Imagery Quotes - Page 2

I've recovered my tenderness by long looking;I'm a Socrates of small fury.The waves bends with the fish. I'm taughtAs water teaches stone. Believe me, extremest oriole,I can hear light on a dry day.The world is where we fling it; I'm leaving where I am.

Power is meant to be shared with the goal of empowering others. Hoarded power weakens others and exalts oneself. Power, when grounded in biblical values, serves others by liberating them. It acknowledges that people bear the image of God and treats them in a way that will nurture the development of that image. In so doing, we honor their Creator.

He understood the code of his social class enough to affect an air of indifference about life.

There is no more hope for meaning. And without a doubt this is a good thing: meaning is mortal. Appearances, they, are immortal, invulnerable to the nihilism. This is where seduction begins.

The brain had its own food on which it battened, and the imagination,made grotesque by terror, twisted and distorted as a living thing by pain,danced like some foul puppet on a stand and grinned through moving masks.

The cork was in the bottle. He and the Atropos were trapped.

A teacher is a sower of seed, a spiritual agriculturist, while he who teaches himself is the wise farmer of his own mental plot.

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.

She would stay there, flying across the sea like a mermaid with wings, until the end.

The gray paint peels off the wall in odd and beautiful patterns, each cracked polygon of paint a snowflake of decay.

Rain woke him, a slow drizzle, his feet tangled in coils of discarded fiberoptics. The arcade's sea of sound washed over him, receded, returned. Rolling over, he sat up and held his head.

Night simply drapes itself over the dayAs if someone had lowered a curtain.The sky glitters and moves,Filled with shooting stars and fireflies.

She leaned out of the window slow and sleepy, and the light came through her nightdress like sand through a sieve.

I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flowers that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write.

August has passed, and yet summer continues by force to grow days. They sprout secretly between the chapters of the year, covertly included between its pages.

And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. 

It is deep January. The sky is hard.The stalks are firmly rooted in ice.It is in this solitude, a syllable,Out of these gawky flitterings,Intones its single emptiness,The savagest hollow of winter-sound.

He paused and manufactured a chuckle.

The sun was late, stuck in heavy mist. When it finally broke free there was no one to see, no one to applaud its sterling effort, because everyone in Freemantle was heading west. The burnt orange blaze of dawn made it look like they were fleeing a fire, but all knew that the real conflagration lay ahead.

The author distinguishes George Washington's leadership from that of another aristocratic general whose temperament was somewhat cold. Unlike him, Washington made the effort to at least appear to suffer with his troops.

So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.

I should have realized, when Cathal kissed me in the hallway, that my response was the first raindrop heralding a storm.

Chronicling the mid-1970s up session with Gerald Ford's clumsiness, the author quotes a medieval maxim that the king has two bodies. The head of state has a physical body like everyone else, but he also represents the body politic, either reflecting its majesty or its weakness.

When an image depends on the next for a complete meaning, it moves the story and audience along without choking them with pathos

The sight of big ships, of the many new uniforms, at once serious and cool, left Bush with an overall sense of the navy's power and camaraderie and purpose.

There are mornings when, from the first ray of light seized upon by the eye, and the first simple sounds that get inside the head, the heart is convinced that it is existing in rhythm to a kind of unheard music, familiar but forgotten because long ago it was interrupted and only now has suddenly resumed playing. The silent melodies pass through the fabric of the consciousness like the wind through the meshes of a net, without moving it, but at the same time unmistakably there, all around it. For one who has never lived such a morning, its advent can be a paralyzing experience.

We didn't talk much, and the silence hung like a silk curtain, light and lovely.

He wanted terribly, to say, Stop, to say Bern’s name, to stroke her soft cheek where it was bitten by the light. But, in the end, he didn’t do anything at all.

]Sardisoften turning her thoughts here]you like a goddessand in your song most of all she rejoiced.But now she is conspicuous among Lydian womenas sometimes at sunsetthe rosyfingered moonsurpasses all the stars. And her lightstretches over salt seaequally and flowerdeep fields.And the beautiful dew is poured outand roses bloom and frailchervil and flowering sweetclover.But she goes back and forth rememberinggentle Atthis and in longingshe bites her tender mind

What one exorcises in this [imagery] way at little cost, and for the price of a few tears, will never in effect be reproduced

A mud-stained sunlight began to splatter the sodden fields, and the hateful, nasal world of birds began to come to life. It seemed to me that I was coming out of a suffocating nightmare and that the low clouds flying before the wind were the shreds of an evil dream.

The Greenland fjords are peculiar for the spells of completely quiet weather, when there is not enough wind to blow out a match and the water is like a sheet of glass. The kayak hunter must sit in his boat without stirring a finger so as not to scare the shy seals away. Actually, he can only move his eyes, as even the slightest move otherwise might mean game lost. The sun, low in the sky, sends a glare into his eyes, and the landscape around moves into the realm of the unreal. The reflex from the mirror-like water hypnotizes him, he seems to be unable to move, and all of a sudden it is as if he were floating in a bottomless void, sinking, sinking, and sinking.... Horror-stricken, he tries to stir, to cry out, but he cannot, he is completely paralyzed, he just falls and falls.

