Popular magazine articles and Oprah-style television shows falsely represent work-life balance as an individual challenge, a lifestyle choice available to all women. The feminism on offer is woefully thin and unpleasurable. On the high end of the income scale, feminism seems to mean working even more than men. The media celebrate women such as Yahoo CEO Marissa Mayer and former secretary of state and presidential candidate Hillary Clinton for her brutal work ethics--magazine articles report, awestruck, they they barely sleep, that their staffs struggle to match their work hours, that they've become the rare female leaders in their spheres by laboring harder than male colleagues. Mayer reported proudly that while at Google, she would sleep under her desk. By this measure, feminism, that Utopian striving for equality that we've carried through centuries of opposition, is boiled down merely to the right to work ourselves to death. If feminism means the right to sleep under my desk, then screw it. And this is a vision that can be palatable, just barely, only at the high end of the economy where work is plausibly couched in self-actualization. . . . If any feminism is going to be worth its name, it will improve the lives of all women instead of setting them in competition with each other or applying only to this or that region or income stratum. Liberal feminism would grant women the right to compete. A radical feminism would grant women a good life in which they have real power.
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.