined, I riseand face the dawn with resolve.This time I will win.

Slogans are mere wordsuck...

There is a point where the universe can deliver you from the verge of regret. I know your love for me will take you there.

Madness and chaos are self-destructing but over thinking is the suicide.

I act as the tongue of you,... tied in your mouth . . . . in mine it begins to be loosened.

How do you know they aren't the one? At the first sight of total disregard for your hurt, your gut will feel uneasy. I'm reminding you to listen up.

She conquered her demons and wore her scars like wings. 

I know my breasts, smallas plums, would win no blue ribbons.But in your hands they tremble and fillwith song like plump, white birds.

hold company with yourself so sacredthat even when you are alone,you are whole.

With a metal heartI came to this life,My head was a crucible, full of elixir.Pearl by pearlMy heart was poured,Drop by dropMy head was splashed.The world was entirely a magnet.

THEY WILL TRY TO TELL YOU THAT YOU’RE MADE UP OF ATOMS AND MOLECULES.THEY DON’T KNOW A DAMN THING ABOUT YOU. YOU’RE MADE UP OF POETRY, LOVE AND SOLACE AND ALL THOSE BEAUTIFUL LONELY THINGS THAT MAKE THIS WHOLE UNIVERSE.

Where the mountain crosses.On top of the mountain, I do not myself know where.I wandered where my mind and my heart seemed to be lost.I wandered away.

I have been incapable of moving, even a finger or an eye, for at least a year now. I feel relatively certain about this timeframe because I have been watching the crepe myrtle outside the window of the room I am in...

The breath of Paris pushes at my shutters.From the Balcony

Push off, and sitting well in order smite the sounding furrows

Music rots when it gets too far from the dance. Poetry atrophies when it gets too far from music.

The extent of creativity to which I admire in an individual is his ability to be richly creative while still, in a way, telling the truth. It is the fool who creates only his own lies, and the bore who simply repeats what he is told.

All this have I proved by wisdom: I said, I will be wise; but it was far from me. That which is far off, exceeding deep, who can find it out?

Wherever there is somebody else, a war is not far away.

From heart to hearta heartbeat staggers, looking for a haven.Bereft. It is easier to enter heaventhan to pass through each others' eyes

Will grinned. “Some of these books are dangerous,” he said. “It’s wise to be careful.”“One must always be careful of books,” said Tessa, “and what is inside them, for words have the power to change us.”“I’m not sure a book has ever changed me,” said Will. “Well, there is one volume that promises to teach one how to turn oneself into an entire flock of sheep—”“Only the very weak-minded refuse to be influenced by literature and poetry,” said Tessa

The people need poetry that will be their own secretTo keep them awake forever,And bathe them in the bright-haired wave of its breathing.

woman-another word for beginning.another word for revolution.another word for healing.another word for being.another word for me.

Poetry, playing with your words until you breathe life into them.

Compañera usted sabe que puede contar conmigo no hasta dos o hasta diez sino contar conmigosi alguna vez advierte que la miro a los ojos y una veta de amor reconoce en los míos no alerte sus fusiles ni piense qué delirio a pesar de la veta o tal vez porque existe usted puede contar conmigosi otras veces me encuentra huraño sin motivo no piense qué flojera igual puede contar conmigopero hagamos un trato yo quisiera contar con usted es tan lindo saber que usted existe uno se siente vivo y cuando digo esto quiero decir contar aunque sea hasta dos aunque sea hasta cinco no ya para que acuda presurosa en mi auxilio sino para saber a ciencia cierta que usted sabe que puede contar conmigo

I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.

We, unaccustomed to courageexiles from delightlive coiled in shells of lonelinessuntil love leaves its high holy templeand comes into our sightto liberate us into life.Love arrivesand in its train come ecstasiesold memories of pleasureancient histories of pain.Yet if we are bold,love strikes away the chains of fearfrom our souls.We are weaned from our timidityIn the flush of love's lightwe dare be braveAnd suddenly we seethat love costs all we areand will ever be.Yet it is only lovewhich sets us free.

the intensityin your eyesburns my penas i write.

