Criticism Quotes - Page 8

A critic is a legless man who teaches running.

I've always looked on criticism as a sort of envious tribute.

The internet is killing the art of writing. The big "publish" button begs you to publish even before you go back and make one single edit, and as if this was not enough, you have instant readers who praise your writing skills!-

Vilify! Vilify! Some of it will always stick.

The hard part about one being tough yet meek is the illusion of being a punching bag.

I only object when any one particular group...gets a stranglehold on American criticism and squeezes out anybody who doesn't conform to its own standards....The ax falls, ecumenically, on the head of anybody...who doesn't share this group's parochial preoccupations.

Many people begin their criticism with sincere praise followed by the word "but", which signals that the criticism is about to begin. This may make the listener questions the sincerity of the praise. Use "and" instead, and provide constructive advice rather than criticism. this is possibly the most effective ways to address an issue in written form without seeming false in your praise.

An insincere critic of a sincere person never wins.

Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed.

But 'I worked hard on this' doesn’t exempt you from criticism. Those harsh reviews aren’t about anyone being out to get me. It’s not an Authors vs. Reviewers thing. It’s people taking the time to express their opinions because they care about this s

For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it.

You should praise, criticize and flirt with people right to their face, only then it will make a difference.

On Critique – Those who can, do. Those who can’t, teach. Those who can’t do or teach, criticize.

There is a way of reacting to insult that gives people the impression that you want more. I don't know what it is, but I seem to have mastered it.

The most tragic consequence of our criticism of a man is to block his way to humiliation and grace, precisely to drive him into the mechanisms of self justification and into his faults instead of freeing him from them. For him, our voice drowns the voice of God.

I don't want to see the uncut version of anything.

If philosophy has to serve some really noble purpose, it must be more observant than critical towards life.

It is always easier to find fault and criticize than it is to find beauty and appreciation.

It seemed that it was not only live magicians which Mr. Norrell despised. He had taken the measure of all the dead ones too and found them wanting.

After all, how many of our todays and of our tomorrows do we want to give our yesterdays? It is one thing to be victimized by another. It is quite another to victimize ourselves because we cannot learn from the past or forgive. Those who choose to live in the past, to live in the land of regret and complaint, do so at the sacrifice of their todays and their tomorrows.

Analysis kills spontaneity. The grain once ground into flour springs and germinates no more.

There is a kind of counter-criticism that seeks to expand the work of art, by connecting it, opening up its meanings, inviting in the possibilities. A great work of criticism can liberate a work of art, to be seen fully, to remain alive, to engage in a conversation that will not ever end but will instead keep feeding the imagination. Not against interpretation, but against confinement, against the killing of the spirit. Such criticism is itself a great art.This is a kind of criticism that does not pit the critic against the text, does not seek authority. It seeks instead to travel with the work and its ideas, to invite it to blossom and invite others into a conversation that might have previously seemed impenetrable, to draw out relationships that might have been unseen and open doors that might have been locked. This is a kind of criticism that respects the essential mystery of a work of art, which is in part its beauty and its pleasure, both of which are irreducible and subjective. The worst criticism seeks to have the last word and leave the rest of us in silence; the best opens up an exchange that need never end.

...were these Essays of mine considerable enough to deserve a critical judgment, it might then, I think, fallout that they would not much take with common and vulgar capacities, nor be very acceptable to the singular and excellent sort of men; the first would not understand them enough, and the last too much; and so they may hover in the middle region.

And, instead of pelting these babbling idiots with their own freshly toasted marshmallows, everyone else sitting around the fire is often nodding and smiling and looking solemny thoughtful.

The price of success is to bear the criticism of envy.

Those who make uncritical observations or fraudulent claims lead us into error and deflect us from the major human goal of understanding how the world works. It is for this reason that playing fast and loose with the truth is a very serious matter.

Criticism, like rain, should be gentle enough to nourish a man's growth without destroying his roots.

Most people say that Shakespeare rocked merely because most people say that Shakespeare rocked.

As soon seek roses in December, ice in June,Hope constancy in wind, or corn in chaffBelieve a woman or an epitaphOr any other thing that’s falseBefore you trust in critics.

Make no mistake. You are your most important critic and your conscience your most important judge of character.

No one tries to stone a tree whose fruit is not ripe.

I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.I would have done anything to feel real again.

Why do they [Americans] quarrel, why do they hate Negroes, Indians, even Germans, why do they not have science and poetry commensurate with themselves, why are there so many frauds and so much nonsense? I cannot soon give a solution to these questions ... It was clear that in the United States there was a development not of the best, but of the middle and worst sides of European civilization; the notorious general voting, the tendency to politics... all the same as in Europe. A new dawn is not to be seen on this side of the ocean.

There are braying men in the world as well as braying asses; for what's loud and senseless talking and swearing, any other than braying?

