City Quotes - Page 2

I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.

In his mind, the city, as it awoke from its slumber, seemed to be built on quicksand. The stability was illusory.

Do you remember the long orphanage of the train stationsWe crossed cities that turn-tabled all dayAnd vomited at night the sunshine of the day ("The Voyager")

To practice space is thus to repeat the joyful and silent experience of childhood; it is, in a place, to be other and to move toward the other...Kandinsky dreamed of: 'a great city built according to all the rules of architecture and then suddenly shaken by a force that defies all calculation.

I have an affection for a great city. I feel safe in the neighborhood of man, and enjoy the sweet security of the streets.

Far from gay cities and the way of men.

The city had been built by people from innumerable elsewheres. It was a chaos of cultures ordered only by its long streets. It belonged to no one and never would, or maybe it was a million cities in one, unique to each of its inhabitants, belonging to whoever walked its streets.

The chicken is the country's but the city eats it.

Moreover the present abundance3 of private cars is nothing other than the result of the non-stop propaganda through which capitalist production persuades the mob--and in this case is one of its most confounding successes--that the possession of a car is specifically one of the privileges our society reserves for its privileged members.

Here too, as in the Commune almost a century earlier, the struggle was articulated around the hope that 'the antithesis between the everyday and the Festival--whether of labour or of leisure--will no longer be a basis for society.

When you're in the city, trapped among the cubic structures, it's easy to forget that you're connected to the earth, because you're so separated from it by layers and layers of protection - the soles of your shoes, sandals, or slippers, sheets of asphalt, concrete, linoleum tiling.

On re-entering cultivated lands, the agitation, perplexity, and turmoil of civilization oppressed and suffocated us; the air seemed to fail us, and we felt every moment as if about to die of asphyxia.

A soulless city creates soulless people!

One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.

It happened every single day in Brooklyn: awaken to fresh glory, fall asleep to blight and ruin.

We'll start to forget a place once we left it

I was born in a slum, but the slum wasn't born in me.

Don’t you think most of those kids think too much about who got an A or a B when they were in law school and what that means to an inflated G.P.A. and not enough about the world?” asked Connor irrelevantly.

By far the greatest and most admirable form of wisdom is that needed to plan and beautify cities and human communities.

God made the country and man made the town.

She was shocked when she followed her aunt and cousin down into the city proper. The streets were crawling with people, all hurrying to and fro, mindless of one another. They brushed by with barely even a glance, stepping down into the busy roads between horse drawn buses and draymen’s carts with such confidence, seemingly oblivious that they could be run down at any moment. Children dodged in and out amongst them, ragamuffins all, some barefoot.

Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

It was a rule of London life that anybody could be anybody

Be the best, not necessarily the original.

Workers were required to stay six months, and even then permission to quit was not always granted. The factory held the first two months of every worker's pay; leaving without approval meant losing that money and starting over somewhere else. That was a fact of factory life you couldn't know from the outside: Getting into a factory was easy. The hard part was getting out.

City life - millions of people being lonesome together.

But this city is a world of its own, a country within a country. People are used to taking the old and making it news; and used, too, to taking the new and making it old. Every glass of water from its taps, it is said, has passed six times through the kidneys of another, and every scrap of its land has been trodden on, fought over, dug up and broken down for centuries.

It's a strange city... filled with things that are not obvious.

For a city to be beautiful, it must have a mysterious air!

Couples will no longer spend their nights in their houses dedicated to habitation and reception, the customary social reason for banalization. The chamber of love will be more remote from the center of the city: it will completely naturally re-create for the partners the notion of ex-centricity, in a place less open to the light, more hidden, in order to return to the atmosphere of the secret. The contrary move, the search for a center of thought, will proceed by the same technique.

Everything has been planned. The ascent will be completed in two days’ time. He will climb another one hundred floors today. Another hundred the next day. He does not want to take the lift. The rush of life causes people to drown in the temporary. He wishes to dip into eternity before he leaves.

I visit you in my dreams and you talk to me in songs. Each sentence is a bridge taking me closer to the city that you are.

There was a super-8 steel town somewhere, where all the forgotten things in the cruel world ended up eventually, Mandy was sure of it… this place, she decided, was called Smog City.

