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As a society, we’ve become suspicious of such acts. Out of ignorance or laziness or timidity, we’ve turned the Luddites into caricatures, emblems of backwardness. We assume that anyone who rejects a new tool in favor of an older one is guilty of nostalgia, of making choices sentimentally rather than rationally. But the real sentimental fallacy is the assumption that the new thing is always better suited to our purposes and intentions than the old thing. That’s the view of a child, naive and pliable. What makes one tool superior to another has nothing to do with how new it is. What matters is how it enlarges us or diminishes us, how it shapes our experience of nature and culture and one another. To cede choices about the texture of our daily lives to a grand abstraction called progress is folly.
