Quotes by Authors - Page 881

Once upon a midnight dreary, while I pondered, weak and weary,Over many a quaint and curious volume of forgotten lore,While I nodded, nearly napping, suddenly there came a tapping,As of some one gently rapping, rapping at my chamber door.Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more."Ah, distinctly I remember it was in the bleak December,And each separate dying ember wrought its ghost upon the floor.Eagerly I wished the morrow; — vainly I had sought to borrowFrom my books surcease of sorrow — sorrow for the lost Lenore —For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore.And the silken sad uncertain rustling of each purple curtainThrilled me — filled me with fantastic terrors never felt before;So that now, to still the beating of my heart, I stood repeating,Tis some visitor entreating entrance at my chamber door —Some late visitor entreating entrance at my chamber door; — This it is, and nothing more."Presently my soul grew stronger; hesitating then no longer,Sir," said I, "or Madam, truly your forgiveness I implore;But the fact is I was napping, and so gently you came rapping,And so faintly you came tapping, tapping at my chamber door,That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more.Deep into that darkness peering, long I stood there wondering, fearing,Doubting, dreaming dreams no mortals ever dared to dream before;But the silence was unbroken, and the stillness gave no token,And the only word there spoken was the whispered word, "Lenore?"This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more.Back into the chamber turning, all my soul within me burning,Soon again I heard a tapping somewhat louder than before.Surely," said I, "surely that is something at my window lattice:Let me see, then, what thereat is, and this mystery explore —Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more."Open here I flung the shutter, when, with many a flirt and flutter,In there stepped a stately raven of the saintly days of yore;Not the least obeisance made he; not a minute stopped or stayed he;But, with mien of lord or lady, perched above my chamber door —Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more.Then this ebony bird beguiling my sad fancy into smiling,By the grave and stern decorum of the countenance it wore.Though thy crest be shorn and shaven, thou," I said, "art sure no craven,Ghastly grim and ancient raven wandering from the Nightly shore —Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."Much I marveled this ungainly fowl to hear discourse so plainly,Though its answer little meaning— little relevancy bore;For we cannot help agreeing that no living human beingEver yet was blest with seeing bird above his chamber door —Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.