One day I found him amid large packages from which spilled attractive, glossy paperbacks with mythical covers. He had tried to use, as a “generator of ideas” — for we were running out of them — those works of fantastic literature, that popular genre (especially in the States), called, by a persistent misconception, “science fiction.” He had not read such books before; he was annoyed — indignant, even — expecting variety, finding monotony. “They have everything except fantasy,” he said. Indeed, a mistake. The authors of these pseudo-scientific fairy tales supply the public with what it wants: truisms, clichés, stereotypes, all sufficiently costumed and made “wonderful” so that the reader may sink into a safe state of surprise and at the same time not be jostled out of his philosophy of life. If there is progress in a culture, the progress is above all conceptual, but literature, the science-fiction variety in particular, has nothing to do with that.
One day I found him amid large packages from which spilled attractive, glossy paperbacks with mythical covers. He had tried to use, as a “generator of ideas” — for we were running out of them — those works of fantastic literature, that popular genre (especially in the States), called, by a persistent misconception, “science fiction.” He had not read such books before; he was annoyed — indignant, even — expecting variety, finding monotony. “They have everything except fantasy,” he said. Indeed, a mistake. The authors of these pseudo-scientific fairy tales supply the public with what it wants: truisms, clichés, stereotypes, all sufficiently costumed and made “wonderful” so that the reader may sink into a safe state of surprise and at the same time not be jostled out of his philosophy of life. If there is progress in a culture, the progress is above all conceptual, but literature, the science-fiction variety in particular, has nothing to do with that.
