Karen Swallow Prior Quotes

The more I see of the ‘hounoured, famed, and great,’ the more I see of the littleness, the unsatisfactoriness of all created good; and that no earthly pleasure can fill up the wants of the immortal principle within.

I am so afraid that strangers with think me good! and there is a degree of hypocrisy in appearing much better than one is.” - Hannah More

Rather than majoring in frivolities, women should be educated in useful subjects and 'be furnished with a stock of ideas, and principles, and qualifications, and habits, ready to be applied and appropriated…' - Hannah More

It is so easy to practice a creditable degree of so seeming virtue, and so difficult to purify and direct the affections of the heart, that I feel myself in continual danger of appearing better than I am; and I verily believe it is possible to make one’s whole life a display of splendid virtue and agreeable qualities, without ever setting foot towards the narrow path, or even one’s face towards the strait gate.” – Hannah More

Honor, More charged, 'is the religion of tragedy.' Emotions such as love, hate, ambition, pride, and jealousy, 'form a dazzling system of worldly morality,' which contradicts 'the spirit of that religion whose characteristics are charity, meekness, peaceableness, longsuffering, gentleness, forgiveness.

Her shift in thinking was clearly conflicted. It must have been difficult to disavow something for which she had a deep love and in which she had been immersed so much of her life.

When a man of sense comes to marry, it is a companion whom he wants, and not an artist. It is not merely a creature who can paint, and play, and sing, and draw, and dress, and dance; it is a being who can comfort and counsel him; one who can reason and reflect, and feel, and judge, and discourse, and discriminate; one who can assist him in his affairs, lighten his cares, sooth his sorrows, strengthen his principles, and educate his children.” – Hannah More

The topic was eloquence, something Christians had been conflicted about since the first-century church when Paul wrote that in bringing the gospel, he did not come with “eloquence.” A few centuries later, Saint Augustine wrestled with the value of eloquence, associating it with his pagan background and training in Greek rhetoric while simultaneously employing it winsomely in his Christian writings. Such suspicion of beauty and form, whether in art, literature, speech, or human flesh, has shadowed Christian thought throughout the history of the church; sadly so, considering God is the author of all beauty.