Literature Quotes - Page 11

The past gathered out of the darkness where it stayed, and the dead raised themselves to live before him; and the past and the dead flowed into the present among the alive, so that he had for an intense instant a vision of denseness into which he was compacted and from which he could not escape, and had no wish to escape. Tristan, Iseult the fair, walked before him; Paolo and Francesca whirled in the glowing dark; Helen and bright Paris, their faces bitter with consequence, rose from the gloom. And he was with them in a way that he could never be with his fellows who went from class to class.

No one lives long in a war.

The Meadow... Only one of them succeeded in making a life here... He weathered. Before a backdrop of natural beauty, he lived a life from which everything was taken but a place. He lived so close to the real world it almost let him in.

Life into death— Life’s other shape, No rupture, Only crossing.

Nature is an outcry, unpolished truth; the art—a euphemism—tamed wilderness.

It hadn’t always been this way, that’s a cliché, but it is a cliché for a reason. It’s not like anyone starts a relationship with nothing to say to the other person. No-one wants to feel like a complete stranger and live together because it’s easier than trying to remember who owns the copy of Almost Famous – which was mine by the way.

My theory on literature is an author who does not indulge in trashiness-writes about people you could introduce into your own home...he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals...

On no days of our childhood did we live so fully perhaps as those we thought we had left behind without living them, those that we spent with a favourite book.

We all act as independent learners in charge of designing our autodidactic curricula. Reading the books written by the prophetic genius of history including the literary masterpieces and philosophical treatises awakens the mind. Reading can act as a gateway drug leading to writing and expansion of a personal state of conscious awareness.

Growing up, I loved the tale of Peter Rabbit and also books on Pippi Longstocking. Pippi was a girl who had so much fun and was very daring. My sons loved all the Dr. Seuss books

Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation, and new people, new readers, need to be brought into the conversation too.

I think that my first impulse arises from a hypersensitivity or allergy. It seems to me that language is always used in a random, approximate, careless manner, and this distresses me unbearably. Please don't think that my reaction is the result of intolerance towards my neighbor: the worst discomfort of all comes from hearing myself speak. That's why I try to talk as little as possible. If I prefer writing, it is because I can revise each sentence until I reach the point where - if not exactly satisfied with my words - I am able at least to eliminate those reasons for dissatisfaction that I can put a finger on. Literature - and I mean the literature that matches up to those requirements - is the promised land in which language becomes what it really ought to be.

In my schoolboy reveries, we were always two fugitives riding on the spine of a book, eager to escape into worlds of fiction and secondhand dreams.

Based on the law of probability Everything is possible because The sheer existence of possibility Confirms the existence Of impossibility.

I was working in silence seeking no appreciation or respect from any one. And it is always the silence from which great literature is born.

She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after everyone else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.

(Emerson's) aphorisms tend to be chicken soup for the academic soul or gobledygook of a man who prefers the sounds of words to their meanings.

I tell the story to you now, but in each telling the story itself changes a little, changes direction, and that in turn changes you and me. So be very careful not only in how you repeat it but in how you remember it, goslings. More often than you realize it, the world is shaped by two things -- stories told and the memories they leave behind.

Quote of the day."Al, for want of anything better to do, is standing nodding his head. This reminds Faron of those stupid dogs that people put in their cars, that when the car moves, the dogs frantically nod their heads, like some demented, freshly graduated psychologist, with their first patients.

The fault I find with our journalism is that it forces us to take an interest in some fresh triviality or other every day, whereas only three or four books in a lifetime give us anything that is of real importance.

This dwarf still observes the world from his own self-imposed height.

Ela acreditava em anjo e, porque acreditava, eles existiam" | "She believed in angels, and, because she believed, they existed

We do not claim that the portrait we are making is the whole truth, only that it is a resemblance.

I don't hold with shamans, witch doctors, or psychiatrists. Shakespeare, Tolstoy, or even Dickens, understood more about the human condition than ever occurred to any of you. You overrated bunch of charlatans deal with the grammar of human problems, and the writers I've mentioned with the essence.

Chaucer I confess is a rough diamond and must be polished e'er he shines.

Her seven-year-old self had decided that stealing books was morally bankrupt, but since the books hadn’t actually left the library—they’d merely been relocated—it wasn’t technically stealing. Echo looked around at her sea of tomes, and a single word came to mind: Tsundoku. It was the Japanese word for letting books pile up without reading them all.

Love has always been the chief business of my life, the only thing I have thought—no, felt—supremely worth while, and I don’t pretend that this experience was not succeeded by others. But at that time, I was innocent, with the innocence of ignorance, I didn’t know what was happening to me. I was without consciousness, that is to say, more utterly absorbed than was ever possible again. For after that first time there was always part of me standing aside, comparing, analysing, objecting: ‘Is this real? Is this sincere?’ All the world of my predecessors was there before me, taking, as it were, the bread out of my mouth. Was this stab in my heart, this rapture, really mine or had I merely read about it? For every feeling, every vicissitude of my passion, there would spring into my mind a quotation from the poets. Shakespeare or Donne or Heine had the exact phrase for it. Comforting, perhaps, but enraging too. Nothing ever seemed spontaneously my own. As the blood dripped from the wound, there was always part of me to watch with a smile and a sneer: ‘Literature! Mere literature! Nothing to make a fuss about!’ And then I would add, ‘But so Mercutio jested as he died!

