Literature Quotes - Page 9

I am about tribal feminine power. As a leader, I may stumble but my essence lives to the future-- of my people, of my literature, of my art. And when a tribesman turn against its leader, that tribe will become two. It may faulter my course, but it will not stifle my ending. I rule only among my believers.

A word only writes Its night and ridesIts dream.

Literature is the most agreeable way of ignoring life.

In some literature, I’ve read, weather is used as a metaphor. The darker and stormier the weather outside the more diabolical the deeds done. When the clouds roll away, however, the rain has washed away all the blood in the streets and the world is clean and new again, as if all the violence and destruction of the storm served a divine purpose.

Every crisis is a wisdom crisis. If you have no peace around you then you lack wisdom.

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.

All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.

Good children's literature appeals not only to the child in the adult but to the adult in the child.

Will I have to use a dictionary to read your book?" asked Mrs. Dodypol. "It depends," says I, "how much you used the dictionary before you read it.

Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment.

Many books require no thought from those who read them, and for a very simple reason; they made no such demand upon those who wrote them.

I was too much of a Bronx kid to read Emerson or Hawthorne.

After all, all he did was string together a lot of old, well-known quotations.

When writers die they become books, which is, after all, not too bad an incarnation.", The New Yorker, July 7, 1986]

The incapacity to name is a good symptom of disturbance.

Deceit dispels the boredom of the Absolute.

Banks watched the sun creep over the forest of oak trees and a crack of light broke through the night and grew longer and wider and ate the black like a fungus until the darkness was gone and there was light and it was day.

Books do pretend ...but squeezed in between is even more that is true—without what you may call the lies, the pages would be too light for the truth, you see?

Man has reached the moon, but twenty centuries ago a poet knew the enchantments that would make the moon come down to earth.

Despite how lonely or broken down you might feel, we need you with us helping to make the world better, kinder and safer, especially for the little girls coming up.

Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.

Literature that awakens and inflames feelings is the food of hearts.

Don't starve an instinct with a lie on, Never hit or deceive a wounded lion. He heals faster than you can imagine And hurts even more when in famine.

Why poetry, you ask? Because of life, I answer.

Let us depart instead for the fields of Dreams and wander those blue, romantic hills where stands the abandoned tower of the Supernatural, where cool mosses clothe the ruins of Idealism. Let us, in short, indulge in a little fantasy!

...the cab of the truck heated up nicely, its windows fogging. I felt like a Dickens character. I thought about explaining that to Mouse, just to occupy my thoughts, but he was suffering enough without being forced to endure Dickens, even by proxy.

When I'm writing I don't want anyone else in the room - including myself.

A wise reader reads the book of genius not with his heart, not so much with his brain, but with his spine. It is there that occurs the telltale tingle...

I think the novel is a wonder....it has vitality to an extraordinary degree, and glamour, and a great deal of underlying thought of unusual quality....And as for the sheer writing, it's astonishing. [About The Great Gatsby]

A classic is a book that has never finished what it wants to say.

The darkest of men carry the brightest of lights

Cosmos is God, who whispered the syllable of life.

Very early on, near the beginning of my writing life, I came to believe that I had to seize on some object outside of literature. Writing as a sylistic exercise seemed barren to me. Poetry as the art of the word made me yawn. I also understood that I couldn't sustain myself very long on the poems of others. I had to go out from myself and literature, look around in the world and lay hold of other spheres of reality.

In literature, too, we admire prose in which a small and astutely arranged set of words has been constructed to carry a large consignment of ideas. 'We all have strength enough to bear the misfortunes of others,' writes La Rochefoucauld in an aphorism which transports us with an energy and exactitude comparable to that of Maillard bridge. The Swiss engineer reduces the number of supports just as the French writer compacts into a single line what lesser minds might have taken pages to express. We delight in complexity to which genius has lent an appearance of simplicity. (p 207)

It was. It will never be again. Remember.

Any experience, which is not written, will be lost in time. Rich literature is lost forever.

