Poet Quotes - Page 10

He wanted to be a poet,' someone else put in while Maggie hugged Tim and patted his back. 'Said he'd only lacked the words to be one.

Good morning, daddy!Ain't you heardThe boogie-woogie rumbleOf a dream deferred?Listen closely:You'll hear their feetBeating out and beating out a -You thinkIt's a happy beat?Listen to it closely:Ain't you heardsomething underneathlike a -What did I say?Sure,I'm happy!Take it away!Dream BoogieHey, pop!Re-bop!Mop!Y-e-a-h!

Amy King is a true bard.

My wife is a thief...She takes the last cookieTakes forever to get readyShe takes her time in the showerTakes all of the hot waterShe takes my favorite seat on the couchTakes the high road when I lose controlMy wife is a thief...She took my last nameTook the time to get to know me, love meShe took the back seat and let me leadTook on motherhood and the emotional toll that it bringsShe took care of me the many times that I've gotten sickTook on the pain of pregnancy so that the Jackson legacy would live onMy wife takes, and takes, and takes...I'm so proud of my perpetual thief who stole my heart and won't give it back.

If movements were a spark every dancer would desire to light up in flames.

TO A GIRAFFE If it is unpermissible, in fact fatal to be personal and undesirable to be literal—detrimental as well if the eye is not innocent-does it mean that one can live only on top leaves that are small reachable only by a beast that is tall?— of which the giraffe is the best example— the unconversational animal. When plagued by the psychological, a creature can be unbearable that could have been irresistible; or to be exact, exceptional since less conversational than some emotionally-tied-in-knots animal. After all consolations of the metaphysical can be profound. In Homer, existence is flawed; transcendence, conditional; “the journey from sin to redemption, perpetual.

Give contemporary POET more SPACE & a long-last MAGIC will surround you all again.

All kinds of people read poetry: revolutionaries, scholars, sentimentalists etc. But above all else, lovers read poetry. Why? Because we fell in love. And then we fell in love with love.

Dance is the ritual of immortality.

I promised her that I would never kiss and tell, but I have to tell someone about my dreams and fairytales. So I’m telling you that I kissed her.

Destruction wasn't when you chose to destroy me.It was when i let you.

All men are poets at heart.

Be calm...calm as a calm lagoon, then you will look beautiful as a beautiful calm lagoon crowned by the Moon and sheltered by the brilliance of the stars reclaiming your royalty of regal life...

As a poet I hold the most archaic values on earth. They go back to the Neolithic: the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe.

The ground will never complain how much weight you add on it, how much you dig it and how much you grow on it, How long you live on it. Unused ground is an abomination to nature.

Romance her, enhance her, desire her, put her first.

His eyes spark with revolutions, enlightened trickery and unconditional affection.

DANCE – Defeat All Negativity (via) Creative Expression.

You can't break up with a soul mate.

They say, poetry is dead. I say, was there ever a time they had a clue of what the state of poetry is?

Being poet is my choiceless choice.

...Cody is furiously explaining to his little son Tim 'Never let the right hand know what your left hand is doing'...Page 100.

How much living have you done?From it the patterns that you weaveAre imaged:Your own life is your totem pole,Your yard of cloth,Your living.How much loving have you done?How full and free your giving?For living is but lovingAnd loving only giving.

Your world is as big as you make it.I know, for I used to abideIn the narrowest nest in a corner,My wings pressing close to my side.

A torpid heart in agony needs a pen to bleed

Tonight, I won't dream, because nobodyhas held me and no hands have strayed and eventhough I'm drunk with love, my arms are empty.

I am the poet with scaring words and blurred letters. I do not know if my poetry is a blessing or a curse.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down.tThe lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild?tThe same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played.tThe thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. tI was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. 
 You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you. Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. 
You’re doing just fine.
You’re doing fine.I’m doing just fine.

A Coy Aversion...a fluttertoo shyto be seen...

Good or bad, positive or negative, there is no comment more insulting to a poet than one displaying that you have not properly read and considered the things they wrote.

It's okay darling,creative people are called crazyall the time.

Fate would never permit happiness to a man of such talent-a content poet is a mediocre one, a happy poet is insufferable.

For Emily Dickinson every philosophical idea was a potential lover. Metaphysics is the realm of eternal seduction of the spirit by ideas.

MY MOONI'll always wonder what time it is there; if you're dreaming, or awake. My moon is your sun; my darkness, your light. I'm in the future, you'd jokingly say.And I know where you are, because I'm watching you from the past.

If passion was a substance I would say it is dark brown, and then blood red. It's like wet grass, tons of it soaked in mud. It's warm and it stinks like shit and it's unaccountably and endlessly good. It's thick and it goes on for miles and it isn't so much deep as bottomless and it holds you in its grip, you never drown. And then it goes. That's all you know.

You made a poet fall in love with the world.

You see, I am a poet, and not quite right in the head, darling. It’s only that.

How to be a Poet (to remind myself)Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skill—more of each than you have—inspiration work, growing older, patience, for patience joins time to eternity… Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.

One's-Self I Sing One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse. Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing. Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing.

I act as the tongue of you,... tied in your mouth . . . . in mine it begins to be loosened.

I am no one's to be claimed,I belong to me.

I was lost for too longbut when i found you,i could feel it in my bones.You were my home.

I looked at an angel today, but the angel could not see me. The angel was more amazing than beautiful, like the best forgotten dream.

If I woke up one morning and realized that all I ever was going to be was a business man, I'd probably die. All my dreams would be shattered. Early in life I had many dreams. I dreamed of being a great basketball star. I dreamed of being a preacher. I dreamed of saving the world from war and racism. And I dreamed of being a great poet. Today, I dream only of writing.

A poet is not an inventor. A poet is a player that plays with words on the field of human imagination to excite a reader’s mind with the colors of emotion.

Aspirations don’t make poets, perseverance does. Flow with the emotions, let your imagination soar, find what ignites the fire within and let it go wild.

I think that at the bottom of all art lies the impulse to preserve.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

As a poet there is something about joy I find hard to express, whereas every other emotion is rather simple. For instance, you never feel so bad that you can't describe how bad you feel, but joy on the other hand is far too divine for human language.

You can run from the truth. You can run and hide from the truth.You can deny and avoid the truth. But you cannot destroy the truth. Nor can you make the lie true. You must know that love will always uncover the truth.

Sit here, so I may writeyou into a poem and make you eternal.

Do you see how the sky holds the sun?In a powerful but effortless way that shows off her beauty and strength?That's how a King holds his Queen.

I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. tI am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. tSo I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.

Philosophy is to the mind of the architect as eyesight to his steps. The Term 'genius' when applied to him simply means a man who understands what others only know about. A poet, artist or architect, necessarily 'understands' in this sense and is likely, if not careful, to have the term 'genius' applied to him; in which case he will no longer be thought human, trustworthy or companionable. Whatever may be his medium of expression he utters truth with manifest beauty of thought. If he is an architect, his building is natural. In him, philosophy and genius live by each other, but the combination is subject to popular suspicion and appellation 'genius' likely to settle him--so far as the public is concerned.

Life writes the poetry, but it will always call for witnesses and scribes alike to tattoo its echoes upon the ghosts of trees.

It made me happy that poems are referred to in the present tense even when the poet is in the past tense.

Most of us carry at least a weak sense of a correlation between poetry and human possibility that cannot be realized by poems. The poet, by his very claim to be a maker of poems, is therefore both an embarrassment and accusation.

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

I do not say these things for a dollar, or to fill up the time while I wait for a boat;