Quotes by Entomologists - Page 4

He loved her in spite of her unlovableness. Armande had many trying, thought not necessarily rare, traits, all of which he accepted as absurd clues in a clever puzzle.

And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy.

Lucifer was quite right when he said he had the most powerful force against good at his disposal. Powerful factions of the world were siding with him. They were unaware, but the devil cared nothing for whether they knew or not. One day they would know, however. For an eternity. That thought pleased him greatly.

It was too familiar to Cody. He placed his arms around his wife trying somehow to shelter her from the reality she was facing. There was another reason for his closeness; his desperation to show her he was not one of them, that the tribes of cruel men did not recognize him as one of their own, and to show his wife that his promise to create a safe place for her was a promise she need not fear would be broken. In the innermost part of him, from the secret child that lives within all men, was a scared cry, “Please don’t think I’m bad too.” From the other innermost part of him, the secret animal that prowls in some men was a raging wolf ready to kill. The battle line within the man had been drawn. The boundaries of faith rose up around the rage, warning the soul against righteous anger morphing to blood lust.

I was also supposed to quiz my various companions on a number of important matters such as nostalgia, fear of unknown animals, food fantasies, nocturnal emissions, hobbies, choice of radio program, changes in out look and so forth.

Doom is nigh. I am in acute distress, desperately trying to coax sleep, opening my eyes every few seconds to check their faded gleam, and imagining paradise as a place where a sleepless neighbor reads an endless book by the light of an eternal candle.

I am sufficiently proud of my knowing something to be modest about my not knowing all.

There is yet another reason why I cannot, nor wish to, believe in God: the fairy tale about him is not really mine, it belongs to strangers, to all men; it is soaked through by the evil-smelling effluvia of millions of other souls that have spun about a little under the sun and then burst…

You have to be an artist and a madman...

It's a pity one can't imagine what one can't compare to anything. Genius is an African who dreams up snow.

The subject may be crude and repulsive. Its expression is artistically modulated and balanced. This is style. This is art. This is the only thing that really matters in books.

One is always at home in one's past...

Permanence of instinct must go with permanence of form...The history of the present must teach us the history of the past.[Referring to studying fossil remains of the weevil, largely unchanged to the present day.]

He approaches a cockroach in only one respect: his coloration is brown. That is all. Apart from this he has a tremendous convex belly divided into segments and a hard rounded back suggestive of wing cases. In beetles these cases conceal flimsy little wings that can be expanded and then may carry the beetle for miles and miles in a blundering flight. Curiously enough, Gregor the beetle never found out that he had wings under the hard covering of his back. (This is a very nice observation on my part to be treasured all your lives. Some Gregors, some Joes and Janes, do not know that they have wings.)

I was an infant when my parents died.Thye both were ornithologists. I've triedSo often to evoke them that todayI have a thousand parents. Sadly theyDissolve in their own virtues and recede,But certain words, chance words I hear or read,Such as "bad heart" always to him refer,And "cancer of the pancreas" to her.

I need you, the reader, to imagine us, for we don't really exist if you don't.

Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.

This irritated or puzzled such students of literature and their professors as were accustomed to ‘serious’ courses replete with ‘trends ’ and ‘schools ’ and ‘myths ’ and ‘symbols ’ and ‘social comment ’ and something unspeakably spooky called ‘climate of thought.’ Actually these ‘serious’ courses were quite easy ones with the students required to know not the books but about the books.

There are times to listen to the people that believe in you during those days you don't believe in yourself. Sometimes you look in the mirror and it's fogged up; the person looking back a blurred image, but those folks that know you and love you see the real you. Sometimes you have to trust the ones that are there for you in your darkest times to find out how much light exists in you. God bless you.

I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth.I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.

One last word,' I said in my horrible careful English, 'are you quite, quite sure that—well, not tomorrow, of course, and not after tomorrow, but—well—some day, any day, you will not come to live with me? I will create a brand new God and thank him with piercing cries, if you give me that microscopic hope''No,' she said smiling, 'no.''It would have made all the difference,' said Humbert Humbert.Then I pulled out my automatic-I mean, this is the kind of fool thing a reader might suppose I did. It never even occurred to me to do it.

In this very special self-hypnotic state there can be no question of getting out of touch with on[e]self and floating into a normal sleep (unless you are very tired at the start)

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies.At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

A thousand years ago five minutes wereEqual to forty ounces of fine sand.Outstare the stars. Infinite foretime andInfinite aftertime: above your headThey close like giant wings, and you are dead.

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.

Let all of life be an unfettered howl.

One of the maxims of the new field of conservation biological control is that to control insect herbivores, you must maintain populations of insect herbivores.

Ink, a Drug.

Do all people have that? A face, a phrase, a landscape, an air bubble from the past suddenly floating up as if released by the head warden's child from a cell in the brain while the mind is at work on some totally different matter? Something of the sort also occurs just before falling asleep when what you think you are thinking is not at all what you think. Or two parallel passenger trains of thought, one overtaking the other.

The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.

The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can.

When we remember our former selves, there is always that little figure with its long shadow stopping like an uncertain belated visitor on a lighted threshold at the far end of some impeccably narrowing corridor.

Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.

The pale organisms of literary heroes feeding under the author's supervision swell gradually with the reader's lifeblood; so that the genius of a writer consists in giving them the faculty to adapt themselves to that - not very appetizing - food and thrive on it, sometimes for centuries.

Genius is an African who dreams up snow.

- A sentyment staje się uciążliwy. W końcu jest coś nazbyt fizycznego w próbie zachowania cząstki dzieciństwa na swoim mostku. - Nie pan pierwszy sprowadza wiarę do zmysłu dotyku.

Great novels are above all great fairy tales . . . literature does not tell the truth but makes it up.

Who grins in official circumstances?

Wilson (1975) defines biological communication relatively broadly as 'the action on the part of one organism (or cell) that alters the probability pattern of behavior in another organism (or cell) in a fashion adaptive to either one or both of the participants.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

But soon the poltergeist ran out of ideas in connection with Aunt Maud and became, as it were, more eclectic. All the banal motions that objects are limited to in such cases, were gone through in this one. Saucepans crashed in the kitchen; a snowball was found (perhaps, prematurely) in the icebox; once or twice Sybil saw a plate sail by like a discus and land safely on the sofa; lamps kept lighting up in various parts of the house; chairs waddled away to assemble in the impassable pantry; mysterious bits of string were found on the floor; invisible revelers staggered down the staircase in the middle of the night; and one winter morning Shade, upon rising and taking a look at the weather, saw that the little table from his study upon which he kept Bible-like Webster open at M was standing in a state of shock outdoors, on the snow (subliminally this may have participated in the making of lines 5-12).I imagine, that during the period the Shades, or at least John Shade, experienced a sensation of odd instability as if parts of the everyday, smoothly running world had got unscrewed, and you became aware that one of your tires was rolling beside you, or that your steering wheel had come off.

The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail.

The prideful man qualifies himself by what people think of him, always looking for applause. There is another proud man; head bloodied by the world but eyes focused on what is good, never caring about spectators or the cost. He is proud that his wife can laugh, that his children can play, humbled by their love for him. His prayers say, "Please make me worthy of them" - In humility lies the foundation of strength.

A work of art has no importance whatever to society. It is only important to the individual.

A writer should have the precision of a poet and the imagination of a scientist.

as if it were a point of honor—which, indeed, a point of art often is.

As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days—four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory

But if the ants are not despondent because they have failed to produce a new social invention or convention in 65 million years, why should we be discouraged because some of our institutions and castes have not been able to evolve a new idea in the past fifty centuries?