Memory Quotes - Page 8

You'd think hindsight would do us some goodBut all it does sometimesIs add glass to the kaleidoscope

What at one time one refuses to see never vanishes but returns, again and again, in many forms.

Memory lived not in initial possession but in the freed hands, pardoned and freed, and in the heart that can empty but fill again, in the patterns restored by dreams.

The appreciation of birds, indeed the appreciation of all the phenomena of spring, cannot be dissociated from the accumulations of memory. The appearance of a familiar bird immediately awakens a train of forgotten associations, and this makes each spring transcend its predecessor. The interest accumulates and is compounded. The first yellow-throated warbler next year will be the more meaningful to me as it brings back that moment in the woods opposite Dyke. For one remembers clearly enough the fact of such a moment, but only an evocative sight or sound or smell can bring back the full emotion. The person who sees the bird for the first time cannot know what moves me.

That's just the way it is. I'll always remember. She's forgotten.

Oh, trust me Sydney Tar Ponds, you aren’t the first Personification to be forgotten by somebody ordinary,” Mearth sighed with a falsely-reassuring smile. Alecto stepped back from her, glaring hatefully. “Sydney Tar Ponds,” Mearth added, “I’ve had so many ordinary people as friends in my life that by now I’ve forgotten all their names. At first it was difficult… very sad… to see them always leaving, dying, disappearing, ignoring, but after a while I realized that they weren’t worth the trouble. I’d rather be in the company of other Personifications. At least they aren’t always dropping dead like houseflies or sailing away to parts unknown. Nil sa saol seo ach ceo, i ni bheimid beo, ach seal beag gearr. Wouldn’t you agree?”“No,” Alecto told her. “I think you’re insane.

Dave once asked me what blind people dream about. Mostly in sound and feeling, I replied. At night I fall in love with a voice, and then wake to a feeling of physical loss. Sometimes I close my eyes to a chorus of “Happy Birthday!” The smell of cake and the sound of feet under the table. I awake in a body that’s too big. I also dream in motion and sensation. My father’s boat and the snore of the mast; the rough fabric of the safety harness and the rip of Velcro. The sun on my legs. And endless stretch of water impossible to imagine.

The spectacle takes us away from our routines. For at least a time, we feel part of something big, colorful, exciting. It is perhaps understandable that civilians are often more enthusiastic during wartime than soldiers who have experienced battle. The soldiers know that war is often boring and dirty as well as terrifying and colorful. Even so, after some years, an old soldier like Oliver Wendell Holmes, Jr., could brush aside his earlier description of the pain, boredom, and death of war and declare that “its message was divine.” The stench disappears, but the spectacle remains in memory’s eye.

What was the exact percentage of this day that had already slipped away?

I wish nights like this weren't so fragile and slippery and impossible to nail down for study in one's leisure. But the really great nights pass through you like whispers or shadows. They shimmer, but don't adhere.

The time will come when diligent research over long periods will bring to light things which now lie hidden. A single lifetime, even though entirely devoted to the sky, would not be enough for the investigation of so vast a subject... And so this knowledge will be unfolded only through long successive ages. There will come a time when our descendants will be amazed that we did not know things that are so plain to them... Many discoveries are reserved for ages still to come, when memory of us will have been effaced.

There are things that can be forgotten. And things that cannot - that sit on dusty shelves like stuffed birds with baleful, sideways staring eyes.

The halcyon days of childhood, a time when everything lay open before him, when the most minor episodes could be construed as events and every chance encounter … gave rise to fresh insights.

You never really get the smell of burning flesh out of your nose entirely, no matter how long you live.

Saying that you do not remember something or someone is a less embarrassing or hurtful way of saying that you do not know it or them anymore.

Intelligence is the wife, imagination is the mistress, memory is the servant.

Happiness is not always a reality many times it is in our memory.

Your memory has always been given to opportunistic revision.

People like my grandmother, who have no home but in memory, learn to be very skilled in the art of recollection.

My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges.

We are what we remember. If we lose our memory, we lose our identity and our identity is the accumulation of our experiences. When we walk down the memory lane, it can be unconsciously, willingly, selectively, impetuously or sometimes grudgingly. By following our stream of consciousness we look for lost time and things past. Some reminiscences become anchor points that can take another scope with the wisdom of hindsight. ("Walking down the memory lane" )

Life is merely a series of moments and is in fact an unflinching serial killer, since it kills steadily each moment one after the other. Memory is the only survivor. (“Just for a moment”)

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers.