Quiero hacer contigo lo que la primavera hace con los cerezos

We pull our boots on with both handsbut we can't punch ourselves awake and all I can do is stand on the curb and say Sorryabout the blood in your mouth. I wish it was mine.I couldn't get the boy to kill me, but I wore his jacket for the longest time.

Breezy daysdeserve the unionof two old friends.

Love is bitter, death is sweet.

Break, break, break,On thy cold gray stones, O Sea!And I would that my tongue could utterThe thoughts that arise in me.O, well for the fisherman's boy,That he shouts with his sister at play!O, well for the sailor lad,That he sings in his boat on the bay!And the stately ships go onTo their haven under the hill;But O for the touch of a vanished hand,And the sound of a voice that is still!Break, break, break,At the foot of thy crags, O Sea!But the tender grace of a day that is deadWill never come back to me.

A poet is not an inventor. A poet is a player that plays with words on the field of human imagination to excite a reader’s mind with the colors of emotion.

He offered his love ... she could not bother,She gives her love to the other! The other!

Leave the comfort of your dark cocoon... Allow your imagination to take flight. Embrace those marvelous magical wings and soar!

Pressure knocks at my doorA clock ticks and demands its dueThe lava burns from the floorBut not in a game like it used to.So little time to figure it all outSo many distractions to prevent successI’m in a dark forest with no path or routeBut this internal fire knows no rest.

He had not been able to see it in himself, but looking at Hungerford, he was able at least to speculate on the possibility that fear, raw, physical fear, had a kind of gift to give, too. Who but the terrified has heard his own heart pounding, listened to his own stertorous breathing, wishing that heart and lungs would be more quiet, and yet learning in their pulsation the lessons of rhythm and metrics? (Anagrams, p. 80)

Like two old philosophers, Ashvin and James spoke of the ruin of their lives, their unfulfilled needs, their unanswered prayers and ultimately they were seduced by the phantom call to death by suicide its science, its poetry, its violence, its art.

Though I knew how this failure would hurt you, I had to fold like a grey moth and let go.You could not believe I was more than your echo.

I'm the girl that goes backwards, takes wrong turns, stumbles in the dark. I'm also the girl that finds gold where others feared to stray. Perhaps because I follow my heart instead of sage advice thrown my way. I don't want to become numb by always playing it safe. Many of our most cherished times happen when we shatter the damn box, step off the safety zone and listen to the sound of our soul.

Break out to go out___________________The birds dare to break the egg shellIt does so in order to get out of that HellWhen it finally succeeds, it’ll then flyTo its comfort zone it’ll say byeAre you being confined in a small spaceHow long will you remain at that place?Before you can explore more territories,Break away from the former glories.Yesterday’s excellence is today’s averageYou must strive to be better age after ageNever accept the available mediocrityAs the only preferable opportunityDecide to grow from below to heroAnd make it a point to vacate level zeroReach out and arise with powerGod’s blessings on you, will showerAgree to grow, never attempt to be slowBe not afraid. Never doubt. You’ll flowThe grace of God will be your guideTaking you along, side by side.

If what we think of ourselves were true, the planet would overflow with geniuses.

It is right that one must come so far to see the world as it is meant to be.

Woven words are little conviction when I present myself as a man of fiction. And you a woman of lies and deceit, stumbling forward on two left feet. You are an exquisite figurine of an incomprehensible place, While I, a soldier of my cause, my race. A single sip of you would satiate thirst, hunger and empty. Yet, you stand unmoved, comfortable knowing you could stave desires plenty. To my heart, you are known as 'shatter.' Between saint and sin, you are the latter. End, not even my finest words will matter. The still, the silence, even then, you are famine to my soul. My chest lacks certain weight now; I simply wish to be whole. Now, I stand before you broken, humbled and so bare, Only to see your infinite eyes brimming with no care. Your heart is a cauldron that burns darkest fuel. And I a remnant of smog, the overly-bitter fool. The man of fiction stumbles forward on two left feet, The woman of lies weaves words of conviction and deceit.

In those days I used to talk to myself as if reciting poetry.

The more thou search, the more thou shall marvel.

I think that at the bottom of all art lies the impulse to preserve.