Already the people murmur that I am your enemybecause they say that in verse I give the world your me.They lie, Julia de Burgos. They lie, Julia de Burgos.Who rises in my verses is not your voice. It is my voicebecause you are the dressing and the essence is me;and the most profound abyss is spread between us.You are the cold doll of social lies,and me, the virile starburst of the human truth.You, honey of courtesan hypocrisies; not me;in all my poems I undress my heart.You are like your world, selfish; not mewho gambles everything betting on what I am.You are only the ponderous lady very lady;not me; I am life, strength, woman.You belong to your husband, your master; not me;I belong to nobody, or all, because to all, to allI give myself in my clean feeling and in my thought.You curl your hair and paint yourself; not me;the wind curls my hair, the sun paints me.You are a housewife, resigned, submissive,tied to the prejudices of men; not me;unbridled, I am a runaway Rocinantesnorting horizons of God's justice.You in yourself have no say; everyone governs you;your husband, your parents, your family,the priest, the dressmaker, the theatre, the dance hall,the auto, the fine furnishings, the feast, champagne,heaven and hell, and the social, "what will they say."Not in me, in me only my heart governs,only my thought; who governs in me is me.You, flower of aristocracy; and me, flower of the people.You in you have everything and you owe it to everyone,while me, my nothing I owe to nobody.You nailed to the static ancestral dividend,and me, a one in the numerical social divider,we are the duel to death who fatally approaches.When the multitudes run riotingleaving behind ashes of burned injustices,and with the torch of the seven virtues,the multitudes run after the seven sins, against you and against everything unjust and inhuman,I will be in their midst with the torch in my hand.

A fortress built long ago,Walls made timeless by historic glory.The small girl in the boat slows,To listen to its story.

That’s what it means to be out of your mind. To let yourself be carried away by a dream. To give it room, let it grow wild and thick, until it overruns you.

The world is full of problems and I bet you the problems will continue to exist but what will make you relevant to the world is when you have answers to the questions the world asks. You can only be useful when you have the answers to the questions of the world. The best way you provide solutions and answers to those challenges is through wisdom.

I always find that after reading books written by Jane Austen that I speak much more properly, at least for a while.

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit.But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works…It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.

I think imagination is at the heart of everything we do. Scientific discoveries couldn't have happened without imagination. Art, music, and literature couldn't exist without imagination. And so anything that strengthens imagination, and reading certainly does that, can help us for the rest of our lives.

Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.

Haris...as a naive migrantwho just moved here,relying on you tapered worries.

I am the man who comes and goes between the bar and the telephone booth. Or, rather:that man is called 'I' and you know nothing else about him, just as this station is called only 'station' and beyond it there exists nothing except the unanswered signal of a telephone ringing in a dark room of a distant city.

All I am is literature, and I am not able or willing to be anything else.

What you gain here, you lose on the other side.

You mark and celebrate errors, transforming failures into successes.

Ô, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, tI told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine.Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling.

He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people... I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them - a comfortable prison of his own design.""You say this as if you envied him.""There are worse prisons than words.

We nurture the candle flames that show the way ahead. We are guerrillas of the word, unsung heroes breathing softly on the embers of the human mind, so that they might re-ignite the hearths around which we once found safe haven. The book is the Light and the Life.

This ferry was taken over by the Yumas and operated for them by a man named Callaghan, but within days it was burned and Callaghan's headless body floated anonymously downriver, a vulture standing between the shoulderblades in clerical black, silent rider to the sea.

Literature is the ditch I'm going to die in. It's still the thing I care most about.

Our desire to say more grows bigger and what to say about it, except that saying is not always about saying, growing is not always about growing.

People don't expect too much from literature. They just want to know they're not alone with being confused.

When within yourself you find the road, the right road will open.

Great literature should do some good to the reader: must quicken his perception though dull, and sharpen his discrimination though blunt, and mellow the rawness of his personal opinions.

O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.