Quotes by Journalists - Page 161

The devil has a thousand names," said Crews, voice rising, "but the name he takes the most pride in is Prince of Lies, because he is such a convincing fraud. Even God himself was fooled by Satan once, so what hope do we have to tell what's truth and what's false?

We shall meet in the place where there is no darkness," O'Brien had said to him. He knew what it meant, or thought he knew. The place where there is no darkness was the imagined future, which one would never see, but which, by foreknowledge, one could mystically share in.

The main difference is that the enlightened believe that the poor criminal should be rehabilitated while the righteous believe that the immoral criminal should be locked up in jail. Since almost the only available system of rehabilitation in America is to be locked up in jail, the difference remains highly abstract.

Theo and Sugar dated, just like normal people only slower.He bought her heart-shaped boxes of candy and living plants for her rooftop and sent her cards, one every day by U.S. mail, each with a handwritten message.'Can't wait to see you tonight,' the first one said.'I love your laugh,' read the second.'Sorry for spilling ketchup on your dress,' came the third.She made him pork chops with honey mustard sauce and her favorite date-and-honey nut loaf and a fetching gingham jacket for Princess, who ate it the moment they turned their back on him.

Talk of "witch-hunts" conceals an inconvenient fact: men charged with rape stand a better chance of walking free than other defendants. The conviction rate in rape trials – 63 per cent in 2012/13 – is quite a lot lower. Prosecutors are taking a bigger risk when they bring rape cases to court, especially when the alleged offences happened decades ago, leaving no forensic evidence.The Independent, 9 February 2014

In order to move on, you must understand why you felt what you did and why you no longer need to feel it.

Kau tak boleh mengukur kemampuan seseorang dari usianya.

Peterson thought it an unusual friendship, one only the Army could forge.

No wonder male religious leaders so often say that humans were born in sin—because we were born to female creatures. Only by obeying the rules of the patriarchy can we be reborn through men. No wonder priests and ministers in skirts sprinkle imitation birth fluid over our heads, give us new names, and promise rebirth into everlasting life.

Good, capable individuals unconsciously and consciously guard and nurture themselves and their spirits every day in all sorts of choices, large and small. Just as their lives are never static, they are rarely if ever fractured. Their morals and ethics are never cut off from the whole of their evolving beings.

Status will get you nowhere. Only an open heart will allow you to float equally between everyone.

The American Society of Civil Engineers said in 2007 that the U.S. had fallen so far behind in maintaining its public infrastructure -- roads, bridges, schools, dams -- that it would take more than a trillion and half dollars over five years to bring it back up to standard. Instead, these types of expenditures are being cut back. At the same time, public infrastructure around the world is facing unprecedented stress, with hurricanes, cyclones, floods and forest fires all increasing in frequency and intensity. It's easy to imagine a future in which growing numbers of cities have their frail and long-neglected infrastructures knocked out by disasters and then are left to rot, their core services never repaired or rehabilitated. The well-off, meanwhile, will withdraw into gated communities, their needs met by privatized providers.

The more history I learn, the more the world fills up with stories.

I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.” Imagine if each day a man must try to kill the moon, he thought. The moon runs away. . . . Then he was sorry for the great fish that had nothing to eat and his determination to kill him never relaxed in his sorrow for him. . . . There is no one worthy of eating him from the manner of his behavior and his great dignity. I do not understand these things, he thought. But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers.

Beyond the late Fifties everything faded. When there were no external records that you could refer to, even the outline of your own life lost its sharpness. You remembered huge events which had quite probably not happened, you remembered the details of incidents without being able to recapture their atmosphere, and there were long blank periods to which you could assign nothing. Everything had been different then.

Find what you love to do, what you're good at and passionate about and then dedicate your entire life to working hard at it. I wil say it again. Work hard. I mean that. Even if you're not sure where that work will lead, even if it is underappreciated or undervalued. Do it because the satisfaction, pride, and sense of self that comes from a job well done; from being the very best at what you do; from knowing that you did this, will be your ulltimate weapon and our greatest shield in a life that will often test you. One day destiny may conspire to take everything away from you, but it can never take away the abilities you have cultivated. As I am sure your grandfather will tell you, your winning lottery ticket is your mind.

The world was fucking awful. It was a wretched, desolate place, a desert of meaninglessness, a heartless wasteland, where horrific things happened all the time for no reason and nothing good lasted for long.He'd been right about the world, but he was wrong about himself. The world was a desert, but he was a magician, and to be a magician was to be a secret spring - a moving oasis. He wasn't desolate, and he wasn't empty. He was full of emotion, full of feelings, bursting with them, and when it came down to it, that's what being a magician was. They weren't ordinary feelings - they weren't the tame, domesticated kind. Magic was wild feelings, the kind that escaped out of you and into the world and changed things. There was a lot of skill to it, and a lot of learning, and a lot of work, but that was where the power began: the power to enchant the world.

Not to expose your true feelings to an adult seems to be instinctive from the age of seven or eight onwards.

A little later, the Apollo mission was consummated and there were Americans on the moon. I remember distinctly looking up from the quad on what was quite a moon-flooded night, and thinking about it. They made it! The Stars and Stripes are finally flown on another orb! Also, English becomes the first and only language spoken on a neighboring rock! Who could forbear to cheer? Still, the experience was poisoned for me by having to watch Richard Nixon smirking as he babbled to the lunar-nauts by some closed-circuit link. Was even the silvery orb to be tainted by the base, earthbound reality of imperialism?

..there is more to life than just pleasure. We want to achieve our happiness and not just experience it.

