Literature Quotes - Page 22

Death swallows death.

Imagine that the genome is a book.There are twenty-three chapters, called CHROMOSOMES.Each chapter contains several thousand stories, called GENES.Each story is made up of paragraphs, called EXTONS, which are interrupted by advertisements called INTRONS.Each paragraph is made up of words, called CODONS.Each word is written in letters called BASES.

Wisdom cannot be bought from the walmart, it can only come from the Holy Spirit of God.

Who is the most worthy of admiration, musician or audience?Probably the musician will tell that his audience and the musician that his audience

Oh! Let us never never doubt What nobody is sure about.

That was always my fear, that perhaps books would lead me astray, teaching me about a life that didn’t match reality.

Annant is Pickwick paperless, the hunter of wisdom and due to Lovelace heart, a budding poet-ass.

If satan succeds in blinding your mind, he has succeeded in arresting you because anything that can stop you from believing can stop your future.

There is no Frigate like a Book To take us Lands awayNor any Coursers like a Page Of prancing Poetry – This Traverse may the poorest takeWithout oppress of Toll – How frugal is the Chariot That bears a Human soul.

Novelists would do well to remember that when the works of the scholar-historians create doubt in the researcher’s mind, the researcher then turns to literature as a primary source for confirmation or correction. If the truth of a time, a people, a state is not available anywhere else, let it be in the novel. - from Twayne’s US Authors Series: JOHN A WILLIAMS by Gilbert Muller

Literature is a writer's secret life recorded in symbols.

It is precisely, if paradoxically, because reversal is in the service of repetition (so as to ensure, alongside its companion strategies, a dizzying proliferation of citations) that it gains a subversive power rather than remain a mere dependent (and thus conservative) form of social discourse. Reversal plays a double role in this novel (MONSIEUR VENUS), for it is not only a formal strategy bearing on citation, but itself a citation as well; one more cliché mobilized from the fin-de-siecle reserve.

The small Chinese man sank onto the plush leather sofa. He sank so low on the large brown sofa, it looked like it would swallow him whole. He sat, clutching his briefcase close to his chest, his alert eyes scanning the spacious room. Opposite him, across a glass table sat a large African Minister in a freshly pressed Italian suit.

Through everything I have passed but nowhere I have been.

There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers.

I began to write because of love. I wrote to understand what I felt and what I knew.

So, fuck ’em, we say. Fuck the mundane of Mainstream, the elitists of Literature. We’re GENRE FICTION and proud of it, proud to wear that brand painted on the backs of our biker’s jackets.

Literature had torn Tessa and me apart, or prevented us from merging in the first place. That was its role in the world, I'd started to fear: to conjure up disagreements that didn't matter and inspire people to act on them as though they mattered more than anything. Without literature, humans would all be one. Warfare was simply literature in arms. The pen was the reason man invented the sword.

The true reader reads every work seriously in the sense that he reads it whole-heartedly, makes himself as receptive as he can. But for that very reason he cannot possibly read every work solemly or gravely. For he will read 'in the same spirit that the author writ.'... He will never commit the error of trying to munch whipped cream as if it were venison.

Love is almost never simple.

I must warn you that the books I like are not necessarily the ones I think are the best. I like them for various reasons not always easy to explain.

For a game, you don’t need a teacher.

I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe.

Be a good editor. The Universe needs more good editors, God knows.

Do you know the feeling when you start reading a new book before the membrane of the last one has had time to close behind you? You leave the previous book with ideas and themes–characters even–caught in the fibers of your clothes, and when you open the new book, they are still with you

I hate reading poems—school made me hate them. I’d spend hours interpreting one, just to read the memorandum and realize I’d be fucked during exams. I remember making a little asterisk next to every question I struggled with, and at the end of the paper, I’d realize I was looking at the fucking Milky Way.

The first prerequisite for fine literature is that the writer must see the language not as a transparent medium for self-expression or the representation of reality, but as a medium one must struggle with to make it do one's bidding.

It was literature in its finest sense, since it made Unk courageous, watchful, and secretly free.

You don't find the concept of illicit love at all engaging?”“The concept, maybe. But in literature? That's like ordering a glass of tap water at a bar.

Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination, and of the heart.

Gormenghast. Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs... And darkness winds between the characters.- Gormenghast

It is the modern literature of the educated, not of the uneducated, which is avowedly and aggressively criminal..The vast mass of humanity, with their vast mass of idle books and idle words, have never doubted and never will doubt that courage is splendid, that fidelity is noble, that distressed ladies should be rescued, and vanquished enemies spared. There are a large number of cultivated persons who doubt these maxims of daily life.

Crammed among the stacks of books in his room, the author treated literature as if each book were a window in a city of unstable skyscrapers, and he was the window-washer tasked with the impossible job of cleaning them all. - From "Pageturner" in 365 Tomorrows

If literature matters today, it is chiefly because it seems to many conventional critics one of the few remaining places where, in a divided, fragmented world, a sense of universal value may still be incarnate; and where, in a sordidly material world, a rare glimpse of transcendence can still be attained.

Jonah-John-if I had been a Sam, I would have been a Jonah still-not because I have been unlucky for others, but because somebody or something has compelled me to be certain places, at certain times, without fail. Conveyances and motives, both conventional and bizarre, have been provided. And, according to plan, at each appointed second, at each appointed place this Jonah was there.

You see the world in colors,I see in Black and Red.

Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?

We don’t know anything about silent sages, buried knowledge, the eye of the mute poet, serene seers, yet how many talkative destroyers, prophets and ideologues, teachers and beautifiers there are on the other side.

The principle of art is to pause, not bypass. The principles of true art is not to portray, but to evoke. This requires a moment of pause--a contract with yourself through the object you look at or the page you read. In that moment of pause, I think life expands. And really the purpose of art--for me, of fiction--is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have. That is the moment of finding something which you have not known about yourself, or your environment, about others and about life.

If you want to know a country, read its writers.

Everyone who tells a story tells it differently, just to remind us that everybody sees it differently

Into the day as by dream I swim To the music of nourished meaning.

Now that we are all so smart, we don’t easily find resolutions.

A book did not qualify as literature unless it had polysyllabic words and incomprehensible passages.

For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction.

If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one's very own.

So what does it mean for a person to devote himself or herself to, as you put it, “literary reading and thinking”? I would argue this is a person who’s trying to see things for what they are. Who’s interested in distinguishing the truth from the lies, the real from the fake, the solid from the cheap. Those are the people who want to think for themselves, and I really question whether we can make good lives for ourselves if we aren’t doing our own thinking.

I'd always admired writers. I'd always loved words on a page. Somehow, words seemed to bypass image and get straight to the heart of things. Somehow, words seemed big enough to contain pain, and sentences could pull broken bits together.

Hindustan had become free. Pakistan had become independent soon after its inception but man was still slave in both these countries -- slave of prejudice … slave of religious fanaticism … slave of barbarity and inhumanity.

Life was not easy, nor was it happy, but she did not expect life to be easy, and, if it was not happy, that was woman's lot. It was a man's world, and she accepted it as such. The man owned the property, and the woman managed it. The man took credit for the management, and the woman praised his cleverness. The man roared like a bull when a splinter was in his finger, and the woman muffled the moans of childbirth, lest she disturb him. Men were rough of speech and often drunk. Women ignored the lapses of speech and put the drunkards to bed without bitter words. Men were rude and outspoken, women were always kind, gracious and forgiving.

We dreamt of a crappy apartment somewhereMaking love while we let the midnight airFlow through the open window, into our closed heartsLeft bitter from heartbreak and too much time apart

Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.

We live in a world where there is such a clear definition of what a girl should be that it takes almost no effort at all to completely hate ourselves.

…This remains the great deficiency of literature: its imitation of nature cannot prepare you for the main events. For the main events, only experience will answer.

Dakin: The more you read, though, the more you'll see that literature is actually about losers.Scripps: No.Dakin: It's consolation. All literature is consolation.

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?

Some stories always remain incomplete, until you do not read them complete with heart <3

Ô, wine!, the truth-serum so potent that all those who wish to live happy lives should abstain from drinking it entirely!... except of course when they are alone.

Writers are engineers of human souls.