Quotes by Authors - Page 4716

That Reagan shaped mechanical gadget in the metal box that made you jump like a little sissy boy, Joe, that is the heart and soul of what the flag’n’Jebus crowd is scared of so bad they can’t even think about him existing.” He looked at Joe, waiting for an aha! that didn’t come. “That whole wing of modern conservatism lives for, on, about, with, in, and by the idea that everything is happening via supernatural powers and that the devil is powerful and has to be fought. Modern science totally spoils that because it gives people so much power but not from supernatural sources. No God in the instruments, you know?“So with modern tech we can make Ronald Reagan appear to come back from the grave, but to do it with modern tech leaves no need for spirits or sacred words or miracles or any other flavor of magic. Which only re emphasizes what they’re most afraid of: living in a world where nobody paints the sky blue every morning, or leaves quarters for teeth, or made platypi as a joke, or decided to sculpt the Grand Canyon, or took granny to heaven to make chocolate chip cookies for the angels. Nobody, nobody, nobody. So since their theology won’t let me bring in a Robo Jesus to call forth Robo Reagan, like sort of a Robo Lazarus, and they really want this, like so many people do…well, it can’t come from nobody, it has to come from somebody, and the somebody can’t be God.“Well, if the devil is anything, he’s somebody.”Joe was still sputtering. “But it…I mean, they’re going to think it’s coming out of Hell! Literal capital H real place Hell!”“Well, exactly. Think about how much that proves. If there’s a Hell and a Devil, there’s also a Heaven and a God. Once they have their Reagan back all they have to do is pray over him a little, drive the devil out, accept the blessing of a restored Reagan on behalf of God, and they’re good to go. God forgives crazier shit than that all the time.
Intermission. Mare Internum.We will have a brief pause now. If this novel were a theater, you could go out into the lobby, wait in line for a drink, or for the bathroom. Give people a chance to admire your clothes, hair, or jewels. Step outside for some air or a smoke. Backstage the crew would be busy transforming the scenery, actors would change their costumes and redo their makeup, Some would be done until final curtain, others awaiting their first entrance.But we're not in the theater, and I am not letting you go outside this story, not really. Where we are is more like a pause between breaths. Whether you're inhaling or exhaling, there's a pause just before, like the pause you can feel more than hear before the tide reverses. Where we are is the point of intersection in the figure eight. Turned on its side the eight becomes the symbol of infinity. You can make this figure with your hips when you dance. Over and over you will return to that moment of balance before your weight shifts from one hip to the other. The balance of this story is about to shift. The scenery is changing, as we make our slow way across Mare Internum. A journey I am not going to describe. When the story begins again, some of the people you have come to know and love, or not, Dido, Bertha, Paulina, Reginus, and Joseph will appear less frequently...I don't like it when characters fade form the story, so I am apologizing in advance, but life is like that. We leave people and places and times behind. We encounter new ones. Sometimes we can't see the patterns or connections, but they are there, between one breath and the next. In the ebb and flow of tides. In the rhythm of the dance.