Quotes by Environmentalists - Page 4

Our task is to build cultural fortresses to protect our emerging nativeness. They must be strong enough to hold at bay the powers of consumerism, the powers of greed and envy and pride. One of the most effective ways for this to come about would be for our universities to assume the awesome responsibility to both validate and educate those who want to be homecomers -- not necessarily to go home but to go someplace and dig in and begin the long search and experiment to become native.

It's idealistic, it's for love and gentleness, it's close to nature, it hurts nobody, it's voluntary. I can't see anything wrong with any of that.''Neither can I. The only trouble is, this commune will be inhabited by and surrounded by members of the human race.

The creative writer is compulsively concrete . . . . His fictional house should be haunted by ideas, not inhabited by them; they should flit past the windows after dark, not fill the rooms. The moment anyone tries to make poems or stories of ideas alone he is at the edge of absurdity; he can only harangue, never interest and persuade, because ideas in their conceptual state are simply not dramatic. They have to be put into the form of people and actions . . .

[The modern age] knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead.

In this image-driven age, wildlife filmmakers carry a heavy responsibility. They can influence how we think and behave when we’re in nature. They can even influence how we raise our kids, how we vote and volunteer in our communities, as well as the future of our wildlands and wildlife. If the stories they create are misleading or false in some way, viewers will misunderstand the issues and react in inappropriate ways. People who consume a heavy diet of wildlife films filled with staged violence and aggression, for example, are likely to think about nature as a circus or a freak show. They certainly won’t form the same positive connections to the natural world as people who watch more thoughtful, authentic, and conservation-oriented films.

In general the assumption of all of us, child or adult, was that this was a new country and that a new country had no history. History was something that applied to other places.

We must begin thinking like a river if we are to leave a legacy of beauty and life for future generations.

Oh, listen. Listen!' A sound like a big crowd a good way off, excited and shouting, getting closer. We stand up and scan the empty sky. Suddenly there they are (the geese), a wavering V headed directly over the hilltop, quite low, beating southward down the central flyway and talking as they pass. We stay quiet suspending our human conversation until their garulity fades and their wavering lines are invisible in the sky.They have passed over us like an eraser over a blackboard, wiping away whatever was there before they came.

If wealth was the inevitable result of hard work and enterprise, every woman in Africa would be a millionaire.

I am convinced that most Americans of the new generation have no idea what a decent forest looks like. The only way to tell them is to show them.

The Earth is Art, The Photographer is only a Witness

In a universe where all life is in movement, where ever fact seen in perspective is totally engaging, we impose stillness on lively young bodies, distort reality to dullness, make action drudgery. Those who submit - as the majority does - are conditioned to a life lived without their human birthright: work done with the joy and creativity of love.But what are schools for if not to make children fall so deeply in love with the world that they really want to learn about it? That is the true business of schools. And if they succeed in it, all other desirable developments follow of themselves.In a proper school, no fact would ever be presented as a soulless one, for the simple reason that there is no such thing. Every facet of reality, discovered where it lives, startles with its wonder, beauty, meaning.

Everything was insanely alive, now you see it, now you don't. I thought, it's the light, it's the water, it's changing every second, it's always doing this whether I'm here to witness it or not.

I may not know who I am, but I know where I am from.

[Friendship] is a relationship that has no formal shape, there are no rules or obligations or bonds as in marriage or the family, it is held together by neither law nor property nor blood, there is no glue in it but mutual liking. It is therefore rare.

A dam is monumentally static; it tries to bring a river under control, to regulate its seasonal pattern of floods and low flow.

Cynicism is often seen as a rebellious attitude in western popular culture, but in reality, our cynicism advances the desires of the powerful: cynicism is obedience.

Dams also tend to be built in remote areas which are the last refuge for species that have been displaced by development in other regions.