For who would dare to assert that eternal happiness can compensate for a single moment's human suffering

No decision-making system is going to guarantee corporate success. The strategic decisions that corporations have to make are of mind-numbing complexity. But we know that the more power you give a single individual in the face of complexity and uncertainty, the more likely it is that bad decisions will get made.

Then, after showing the pill and some graphics, those same people appeared again, looking happier.The Reb and I watched in silence. After it ended, he asked, "Do you think those pills work?"Not like that, I said."No," he agreed. "Not like that.

It's like a memorial to Atlantis or Lyonesse: these are the stone buoys that mark a drowned world.

Anyone who has used that comforting phrase 'a nice cup of tea' invariably means Indian tea.

When the going gets weird, the weird turn professional.

Businesses are great structures for managing big projects. It’s like trying to develop the ability to walk without developing a skeleton. Once in a blue moon, you get an octopus, but for the most part, you get skeletons. Skeletons are good shit.

Do you thinking not getting caught in a lie is the same thing as telling the truth?"--Robert Redford from the 1975 movie Three Days of the Condor

I know this isn’t a conventional love story. I know there are all sorts of reasons I shouldn’t even be saying what I am. But I love you. I do. I knew it when I left Patrick. And I think you might even love me a little bit.

Then again, I was never any good at plumbing the depths of a woman's heart.

The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to taking life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists, whose real though unacknowledged motive appears to be hatred of western democracy and admiration for totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writing of the younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States …

There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time.'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency.'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much.'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives.'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio.'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.

The art of living is the art of bringing dreams and reality together.

In preaching conservative doctrine, Goldwater's jeremiads seemed to be preaching the end of the old world, while Reagan's pep talks seemed to trumpet the beginning of a new one.

The only thing that made the music different was that we were taking lyrics to places they had never been before. The thing that makes art interesting is when an artist has incredible pain or incredible rage. The New York bands were much more into their pain, while the English bands were much more into their rage. The Sex Pistols' songs were written out of anger, wheras Johnny was writing songs because he was brokenhearted over Sable...

Spokespeople sell women the Iron Maiden and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.

When the conventional wisdom of physics seemed to conflict with an elegant theory of his, Einstein was inclined to question that wisdom rather than his theory, often to have his stubbornness rewarded.

Look, the job of life is to turn your negatives into positives

Maybe she has a wrinkle on her face in just the right place and I find it attractive. Maybe she says all of her statements as questions and I find that endearing. Maybe she swallows instead of spits or maybe I was just looking for a way to kill time with someone new over the next five years. The reasons why don’t matter.

If democracy is the voice of the people, then the AP is its stenographer.

To the dumb question "Why me?" the cosmos barely bothers to return the reply: why not?

We speak in Spanish when we make love. English seems an impossible language for intimacy.

Anytime you see a turtle up on top of a fence post, you know he had some help.

We build our understanding of the emotional world through the myths and legends of our culture. We are all, in part, made of fairy tales.

This is a youth-oriented society and the joke is on them because youth is a disease from which we all recover.

Fear is the possibility of freedom.

In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life."When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.

The book was an instrument of both repression and liberation

Womanism is feminism's vulgate. It asserts that women are the oppressed or the victims and never the collaborators in the 'bad' things that men do. It entails a double standard around sexuality where women's sexual self-expression is seen as necessary and even desirable, but men's is seen as dangerous or even disgusting. Womanism is by no means confined to a tiny, politically motivated bunch of man-hating feminists, but is a regular feature of mainstream culture.

Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.

In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.'Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand.The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously."Music! more music!" she cried.Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")

We have fallen on hard times of the spirit, with many of the people more concerned with fear of evil than contemplation of the good.

Once you have hundreds of millions of dollars, it’s hard to know where to put it all. Art is transportable, unregulated, glamorous, arcane, beautiful, difficult. It is easier to store than oil, more esoteric than diamonds, more durable than political influence.

A fog of despair so pervaded the ghetto that the smallest gesture of rebellion could seem like a bold, piercing light. Bad, said with a fond expression, was almost always a compliment.

But sometimes you simply can't make yourself feel like acting. And in those situations, motivational advice risks making things worse, by surreptitiously strengthening your belief that you need to feel motivated before you act. By encouraging an attachment to a particular emotional state, it actually inserts an additional hurdle between you and your goal. The subtext is that if you can't make yourself feel excited and pleased about getting down to work, then you can't get down to work.

It has always seemed to me that there are two types of people in this world: those rendered impotent by the sheer weight of evil it contains, and who refuse to act because they see no point, and those who choose their battles and fight them to the end, as they understand that to do nothing is definitely worse than to do something and fail. --The Collector

It is nonsense to say there is not enough time to be fully informed. ... Time given to thought is the greatest timesaver of all.

To serve thy generation this thy fate: "Written in water " swiftly fades thy name But he who loves his kind does first or late A work too great for fame.

Whatever else the Florida primary might or might not have proved, it put a definite kink in the Media Theory of politics. It may be true, despite what happened to Lindsay and Muskie in Florida, that all you have to do to be President of the U.S.A. is look “attractive” on TV and have enough money to hire a Media Wizard. Only a fool or a linthead would argue with the logic at the root of the theory: If you want to sell yourself to a nation of TV addicts, you obviously can’t ignore the medium… but the Florida vote at least served to remind a lot of people that the medium is only a tool, not a magic eye. In other words, if you want to be President of the U.S.A. and you’re certified “attractive,” the only other thing you have to worry about when you lay out all that money for a Media Wizard is whether or not you’re hiring a good one instead of a bungler… and definitely lay off the Reds when you go to the studio.

I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely.Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems.In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age.At least you used to.But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.