Andrew Clements Quotes

And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.

I have my own story, and I love my story, but I know I can't tell it alone, not now. Because stories have centers, but they don't have edges. No boundaries.

I glance into the faces of all these people out for a Sunday stroll, but I'm not seeing eyes and noses and mouths. I'm seeing stories. Every person has a story. All the hopes and dreams. And fears. And secrets.In every face.

It is not good to have TOO MUCH of anything.

But fear doesn't need doors and windows. It works from the inside.

When we read, we decide when, where, how long, and about what. One of the few places on earth that it is still possible to experience an instant sense of freedom and privacy is anywhere you open up a good book and begin to read. When we read silently, we are alone with our own thoughts and one other voice. We can take our time, consider, evaluate, and digest what we read—with no commercial interruptions, no emotional music or special effects manipulation. And in spite of the advances in electronic information exchange, the book is still the most important medium for presenting ideas of substance and value, still the only real home of literature.

Robert said, "This is great, huh? Sorry to butt in and everything, but I really need the extra points. For my grade."Ben nodded and tried to smile. Right, for his grade. He probably wanted to get an A++ in social studies instead of just an A+

Two wrongs don't make a right, but don't three lefts make a right? Two wrongs don't make a right, but don't two negatives make a positive?