The very idea of a library for me is bound to my mother and father and includes the history of my own metamorphosis through books, fictions that are no less part of me than much of my own history.

Why could this darkness rip the gloominess around meHad an unknown reason of being fearful for so longThinking, if its touched by these horrendous windsWill unleash my sorrowful side & my mood swings!Aesthetically pleasing it is now, Couldn't yearn for it to be any betterThis oasis of serenity though, I trust will cast away all my darkness & dust!

I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.

Two years of oblivion have reduced me, if not to emptiness, than to something that sits closely beside it. It laid waste all that I was inside, and severed what connection existed between my memory and personality through two years of “living” like a shell, on the boundary of emptiness. And though there was precious little drama here compared to actual societal rejection, it drives me to worry all the same. All my memories are just reflections on the water, and I don’t know whether I’m the reflection or the real thing.

There is the body of history ever atop of us, and the body of memory rustling within us. Between the two, we are crushed.

If we could imagine, while we live them, to what mundane moments nostalgia manages to stick itself...

It was a time when she did not have the words to name things she saw, and so now, when she tried to recall them, the words could never be right.

For some reason, I kept seeing it—it trembled and silkily glowed on my damp retina—a radiant child of twelve, sitting on a threshold, "pinging" pebbles at an empty can.

Sometimes the things that happen aren't as important as the things you remember.

That’s why you have to go and guilt him for all the trouble. It can’t be your fault that you lost your memory if he wasn’t smart enough to tell you about the wine.

We communed together a moment, one with the other—I was deeply fascinated. At our first encounter I am sure I had a nebulous presentiment that I would one day go to it in spite of my hesitation, in spite of all the efforts put forth to hold me back,—and the emotion that overwhelmed me in the presence of the sea was not only one of fear, but I felt also an inexpressible sadness, and I seemed to feel the anguish of desolation, bereavement and exile. With downcast mien, and with hair blown about by the wind, I turned and ran home. I was in the extreme haste to be with my mother; I wished to embrace her and to cling close to her; I desired to be with her so that she might console me for the thousand indefinite, anticipated sorrows that surged through my heart at the sight of those green waters, so vast and so deep.

But memory is less disposed to compromise

Am I not fit to this world or people around of me not fit for me, arguable...without proper answer. Everyone had their logic, explanations, clarifications, examples but here also not solution. But the person himself/herself at least can figure out what's right and what's wrong. Then also there is no solution until he or she admitted that he or she is wrong. Admitting own mistake is hard to find because of so called pride. It's life you have to face everything here without solution, and the last thought is, all the problems solution will be after death only. It's the fact of the life.

It was nearly ten years since the peace though her memories of the war still felt fresh.

Home is a desk. The amalgamation of a dream. Home is the cats, my books, and my work never done. All the lost things that may one day call to me, the faces of my children who will one day call to me. Maybe we can't draw flesh from reverie nor retrieve a dusty spur, but we can gather the dream itself and bring it back uniquely whole.

I would far prefer to be in someone's arms than just in their head.

She used to wander through the past as often as it beckoned her, bemoaning the loss of nostalgia. Then, for a while, she turned from it, blissfully free of its noxious clutch, and now it's back, taunting her with what she left behind, knowing she can never recapture what's gone.

No two moments are identical in a conscious being

We became six people at a table in Hampton Court. We rose and walked together down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we – against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough.

Things as they appear every day and as they are engraved in our memory, facts and occurrences as they are perceived by senses, create an intricate labyrinth in the mind. The way how things are experienced in our environment and how they react in the arsenal of our imagination, creates a torrent of inspiring ideas that flood the speedy highways of our brains. ( " Labyrinth of the mind " )

Still, though, I can’t be sure if the zoo as I recall it was really like that. How can I put it? I sometimes feel that it’s too vivid, if you know what I mean. And when I start having thoughts like this, the more I think about it, the less I can tell how much of the vividness is real and how much of it my imagination has invented.

For a second, two seconds, they had exchanged an equivocal glance, and that was the end of the story. But even that was a memorable event, in the locked loneliness in which one had to live.

