Melancholy Quotes

Honour looked so much like a child herself, confined to bed, a white nightgown, like one of those maudlin Victorian dolls. Her cheeks were red, like someone had painted them, but I knew it was from rubbing, wiping away her melancholy.

When you get abandoned by someone, that's the moment when you've truly lost faith in them.

I love death because life hates me.

Cram them full of noncombustible data, chock them so full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.

And did with sighs their fate deplore,Since I must shelter them no more;And if before my joys were such,In having heard, and seen too much,My grief must be as great and high,When all abandoned I shall be,Doomed to a silent destiny.

Ah God! to see the branches stirtAcross the moon at Grantchester!tTo smell the thrilling-sweet and rottentUnforgettable, unforgottentRiver-smell, and hear the breezet Sobbing in the little trees.tSay, do the elm-clumps greatly standtStill guardians of that holy land?tThe chestnuts shade, in reverend dream,tThe yet unacademic streamIs dawn a secret shy and coldtAnadyomene, silver-gold?tAnd sunset still a golden seatFrom Haslingfield to Madingley?tAnd after, ere the night is born,Do hares come out about the corn?tOh, is the water sweet and cool,tGentle and brown, above the pool?tAnd laughs the immortal river stilltUnder the mill, under the mill?Say, is there Beauty yet to find?tAnd Certainty? and Quiet kind?tDeep meadows yet, for to forgettThe lies, and truths, and pain?… oh! yettStands the Church clock at ten to three?tAnd is there honey still for tea?

A person's true character lies somewhere until after you might have pressed the wrong button without knowing, then you'll realize that there are dogs in human form.

To be sane, he held, was either to be sedated by melancholy or activated by hysteria, two responses which were 'always and equally warranted for those of sound insight'. All others were irrational, merely symptoms of imaginations left idle, of memories out of work. And above these mundane responses, the only elevation allowable, the only valid transcendence, was a sardonic one: a bliss that annihilated the universe with jeers of dark joy, a mindful ecstasy. Anything else in the way of 'mysticism' was a sign of deviation or distraction, and a heresy to the obvious. (“The Medusa”)

I thought once how Theocritus had sungOf the sweet years, the dear and wished-for years,Who each one in a gracious hand appearsTo bear a gift for mortals, old or young;And, as I mused it in his antique tongue,I saw, in gradual vision through my tears,The sweet, sad years, the melancholy years,Those of my own life, who by turns had flungA shadow across me. Straightaway I was 'ware,So weeping, how a mystic Shape did moveBehind me, and drew me backward by the hair;And a voice said in mastery, while I strove,--Guess now who holds thee?--Death, I said, But, there,The silver answer rang,--Not Death, but Love.

Melancholy: an appetite no misery satisfies.

We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.

Hands that never touch. Lips that never meet. The Almost Lovers, never to be.

It is warm, I am alive, I am calm and sad, I hardly know why. In this existence so even, so tranquil, and so gentle as I have here, I am in an element that weakens me morally while strengthening me physically; and I fall into melancholies of honey and roses which are none the less melancholy. It seems to me that all those I love forget me, and that it is justice, because I live a selfish life having nothing to do for any one of them.

If you close your eyes when you sing in Latin, and if you stand right at the back so you can keep one hand against the cold stone wall of the church, you can pretend you're in the Middle Ages. That's why I did it. That's what I was in it for.

For certain, neither of them sees a happy Present, as the gate opens and closes, and one goes in, and the other goes away.

Some pain has no relief,it can only be sealed You can grasp the wound to feel the scar unhealed.

She quite liked this aspect of her personality, the way her mood could change from melancholy to euphoric because of a breeze or a flavor or a beautiful chord progression. It meant she never had to feel too down about feeling down.

He really had experienced every tiniest increment of time in the four decades since then, and yet here he was surprised to be suddenly old and crippled. Turned out the rope didn't care if you noticed every daisy on the path to the gallows.

The most romantic creation to have come out of regret is time-travel

I wrote when I did not know life;now that I know life, I have no more to say.

Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism.

He saw her red eyes filled with tears of anger. "Tell me why this rage?" He asked holding her in his arms. "Why do you fence for yourself so much?She sighed and muttered, "Because all I really want is nothing but to be proved wrong.