This book is dedicated to Israel's constructive and nuanced critics, whose rational voices are too often drowned out by the exaggerations, demonizations, and hate-filled lies put forth by Israel's enemies. Criticism is the lifeblood of democracy and a sure sign of admiration for an imperfect democracy seeking to improve itself.

At that shameful stage in the development of our criticism, literary abuse would overstep all limits of decorum; literature itself was a totally extraneous matter in critical articles: they were pure invective, a vulgar battle of vulgar jokes, double-entendres, the most vicious calumnies and offensive constructions. It goes without saying, that in this inglorious battle, the only winners were those who had nothing to lose as far as their good name was concerned. My friends and I were totally deluded. We imagined ourselves engaged in the subtle philosophical disputes of the portico or the academy, or at least the drawing room. In actual fact we were slumming it.

Those who seek to listen to their own inner voice forget to listen to the judgment of others.

Genius moves to creation, not to destruction. Only a very few have combined both.

Like almost all of Beefheart's recorded work, it was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.

People hate to see their vices depicted, but vice is terrible and it should be depicted.

The opinion of success matters more than the opinions of your critics.

You can kill a book quicker by your silence than by a bad review.

There is only one way to avoid criticism: do nothing, say nothing, and be nothing.

It [speaking with words that bring about harmony] consists of speaking of what is good about people, instead of what is wrong with them. For some people this is an almost impossible exercise, for they have become totally habituated to speaking critically. We all seem to have a special talent for finding critical things to say about the world, about others, and about ourselves! (117)

The net has provided a level playing field for criticism and comment - anyone and everyone is entitled to their opinion - and that is one of its greatest strengths.

These days when Christians bicker they exaggerate passion into a legalistic belief and prosperity into a lukewarm belief.

To criticize a person for their race is manifestly irrational and ridiculous, but to criticize their religion, that is a right. That is a freedom. The freedom to criticize ideas, any ideas - even if they are sincerely held beliefs - is one of the fundamental freedoms of society. A law which attempts to say you can criticize and ridicule ideas as long as they are not religious ideas is a very peculiar law indeed.It all points to the promotion of the idea that there should be a right not to be offended. But in my view the right to offend is far more important than any right not to be offended. The right to ridicule is far more important to society than any right not to be ridiculed because one in my view represents openness - and the other represents oppression

The greater the fruit a tree bears, the greater the number of stones thrown at it.

It does not matter whatsoever, what the people around you think you can or cannot do. What really matters is what you think about your capabilities.

The pleasure of criticizing takes away from us the pleasure of being moved by some very fine things.

And when you are foolish enough to identify yourself as a poet, your interlocutors will often ask: A PUBLISHED Poet? And when you tell them that you are, indeed, a published poet, they seem at least vaguely impressed. Why is that? Its not like they or anybody they know reads poetry journals. And yet there is something deeply right, I think, about this knee-jerk appeal to publicity. It's as if to say: Everybody can write a poem, but has your poetry, the distillation of your innermost being, been found authentic and intelligible by others? Can it circulate among persons, make of its readership, however small, a People in that sense? This accounts for the otherwise bafflingly persistent association of Poetry and fame - baffling since no poets are famous among the general population. To demand proof of fame is to demand proof that your songs made it back intact from the dream in the stable to the social world of the fire, that your song is at once utterly specific to you and exemplary for others.

[The critic] serves up his erudition in strong doses; he pours out all the knowledge he got up the day before in some library or other, and treats in heathenish fashion people at whose feet he ought to sit, and the most ignorant of whom could give points to much wiser men than he.Authors bear this sort of thing with a magnanimity and a patience that are really incomprehensible. For, after all, who are those critics, who with their trenchant tone, their dicta, might be supposed sons of the gods? They are simply fellows who were at college with us, and who have turned their studies to less account, since they have not produced anything, and can do no more than soil and spoil the works of others, like true stymphalid vampires.

People tend to criticize their spouse most loudly in the area where they themselves have the deepest emotional need.

A guest sees more in an hour than the host in a year.

Do not listen to a single soul, but your own inner voice. Foster your will and make it as wild as possible. Dive deep into the mysterious fathoms of the universe and accomplish your purpose by hook or by crook, even if it means going down to the bottom of the ocean to meet your doom.

Even if you do nothing, say nothing and be nothing, there will still be many who will criticise you. It is much better to be criticised for success than be condemned for failures because success rids you of the many miseries of life.

Don’t believe the negative criticisms.

What someone else thinks of you is not what you have to think of yourself.

The factor in human life provocative of a noble discontent is the gradual emergence of a sense of criticism founded upon appreciation of beauty and of intellectual distinction and of duty.

A Christian message or moral cannot redeem a text marred by shoddy workmanship.