He didn't really care if they felt that way or not: he just needed them to say it, he needed to feel that something lay beneath their imperturbable calm, that somewhere within them ran a thin stream of quick, cool water, teeming with delicate lives, minnows and grasses and tiny white flowers, all tender and easily wounded and so vulnerable you couldn't see them without aching for them.

Like a dried up spring, magic trickled forth with less and less strength, until one day, the people awoke and there was simply no more to be had.

For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution.

They had painted a lady leaning her arms on the sill of the window. This lady was waiting for a husband. Her flesh was slack and she was some forty-five years old. Perhaps she had been waiting since she was fifteen. A rose and mauve lady that had not yet gathered her flesh and her beauty into dark clothes, and still waited, like a rose stripped of its petals, with her faded colors and her artificial smile, bitter as a grimace.

They spell-caught the sounds of cat paws, the breath of fish, the spittle of birds, the hairs of a woman's beard, and the roots of a mountain, and spun them around the sinews of a bear. That made a bond that looked as fine as a ribbon of silk, but, since it was made of things not in this world, it was so strong nothing in the world could break it.

She was gracious and yet fading, like an old statue in a garden, that symbolizes the weather through which it has endured, and is not so much the work of man as the work of wind and rain and the herd of the seasons, and though formed in men's image is a figure of doom.

It is not often that you see life and fiction take each other by the hand and dance.

[M]en, though they know full well how much women are worth and how great the benefits we bring them, nonetheless seek to destroy us out of envy for our merits. It's just like the crow, when it produces white nestlings: it is so stricken by envy, knowing how black it is itself, that it kills its own offspring out of pique.

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.

Lincoln was a master of small group theatrics.

For the first time she could see a man's head naked of its skull. Saw the cunning thoughts race in and out through the caves and promontories of his mind long before they darted through the tunnel of his mouth.

Jonathan had been around Washington long enough to know that no offer was exactly what it seemed.

The wheel of life: one generation rises like summer wheat, then withers and falls to seed. The wheel turns - birth, youth, adulthood, parenthood, senescence, death - driven by genetic machinery set in motion so many eons ago. For all its subtleties and infinite beauty, life has but one purpose: to keep the wheel turning.

I think that cars today are almost the exact equivalent of the great Gothic cathedrals; I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.

The autumn twilight turned into deep and early night as they walked. Tristran could smell the distant winter on the air--a mixture of night-mist and crisp darkness and the tang of fallen leaves.

The graceful wings of a dove lead to the endless imagination in a dream wings of pain.

Grant made the perfect candidate, a war hero with indistinct views on most political issues.

It was winter, and a night of bitter cold. The snow lay thick upon the ground, and upon the branches of the trees: the frost kept snapping the little twigs on either side of them, as they passed: and when they came to the Mountain-Torrent she was hanging motionless in air, for the Ice-King had kissed her.

Because, of course, it wouldn't do to just talk to her. She had spoken to him in flashes of daylight, and he felt he ought to reply in kind.

Maddock stabbed his fried egg with his fork, and bright yellow yolk bled all over his plate like a sunshine hemorrhage.

In the distance Richard could see the skyscrapers of Los Angeles rising out of the ocean; barnacle crusted concrete and steel emerging from crashing waves. Once a symbol of economic might, they were now a macabre monument to the mortality of man.

This culture of distraction was nothing new. Christianity was born into one.

But soon the poltergeist ran out of ideas in connection with Aunt Maud and became, as it were, more eclectic. All the banal motions that objects are limited to in such cases, were gone through in this one. Saucepans crashed in the kitchen; a snowball was found (perhaps, prematurely) in the icebox; once or twice Sybil saw a plate sail by like a discus and land safely on the sofa; lamps kept lighting up in various parts of the house; chairs waddled away to assemble in the impassable pantry; mysterious bits of string were found on the floor; invisible revelers staggered down the staircase in the middle of the night; and one winter morning Shade, upon rising and taking a look at the weather, saw that the little table from his study upon which he kept Bible-like Webster open at M was standing in a state of shock outdoors, on the snow (subliminally this may have participated in the making of lines 5-12).I imagine, that during the period the Shades, or at least John Shade, experienced a sensation of odd instability as if parts of the everyday, smoothly running world had got unscrewed, and you became aware that one of your tires was rolling beside you, or that your steering wheel had come off.

the ability to get on the air, which was crucial to any reporter’s career, grew precisely as the ability to analyze diminished.

[About describing atomic models in the language of classical physics:]We must be clear that when it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images and establishing mental connections.

But what becomes of the divinity when it reveals itself in icons, when it is multiplied in simulacra? Does it remain the supreme power that is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God?

From time to time, too, and for the space of two or three paces, an image or an echo would rise up from the recesses of time: in the little streets of the beaters of silver and gold, for instance, there was a clear, unhurried tinkling, as if a djinn with a thousand arms was absent-mindedly practising on a xylophone.

She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.