When the rain is on my lipsAnd I shiver from the coldThinking about lifeIts ups and downsAnd being a melancholicI take a noteOf the nature's crying its tearsMaking the day seem gray And unexcited But how much life the rain bringsTo what is hidden beneath the surfaceSo whenever I cry And the cold of people's wordsOr actionsCausing me shiverI vision myself standing in the rainBringing my roots to lifeI am not afraid anymoreOf getting soaking wetI stand my ground! But please natureDon't let me drown, make me beautiful!

I realised I never wanted to leave her side, and I never wanted her to have to struggle to be released from her sadness. I could never suggest she required release; for she did not require release. It was a true thing, this sadness of hers; a true thing about the world, about life, about herself. I just wanted Daphne. I wanted who she was, how she was, only her, all of her, always. And I knew I would be forever treading the long path towards that shrouded chamber of dusky luminance I glimpsed in her flickering sort of half-smiles.

Her voice was soft and numinous, as befitted any Aizian singer, yet it was not just bells and melody. There was something else in her tune, a strand of solemnity that no Aizian could possess, for it yearned for something far away, whereas Aizians needed only open their eyes to behold the greatest wonders. Yes, she was in Aizai now, but she hadn’t always been, and for how much longer was impossible to say.

That which others hear or read of, I felt and practised myself; they get their knowledge by books, I mine by melancholizing.

Melancholy is an escape not from reality, but unreality of the world.

My sadness is beautiful. It infuses everything I do. It is at the core of my identity and always has been, just as happiness is in some people. I refuse to be told that it's a flaw. I will not mute it with medications for the sake of society. I will hold it close to me and celebrate it rightfully while the rest of the world fails to see it for what it is and it will be their loss.

All the dreams I'd allowed myself to imagine were nothing but pages swept away by the wind.

Dogs were generally incompatible with melancholy.

Night never needs a shade but it requires to fade into the grin of twinkling stars where light is just a glint of scars

Well, here I am, just come home; a fellow gone to the bad; though I had the best intentions in the world at one time. Now I am melancholy mad, what with drinking and one thing and another.

The lost glove is happy.

. . . Like ashes of gold in a cinnamon-flame,My youthful desires have been burnt with the years– And tonight in the chilling sunset-windA cicada, singing, weighs on my heart.

Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still.

I measure every Grief I meetWith narrow, probing, Eyes;I wonder if It weighs like Mine,Or has an Easier size.

To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness andpain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course.When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.

Name me no names for my disease,With uninforming breath;I tell you I am none of these,But homesick unto death —Homesick for hills that I had known,For brooks that I had crossed,...Before I met this flesh and boneAnd followed and was lost… .And though they break my heart at last,Yet name no name of ills.Say only, "Here is where he passed,Seeking again those hills.

O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

In the park which surrounded our house were the ruins of the former mansion of Brentwood, a much smaller and less important house than the solid Georgian edifice which we inhabited. The ruins were picturesque, however, and gave importance to the place. Even we, who were but temporary tenants, felt a vague pride in them, as if they somehow reflected a certain consequence upon ourselves. The old building had the remains of a tower, an indistinguishable mass of mason-work, overgrown with ivy, and the shells of walls attached to this were half filled up with soil. I had never examined it closely, I am ashamed to say. There was a large room, or what had been a large room, with the lower part of the windows still existing, on the principal floor, and underneath other windows, which were perfect, though half filled up with fallen soil, and waving with a wild growth of brambles and chance growths of all kinds. This was the oldest part of all. At a little distance were some very commonplace and disjointed fragments of the building, one of them suggesting a certain pathos by its very commonness and the complete wreck which it showed. This was the end of a low gable, a bit of grey wall, all encrusted with lichens, in which was a common doorway. Probably it had been a servants' entrance, a backdoor, or opening into what are called "the offices" in Scotland. No offices remained to be entered-pantry and kitchen had all been swept out of being; but there stood the doorway open and vacant, free to all the winds, to the rabbits, and every wild creature. It struck my eye, the first time I went to Brentwood, like a melancholy comment upon a life that was over. A door that led to nothing - closed once perhaps with anxious care, bolted and guarded, now void of any meaning. It impressed me, I remember, from the first; so perhaps it may be said that my mind was prepared to attach to it an importance, which nothing justified. ("The Open Door")

There's a lot of beauty to be found in sadness and melancholia. One of the things that you find time and time again - not just with music, but with literature - is that things that appear to be quite depressing on the surface can ironically be very uplifting and touching to other people. When you hear something that really reminds you that you're not alone in feeling sad, depressed, melancholic, angry - I think that can actually be a very cathartic experience.

