William Trevor Quotes

I think it is the art of the glimpse. If the novel is like an intricate Renaissance painting, the short story is an impressionist painting. It should be an explosion of truth. Its strength lies in what it leaves out just as much as what it puts in, if not more. It is concerned with the total exclusion of meaninglessness. Life, on the other hand, is meaningless most of the time. The novel imitates life, where the short story is bony, and cannot wander. It is essential art.

By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.

People like me write because otherwise we are pretty inarticulate. Our articulation is our writing.

Calamity shaped a life when, long ago, chance was so cruel.

All this occupied his thoughts when he revisited the places of his war. Tramping over soil fed by the blood of men he had led and whose faces now stirred in his memory, it was his wife's response that came - as if in compensation for too little said before - when he wondered why his wandering had led him back to these old battlefields: in his sixty-ninth year he was establishing his survivor's status.

People run away to be alone,' he said. Some people had to be alone.

He should in humility have asked her why it was that he was naturally a cuckold, why two women of different temperaments and characters had been inspired to have lovers at his expense. He should be telling her, with the warmth of her body warming his, that his second wife had confessed to greater sexual pleasure when she remembered that she was deceiving him.

Only the debris of wreckage, and not much of that, was left behind by the sharks who fed on tragedy: the fishermen, too, mourned the death of a living child.