Photography Quotes - Page 5

Photographers along with dentists are the two professions never satisfied with what they do. Every dentist would like to be a doctor and inside every photographer is a painter trying to get out.

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It’s the only way to keep your heart beating as a photographer.

Artist communities love to bullshit each other and glad-hand one another, and there's no room for the crippling honesty of comedy."I'm a painter" -- well... you don't...probably need to do that.. . . if you're painting something that doesn't exist, I understand that, I can appreciate- . . . but if your pain- 'oh, it's a barnyard scene in autumn'--well then just take a picture of a barn in autumn! It's way better than a painting! - Before Turning the Gun on Himself [2012]

Across the valley, a waterfall stumbles down. In a month or two the really hard rains will come down for eighteen hours a day and that waterfall will once again become tough as a glacier and wash away the road. But now it looks as delicate as the path of a white butterfly in a long-exposed photograph.

Seeing God is all about getting in touch with reality. If you want to photograph God, focus your lens on Hamakom, The Place, anyplace where you see divine light illuminating reality. Let your camera collect the light reflecting from the reality shaping your everyday life and you will find yourself photographing God in action." (From the Introduction to the book Photograph God)

They were all highly respectable in their professions and, together, practically unstoppable. But most importantly, they were on her side. She couldn't feel more blessed....or anxious. She sighed. *in italics* Forgive me, Lord, for being so antsy. For worrying, I know it adds nothing to my life or any help to the situation at hand, but it's my friend's disappearance that we're investigating, and I don't know where to start. I don't want to choose the wrong lead. Please direct our investigation and help me to bring Skylar home. I'm the reason she is the way she is. Please don't let it be too late. *end italics*

The cliché comes not in what you shoot but in how you shoot it.

art is risk made visible

When we look at the old photographs, we always ask three main questions: Are they alive? If they are, where are they? And finally, what is their life story? Photography is an art of creating many questions in the mind of the viewer!

You are responsible for every element within the frame.

Time is the sole photographer of all the times, from the Big Bang till the possible Big Crunch!

Our photographs are our best proof to others that we lived the things we lived in the past!

I used to have a theory about photographing. It was a sense of getting in between two actions, or in between acton and repose.

...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning — a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.

It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us.

My husband and I have always been good at creative visualization. Before we quit drugs and got married he’d place tabs of acid on his eyes to see things that weren't there. I'd lay blank sheets of photographic paper on the cornea of developing solution to conjure images. We'd always coaxed dreams from paper, and believed them.

Photography is never real, it’s merely one of many ways of telling the truth.

I am a professional photographer by trade and an amateur photographer by vocation.

A thing that you see in my pictures is that I was not afraid to fall in love with these people.

I'm not constantly looking for the "right" in my thoughts. I am, actually, scared of absolute “rights”. Therefore, I don't think my book will appeal to people who seek concrete formulas from me to be happy and who have designed their lives mechanically. But I do believe my book can give something to people who live their lives going from information to information like a bee, who depend on their own syntheses as the outcomes and have flexible thought, and who could be an "individual".

He's got a box with a demon in it that draws pictures," said Rincewind shortly. "Do what the madman says and he will give you gold.

I love women more on canvas than real life, for they seldom change on canvas!

Don' t focus on NEW - focus on authent ic. Being or iginal isn' t being new - i t 's beingyou.

Nudity and explicit sex are far more easily available now than are clear images of death. The quasi-violence of movies and television dwells on the lively acts of killing – flying kicks, roaring weapons, crashing cars, flaming explosions. These are the moral equivalents of old-time cinematic sex. The fictional spurting of gun muzzles after flirtation and seduction but stop a titillating instant short of actual copulation. The results of such aggressive vivacity remain a mystery. The corpse itself, riddled and gaping, swelling or dismembered, the action of heat and bacteria, of mummification or decay are the most illicit pornography.

Landscape photography is the supreme test of the photographer - and often the supreme disappointment.

Looking into the mirror I ask myself:"You live in a house equipped with air conditioning.You eat tasty food.You utilize convenient transportation to travel.You utilize convenient information technology to live.Could you not say that you, who do all this, are not a dictator?Isn't it right that you life is supported by somebody else's death?Doesn't your life that exists at the expense of somebody else's sacrifice infinitely resemble the life of a dictator who only cares about his own life?"-Yasumasa Morimura (excerpt from "Mr. Morimura's Dictator Speech").