(Episode 9. Hijikata finds Gintoki on a rooftop and challenges him to a duel to avenge Kondo's defeat earlier. Gintoki doesn't want to fight him, so breaks Hijikata's sword easily, and leaves. It's then revealed that Okita and Kondo had been watching them clash, from another rooftop.)Okita Sougou: "He's an interesting man. I'd like to cross swords with him, myself."Kondo:"Don't bother. He'll kick your ass, Sougou.""He's the kind of guy fighting another battle far away, even as a sword swings at his throat.""Fair or unfair, it doesn't matter to him."(Not knowing that Kondo & Okita were watching his duel from a high vantage point, Hijikata lights a cigarette and sits back.)Hijikata (watching the blue sky above him):"Sorry, Kondo-san. I lost to him, as well ...

She said once that time is nothing to me but a series of bookmarks that I use to jump back and forth through the text of my life, returning again and again to the events that mark me in the eyes of my more astute colleagues, as bearing all the characteristics of the classic melancholic.

And, at such a time, for a few of us there will always be a tugging at the heart—knowing a precious moment had gone and we not there. We can ask and ask but we can’t have again what once seemed ours for ever—the way things looked, that church alone in the fields, a bed on belfry floor, a remembered voice, a loved face. They’ve gone and you can only wait for the pain to pass.

Nobody ever gets what they want when it comes to love.

A mist is rolling over the fields. Why is a summer mist romantic and autumn mist just sad?

You're back where you swore yourself you wouldn't beThe familiar shackles you can't tell from your own skinYour head's under water when you learned to swimOn a road to hell, congratulations, you're free...

Je pensais de meme que notre jeunesse etait finie et le bonheur manqué. I thought too that our youth was over and we had failed to find happiness.

You hung around the tattered edges of my soul, that's where you preferred to be...

What if you wake up one fine morning only to realize that the life you have been living since the last few days was nothing but a dream of yours?Would you go back to sleep then?I wake up each morning only to realize you're not by my side. And if this emptiness is nothing but a nightmare, let me wake up and go back to the time we were together...

The sick constriction of the heart was undeniable; there was a melancholy truth in the fact that it was suffering which made me, I thought, at last real to myself.

I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.

Writing is a defence against boredom, but it's also a cure for melancholy.

Sometimes it's your fragrance that comes to me, out of the blue, on a crowded road in a Sunday afternoon.But more often, it's memories of us that cross my mind almost every lone evening.All I want is to lessen the pain I feel every night.But every morning I wake up is another day, hopeless and miserable, with nothing but a deafening silence, a wave of tears, memories and your absence.

We are inside soft, sweet and pure white despair.

Then he remembered his wedding, the old times, the first pregnancy of his wife; he, too, had been very happy the day when he had taken her from her father to his home, and had carried her off on a pillion, trotting through the snow, for it was near Christmas-time, and the country was all white. She held him by one arm, her basket hanging from the other; the wind blew the long lace of her Cauchois headdress so that it sometimes flapped across his mouth, and when he turned his head he saw near him, on his shoulder, her little rosy face, smiling silently under the gold bands of her cap. To warm her hands she put them from time to time in his breast. How long ago it all was! Their son would have been thirty by now. Then he looked back and saw nothing on the road.

The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed form the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!

Sometimes we learn the lessons of life through pain, melancholy and the vicissitude of life and sometimes we learn the lessons of life through joy and comfort. Whatever be the case, the most important thing is the great lesson we learn out of the lessons life teaches us. If you fail to learn the lessons greatly, life will teach you a great lesson.

I preach that odd defiant melancholy that sees the dreadful loneliness of the human soul and the pitiful disaster of human life as ever redeemable and redeemed by compassion, friendship and love.