Lying flat on my back, with my toes dipped into the lake, I stared at the stars for a second. I guess I should have pondered their beauty and realized the rarity of a sky unsaturated by city lights, or something. But it occurred to me that you could probably see stars from the vast majority of the earth. It was city lights that were actually rare.

We all tend to think of ourselves as the last unsinning inhabitants of whatever place we live in. We don't usually recognize ourselves as participants in its destruction.

She thought of the city at night, of cities at night. Discarded constellations of old stars, fallen from the sky, rearranged on Earth in patterns and pathways and towers. Invaded by weevils that have learned to walk upright.

Sometimes it was hard to breathe, knowing how small my world could be. Maybe in San Francisco it wouldn't feel like the universe was conspiring to keep me in a bubble.

From the top of the bus she could see the vast bowl of London spreading out to the horizon: splendid shops with mannequins in the window, interesting people and already a much bigger world.

I remember when I was twenty-five,� he said. “No client comes to you when you’re twenty-five. It’s like when you are looking for a doctor. You don’t want the new one that just graduated. You don’t want the very old one, the one shaking, the one twenty years past his prime. You want the seasoned one who has done it so many times he can do it in his sleep though. Same thing with attorneys.

The city is a cultural invention enforcing on the citizen knowledge of his own nature. And this we do not like. That we are aggressive beings easily given to violence that we get along together because we must more than because we want to and that the brotherhood of man is about as far from reality today as it was two thousand years ago that reason's realm is small that we never have been and never shall be created equal that if the human being is perfectible he has so far exhibited few symptoms - all are considerations of man from which space tends to protect us.

When you looked out my window you could see the whole city crouched under a blanket of car smog.

Do you know what you get when you try to escape? When you drive for miles in a deserted city or swim for hours in a shoreless sea? You get yourself.

The trail of lime trees outside our building is still a public loo. …where else are they supposed to go to the toilet in a city where public toilets are about as common as UFO sightings?” (pp.281-82)

All night, snow.Open the window,stretch my arms out.Keep my eyes openin the white, whipping wind.There are few cars on the highway.The river's frozen in places.In a city that never stops,I can hardly hear anything.For tonight, the city gives mewhat I need.

For brick and mortar breed filth and crime,With a pulse of evil that throbs and beats;And men are whithered before their primeBy the curse paved in with the lanes and streets.And lungs are poisoned and shoulders bowed, In the smothering reek of mill and mine;And death stalks in on the struggling crowd—But he shuns the shadow of the oak and pine

A city full of art is a city full of wit!

To say the least a town life makes one more tolerant and liberal in one's judgement of others.

Some nights, we were a city of two.

It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.

An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life.A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve.To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries.Time works for those who place themselves beyond time.You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.

I stood there and stared, into the sky and at the city around me. I stood, hands at my side, and I saw what had happened to me and who I was and the way things would always be for me. Truth. There was no more wishing, or wondering. I knew who I was, and what I would always do. I believed it, as my teeth touched and my eyes were overrun.

There have been times I have thought some dreams should never be dreamt, but I would hate a world where that was true.

You alone in Europe are not ancient oh ChristianityThe most modern European is you Pope Pius XAnd you whom the windows observe shame keeps youFrom entering a church and confessing this morningYou read the prospectuses the catalogues the billboards that sing aloudThat's the poetry this morning and for the prose there are the newspapersThere are the 25 centime serials full of murder mysteriesPortraits of great men and a thousand different headlines("Zone")

Leave city, leave reality; enter forest, enter fantasy!

what does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of the French countryside,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins (Heidegger)? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying practices (to tell oneself legends) as practices that invent spaces.

In New York there is always something to look at, but it is all infinitely more interesting through a window in the backseat of a limousine.

The city was dark except for the building lights that seemed to appear like sores - like bandaids had been ripped off to expose the city's skin.

The city, however, does not tell its past, but contains it like the lines of a hand

I had an overwhelming sense of the lonliness of this city - a trillion souls in their bedrooms, high in the cliffs of windows. I thought of what was underneath it all - I thought of the electricty cables, steam, water, fire, subway trains and lava in the city's guts, the subterranean rumbling of trains and earthquakes. I thought of the dead souls from the war, concreted over.

He realised that in a town a man cannot live as he wishes, but as other people wish.