Kodachrome... it gives us those nice, bright colors,gives us the greens of summers,makes ya think all the world's a sunny day,Oh yeah!I've got a Nikon camera, I'd love to take a photograph,so mama don't take...my Kodachrome away...

Let us take you into a deeper experience, make a moment a lasting conveyable memory. Let us help build your tribe.

Thanks to photography, some memories overstay their welcome.

To me, the world and art of photography is to capture emotion, feelings and moments; and share it with the world.I master the art when I am capable of awaking emotion in other people through my images.

The shutter of the photographer's camera makes that repeated mechanical sound. That unlocking and locking of the doors of light to send momentary images of the present into the light trap of the past.

Always seeing something, never seeing nothing, being photographer

The task of a philosophy of photography is to reflect upon this possibility of freedom - and thus its significance - in a world dominated by apparatuses; to reflect upon the way in which, despite everything, it is possible for human beings to give significance to their lives in the face of the chance necessity of death. Such a philosophy is necessary because it is the only form of revolution left open to us.

Standing in the spotlight, surrounded by all my selves, each of them naked and vulnerable before your lens, I want to be split open and reminded of shame. I know that sounds selfish, but I’m allowed to be selfish ’cause we’re talking about photography. Do you honestly believe I don’t see it for what it actually is: Exploitative? Exploitation is the nature of the beast, whatever the hell that means.

It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at the very heart of the moving world: they are glued together, limb by limb, like the condemned man and the corpse in certain tortures; or even like those pairs of fish (sharks, I think, according to Michelet) which navigate in convoy, as though united by an eternal coitus.

What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die: I shudder… over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.

Beautiful women have a following all their own. If that sounds misogynistic, I’m sorry, that’s the way the world works. Homer said the Greeks went to war over a woman. I can’t get a battle, but I can get a few hundred thousand views with the right face in a skirt.

If only I had thought of a Kodak! I could have flashed that glimpse of the Under-world in a second, and examined it at leisure.

I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us, which can mold us, but which can also be affected by us. A balance must be established between these two worlds—the one inside us and the one outside us.

There is nothing worse than a sharp image of a fuzzy concept.

I would never understand photography, the sneaky, murderous taxidermy of it.

How promising today's generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I'd like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination - things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.

The key is to integrate our art into our life, not the other way around.

Sharpness is a bourgeois concept

As a photographer you have a deep love for light, life and yourself. You know that the eyes of love aren’t blind, they are wide open. Only when your eye, heart and soul shine brighter than the sun, you realize how ordinary it is to love the beautiful, and how beautiful it is to love the ordinary.

No, I don't work here, I'm taking pictures of messy bathrooms for a photo essay on the American West. But I'm always up for clean, so if you want to pitch in, I've got Pine Sol and a sponge in my car... It's that VW microbus parked next to the dumpster, and you don't need a key, just pull hard.

Nature is a picture waiting to be taken.

I create other worlds, magical never-never lands where the camera is my weapon and the battles I fight are with the elements. i stretch the laws of the mind and displace people from their realities to capture a side of them they didn’t even know they had. Photography has the ability to freeze people in this time and space—no matter what happens after that moment, it cannot change—they are exactly how i want them to be.

It's been said that the role of the artist is to teach us to see and that's true. However, the role of other artists is to teach me how they see. To learn how I see is somethig that cannot be taught but must be learned.

Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?

Not every artistic person should have to be a photographer, but every photographer should be artistic.

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Those static images have the uncanny ability to jar the memory and bring places and people back to life. They bridge the present with the past and validate as real what the passage of time has turned into hazy recollections. Were it not for them, my experiences would have remained as just imperfect memories of perfect moments.

Above all, life for a photographer cannot be a matter of indifference

What I am or am not wearing does not correlate with my competency as a professional, a mother, or a feminist role model. My clothes don't define me and neither does my nakedness. I define me.

The single most important component of a camera is the twelve inches behind it!

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.

Look for the extraordinary in the ordinary.

To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.

In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.