Black History Month Quotes

Historical exclusivity often has a way of turning into present and institutionalized tragedy. Whose story gets told matters.

I'm not quite sure what freedom is, but i know damn well what it ain't. How have we gotten so silly, i wonder.

The leaders and followers of the Harlem Renaissance were every bit as intent on using Black culture to help make the United States a more functional democracy as they were on employing Black culture to 'vindicate' Black people.

Don’t be so hard on yourself. Be perfectly okay with being who YOU are. Fully embrace yourself, flaws and all. Love yourself right where you are. Strive to do better, but don’t beat yourself up for every shortcoming that you may have. Be brave in your journey! Hold your head up high, and keep moving forward.

There are hundreds of political prisoners right now in America’s jails who were so taken by Malcolm [X’s} spirit that they became warriors and the powers that be understood them as warriors. They knew that a lot of these other middle-class [black] leaders were not warriors; they were professionals; they were careerists. But these warriors had callings, and they have paid an incalculable and immeasurable price in those cells.

History, too, has a penchant for giving birth to itself over and over again, and those whom it appoints agents of change and progress do not always accept their destinies willingly.

Millions of tears have fallen for black sons, brothers, lovers, and friends whose assailants took or maimed their lives and then simply went on their way.

Whether we consider hip-hop as an evolved manifestation of the Harlem Renaissance or something completely new under the sun, it clearly has moved beyond the stage of just entertaining lives to that of informing and empowering lives.

Trayvon Martin, at the most, seems only to have been guilty of being himself.

Dr. Martin Luther King Jr.’s dream was a manifestation of hope that humanity might one day get out of its own way by finding the courage to realize that love and nonviolence are not indicators of weakness but gifts of significant strength.

The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance.

The American identity has never been a singular one and the voices of poets invariably sing, in addition to their own, the voices of those around them.

In its essence, Martin Luther King Jr.’s ‘I Have a Dream’ speech is one citizen’s soul-searing plea with his countrymen––Whites and Blacks––to recognize that racial disparities fueled by unwarranted bigotry were crippling America’s ability to shine as a true beacon of democracy in a world filled with people groping their way through suffocating shadows of political turmoil, economic oppression, military mayhem, starvation, and disease.

Eastward and westward storms are breaking,--great, ugly whirlwinds of hatred and blood and cruelty. I will not believe them inevitable.

When female stories are muted, we are teaching our kids that their dignity is second class and the historical accounts of their lives [are] less relevant. This lowered value carries over when women face sexual objectification and systemic brutalization from inside and outside the community.

Most people write me off when they see me.They do not know my story.They say I am just an African.They judge me before they get to know me.What they do not know isThe pride I have in the blood that runs through my veins;The pride I have in my rich culture and the history of my people;The pride I have in my strong family ties and the deep connection to my community;The pride I have in the African music, African art, and African dance;The pride I have in my name and the meaning behind it.Just as my name has meaning, I too will live my life with meaning.So you think I am nothing?Don’t worry about what I am now,For what I will be, I am gradually becoming.I will raise my head high wherever I goBecause of my African pride,And nobody will take that away from me.

Sandra L. West and Aberjhani have compiled an encyclopedia that makes an important contribution to our need to know more about one of modern America’s truly significant artistic and cultural movements. It helps us to acknowledge the complexity of African American life at a time when the nation’s culture was taking on a recognizable shape, when race was becoming less of a crushing burden and more of a challenge to progressive people and their ideals, and when cities and their inhabitants symbolized the end of the past and the seductiveness of the new.