A history of literature, unlike history as such, ought to list only victories, for its defeats are no victory for anyone.

I carry my liberty with me. It is in my thoughts, in my head. Shakespeare is one of my countries, Goethe another. You can change that badge that I wear, but you can’t change the way I think. It is through my intellect that I can escape the roles, intrusions, and obligations with which every civilisation, every community would burden me. I make myself my own homeland through my affinities, my choices, my ideas, and no one can take it away from me – I may even be able to enlarge it. I don’t spend my life in the company of crowds but individuals. If I could pick fifty individuals from each nation, then perhaps I could put together a society I’d be happy with. My first possession is myself; better to sent it into exile than to lose it, to change a few habits rather than terminate my role as a human being. We only have one homeland: the world.

It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel.

A writer can do without food for a few hours, but not without the sight of books.

You probably think of the orchestra as a heterogeneous mass of instrumentsproducing a confused agreeable massof sound. You do not listen for details because you have never trained your ears to listen to details.

While he sweated out a story she bled put a poem. (Dark City Lights)

Nobility is not only in forgiveness.

Spend the glittering moonlight therePursuing down the soundless deepLimbs that gleam and shadowy hair,Or floating lazy, half-asleep.Dive and double and follow after,Snare in flowers, and kiss, and call,With lips that fade, and human laughterAnd faces individual,Well this side of Paradise! . . .There's little comfort in the wise.

The best books — like the best music or television or movies or comics or video games — can challenge us and force us to think or perceive aspects of life that we may prefer to avoid. In a sense, they threaten us.

He did not waste time in a vain search for a place in history.

People won't see Imagination in something that doesn't relate to their experience because of their own mental limitations. I want people to escape the expected and ordinary, to escape the regular expectations of a story, and truly step into a different world of literature.

The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.

There is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book.

Much, maybe too much, has been written about literature. (I know better than anyone; I’m an expert in the field). Yet the special thing about literature, the major art form of a Western civilization now ending before our very eyes, is not hard to define. Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, it limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. Only literature can grant you access to a spirit from beyond the grave–a more direct, more complete, deeper access than you’d have in conversation with a friend. Even in our deepest, most lasting friendships, we never speak so openly as when we face a blank page and address an unknown reader.

In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which is not worth contemplating in life, is not worth re-creating in art.

I have tried to write about politics in an allusive manner that draws upon other interests and to approach literature and criticism without ignoring the political dimension. Even if I have failed in this synthesis, I have found the attempt worth making.

You never stopped thinking of yourself as a writer biding his time in the Department of Factual Verification. But between the job and the life there wasn't much time left over for emotion recollected in tranquillity.

Literature is like a subtle concoction of laboriously collected peripherals called words, intellect,thoughts,imagination,creativity and aestheticism brewed together to form a resplendent work of art.

To provoke dreams of terror in the slumber of prosperity has become the moral duty of literature.

No fiction is worth reading except for entertainment. If it entertains and is clean, it is good literature, or its kind. If it forms the habit of reading, in people who might not read otherwise, it is the best literature.

Literature is integrated, and I'm not just talking about color or race. I'm talking about the power of literature to make us recognize - and again and again - the wholeness of the human experience.

The growth of the imagination demands windows-windows through which we can look out at the world and windows through which we can look into ourselves. The old stories were windows in just this way.

Read sometimes for the story, Bobby. Don't be like the book-snobs who won't do that. Read sometimes for the words - the language. Don't be like the play-it-safers that won't do that. But when you find a book that has both good story and good words, treasure that book.

Little mouse," a voice said through the keyhole. "Don't you know the more you wriggle, the greater the cat's delight?

And that was the point of children, thought Caroline Meddey: to bind us to the earth and to the present, to distract us from death.

My soul is in the sky.

Max sent Scottie some literary advice, the same dictum he gave every college student who called on him. He stressed the importance of a liberal arts education but urged her to avoid all courses in writing. "Everyone has to find her own way of writing," he wrote Scottie, "and the source of finding it is largely out of literature.

I speak this way because I know how perilous speech can be.... A saber might be stopped by a shield. A bullet might be dodged by a stroke of luck. But you can't dodge a word. If one is flung at you it will hit its mark unerringly. No Garritt there's nothing in the world more dangerous than talk.

Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.

And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.

When the star dies, Its eye closes; tired of watching, It flies back to its first bright dream.

Whatever others may say, they say it to deceive and comfort themselves, not help you.

I can relate to Marguerite Duras even though I'm not French, nor have I been consumed by love for an East Asian man. I can life inside Alice Munro's skin. But I can't relate to my own mother. My body is full of sentences and moments, my heart resplendent with lovely turns of phrases, but neither is able to be touched by another.