Mark O'Connell Quotes

The culture of the Epic Fail, in its rituals of comic sacrifice, is a culture of sublimated predation.

Irony is a treacherous servant; unless it's very carefully watched over, it has a tendency to expose the foolishness of its apparent master.

The smell of hot popcorn drifted upward from the concourse below, lingering in the warm Californian air like an atmospheric irony, and a Jumbotron directly in front of me displayed a blandly handsome announcer seated behind a curved desk emblazoned with DARPA’s logo: a sports broadcast mise-en-scène from some speculative future, vaguely fascist, in which the machinery of national defense had become a spectacle of mass entertainment.

I recalled with some discomfort that the man driving the vehicle had invented the sport of volcano boarding, presumably as a way of solving, in one deft move, the problems of the insufficient riskiness of both snowboarding and hanging out on the slopes of active volcanoes. Although I was not sure that I wanted to live forever, I was sure that I didn’t want to go down in a blaze of chintzy irony, plunging into a ravine strapped into the passenger seat of a thing called the Immortality Bus.

Humans, after all, weren’t actively hostile toward most of the species we’d made extinct over the millennia of our ascendance; they simply weren’t part of our design. The same could turn out to be true of superintelligent machines, which would stand in a similar kind of relationship to us as we ourselves did to the animals we bred for food, or the ones who fared little better for all that they had no direct dealings with us at all.

It seemed to me that transhumanism was an expression of the profound human longing to transcend the confusion and desire and impotence and sickness of the body, cowering in the darkening shadow of its own decay. This longing had historically been the domain of religion, and was now the increasingly fertile terrain of technology.

In this messianic vision, machine intelligence will come to redeem the universe of its incalculable stupidity. He takes a goal-oriented approach to cosmology, imposing upon the universe itself a kind of corporate project-management structure, composed of a series of key deliverables across deep time.

its badness is so potent that it seems to undermine the very idea of literature, to expose the whole endeavour of making art out of language as essentially and irredeemably fraudulent