Nicholas Carr Quotes

In the long run a medium's content matters less than the medium itself in influencing how we think and act. As our window onto the world, and onto ourselves, a popular medium molds what we see and how we see it-and eventually, if we use it enough, it changes who we are, as individuals and as a society.

The Net’s interactivity gives us powerful new tools for finding information, expressing ourselves, and conversing with others. It also turns us into lab rats constantly pressing levers to get tiny pellets of social or intellectual nourishment.

What the Net seems to be doing is chipping away my capacity for concentration and contemplation. Whether I’m online or not, my mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.

As a society, we've become suspicious of such acts. Out of ignorance or laziness or timidity, we've turned the Luddites into caricatures, emblems of backwardness. We assume that anyone who rejects a new tool in favor of an older one is guilty of nostalgia, of making choices sentimentally rather than rationally. But the real sentimental fallacy is the assumption that the new thing is always better suited to our purposes and intentions than the old thing. That's the view of a child, naive and pliable. What makes one tool superior to another has nothing to do with how new it is. What matters is how it enlarges us or diminishes us, how it shapes our experience of nature and culture and one another. To cede choices about the texture of our daily lives to a grand abstraction called progress is folly.

There is no economic law that says that everyone, or even most people, automatically benefit from technological progress.

Technology isn’t what makes us “post-human” or “transhuman,” as some writers and scholars have recently suggested. It’s what makes us human. Technology is in our nature. Through our tools we give our dreams form. We bring them into the world. The practicality of technology may distinguish it from art, but both spring from a similar, distinctly human yearning.

We cannot go back to the lost oral world, any more than we can turn the clock back to a time before the clock existed. 'Writing and print and the computer,' writes Walter Ong, 'are all ways of technologizing the word'; and once technologized, the word cannot be de-technologized.

When an inscrutable technology becomes an invisible technology, we would be wise to be concerned. At that point, the technology's assumptions and intentions have infiltrated our own desires and actions. We no longer know whether the software is aiding s or controlling us. We're behind the wheel, but we can't be sure who's driving.