I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."You are only alive now because you said 'to the pain.' I want that phrase explained."My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"And then my right eye, and then my ears, and shall we get on with it?" the Prince said.Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"The sword crashed to the floor.
Shut up, shut up, will you! Nobody minds that you are in pain. Pain is a human condition. You do not care that I am hungry, do you? And therefore I do not need to care whether you are in agony. Nobody is hurting you! Be quiet, be quiet! Rannig, fill his mouth with dirt, and I’m sure I do not care what diseases he contracts. He has already been in the water. He has probably swallowed millions of pestilential microbes, and they are none of them acting too quickly. Do you hear me? I say shut up, sir! By my hat—the man makes a noise to shatter teeth! Here, what are you complaining about?” Bartleby looked over and saw where Shandandzo was gripping himself. “Oh, they are only knees! You have two of them and an immune system—the body heals, if you leave it alone! You need not shout about it!” He took the headwrap from Rannig’s hand and shoved it into Shandandzo’s mouth. “There. That will quiet you for a while. Don’t you know there are men reading and having their tea? Shameful of you to carry on in this way. The captain only put your knife behind your kneecaps and made a few fractures. Hardly anything to cry about at all. A man has no business crying about kneecaps. A tendon, I grant you, might deserve a paltry yelp or two, but you are alive and you have your health otherwise— you can want nothing else. You hardly need your knees when you are always on the gad, stealing priceless artifacts from visiting dignitaries—and you are a noble besides. Nobles have money: they hardly need feelings or knees. They have men for that.” He snuffed and watched Shandandzo’s eyes roll back in his head. “Now, if you will be a very good convulsing noble, or whatever it is you are, you will be quiet and make no more fuss about your knees.” He turned back toward the teahouse, humphed to himself, and moved to go, but turning back, he said, “And if you make anymore obnoxious noises whilst I am writing my notes, I will have the boy throw you down a well.