Holocaust Literature Quotes

I can tell you that events were incremental, that the unbelievable became the believable and, ultimately, the normal.

Nothing about these times makes any sense. Nothing. Putting it to words only makes it sound too simple.

We did not speak of what we had seen. At the time, to speak of it seemed worse than sacrilege: We had witnessed a thing so terrible that it acquired a dreadful holiness. It was a miracle of evil. It was not possible to say with words what we had witnessed, and so we kept it safely guarded until the time we could bring it out, and show it to others, and say, 'Behold. This is the worst thing man can do'.

Our backyard looked like a marketplace. Valuable objects, precious rugs, silver candlesticks, Bibles and other ritual objects were strewn over the dusty grounds- pitiful relics that seemed never to have had a home. All this under a magnificent blue sky.

But Anja. I hear Anja's voice. Maybe I am insane. I hear her crying. I see her alone in the trees. I remember being alone and humiliated. I remember, too, the fat little boy hiding in the bathroom. And I see this man, Ariane. I see this evil man, Ariane. He laughs everyday still. He has had years of laughter. He has triumphed over the screams of others, he has triumphed with blood on his hands. And he laughs still. God has cursed us! He has either cursed us or He was never here to begin with. We've pretended God was here for our own sanity! That's the truth! We've pretended evil is punished and good is rewarded. A perfect scheme!

We are slaves, deprived of every right, exposed to every insult, condemned to certain death, but we still possess one power, and we must defend it with all our strength for it is the last - the power to refuse our consent. So we must certainly wash our faces without soap in dirty water and dry ourselves on our jackets. We must polish our shoes, not because the regulation states it, but for dignity and propriety. We must walk erect, without dragging our feet, not in homage to Prussian discipline but to remain alive, not to begin to die.

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This is the second Old Master I have encountered that has the signatures of another artist forged over it. A painting that has been created by another artist entirely. It's like they played mix and match.

I thought those were others. Soon, I was to learn that they were us.

This is hell. Today, in our times, hell must be like this. A huge, empty room: we are tired, standing on our feet, with a tap which drips while we cannot drink the water, and we wait for something which will certainly be terrible, and nothing happens and nothing continues to happen.