Allegations of multi-perpetrator and multi-victim sexual abuse emerged to public awareness in the early 1980s contemporaneously with the denials of the accused and their supporters. Multi-perpetrator sexual offences are typically more sadistic than solo offences and organised sexual abuse is no exception. Adults and children with histories of organised abuse have described lives marked by torturous and sometimes ritualistic sexual abuse arranged by family members and other care-givers and authority figures. It is widely acknowledged, at least in theory, that sexual abuse can take severe forms, but when disclosures of such abuse occur, they are routinely subject to contestation and challenge. People accused of organised, sadistic or ritualistic abuse have protested that their accusers are liars and fantasists, or else innocents led astray by overly zealous investigators. This was an argument that many journalists and academics have found more convincing than the testimony of alleged victims.

Ô, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, tI told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine.Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

For years I'd been trying to forget..., locking it up and burying it deep in my memory. The journey... had shattered that, bringing it all back - but now that I'd faced it, I found to my surprise that the fear had been worse than the reality.

Marina wouldn't want to be remembered because she dead. She would want to be remembered because she's good.

It isn't so astonishing the number of things that I can remember as the number of things I can remember that aren't so.

The objective of learning is not necessarily to remember. It may even be salutary to forget. It is only when we forget the early pains and struggles of forming letters that we acquire the capacity for writing. The adult does not remember all the history s/he learned but s/he may hope to have acquired a standard of character and conduct, a sense of affairs and a feeling of change and development in culture. Naturally there is nothing against having a well-stocked mind provided it does not prevent the development of other capacities. But it is still more important to allow knowledge to sink into one in such a way that it becomes fruitful for life; this best done when we feel deeply all we learn. For the life of feeling is less conscious, more dream-like, than intellectual activity and leads to the subconscious life of will where the deep creative capacities of humanity have their being. It is from this sphere that knowledge can emerge again as something deeply significant for life. It is not what we remember exactly, but what we transform which is of real value to our lives. In this transformation the process of forgetting, of allowing subjects to sink into the unconscious before "re-membering" them is an important element.

The smooth, flat rocks were exactly the same, the sea pounded down on them in the same way, and also the landscape under the water, with its small valleys and bays and steep chasms and slopes, strewn with starfish and sea urchins, crabs and fish, was the same. You could still buy Slazenger tennis rackets, Tretorn balls, and Rossignol skis, Tyrolia bindings and Koflach boots. The houses where we lived were still standing, all of them. The sole difference, which is the difference between a child’s reality and an adult’s, was that they were no longer laden with meaning. A pair of Le Coq soccer boots was just a pair of soccer boots. If I felt anything when I held a pair in my hands now it was only a hangover from my childhood, nothing else, nothing in itself. The same with the sea, the same with the rocks, the same with the taste of salt that could fill your summer days to saturation, now it was just salt, end of story. The world was the same, yet it wasn’t, for its meaning had been displaced, and was still being displaced, approaching closer and closer to meaninglessness.

When time furtively slips like sand through the fingers and our memory becomes tired and lazy, we recognize we are at war. We are at war with forgetfulness. ("The past was her best friend" )

A man does not know how he came by the half a pie he is holding in his hand!

Smells, I think, may be the last thing on earth to die.

I think it is all a matter of love the more you love a memory the stronger and stranger it becomes

His mind floated in the amniotic fluid of memory, listening for echoes of the past. His father, meanwhile, had no idea that such a vivid scene was burned into Tengo's brain or that, like a cow in the meadow, Tengo was endlessly regurgitating fragments of the scene to chew on, a cud from which he obtained essential nutrients. Father and son: each was locked in a deep, dark embrace with his secrets.

How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but—mainly—to ourselves.

That as people age, accumulate more and more private experiences, their sense of history tightens, narrows, becomes more personal? So that to the extent that they remember events of social importance, they remember only for example 'where they were' when such-and-such occurred. Et cetera et cetera. Objective events and data become naturally more and more subjectively colored.

A dictionary resembles the world more than a novel does, because the world is not a coherent sequence of actions but a constellation of things perceived. It is looked at, unrelated things congregate, and geographic proximity gives them meaning. If events follow each other, they are believed to be a story. But in a dictionary, time doesn't exist: ABC is neither more nor less chronological than BCA. To portray your life in order would be absurd: I remember you at random. My brain resurrects you through stochastic details, like picking marbles out of a bag.