Do I, then, belong to the heavens?Why, if not so, should the heavensFix me thus with their ceaseless blue stare,Luring me on, and my mind, higherEver higher, up into the sky,Drawing me ceaselessly upTo heights far, far above the human?Why, when balance has been strictly studiedAnd flight calculated with the best of reasonTill no aberrant element should, by rights, remain-Why, still, should the lust for ascensionSeem, in itself, so close to madness?Nothing is that can satify me;Earthly novelty is too soon dulled;I am drawn higher and higher, more unstable,Closer and closer to the sun's effulgence.Why do these rays of reason destroy me?Villages below and meandering streamsGrow tolerable as our distance grows.Why do they plead, approve, lure meWith promise that I may love the humanIf only it is seen, thus, from afar-Although the goal could never have been love, Nor, had it been, could I ever haveBelonged to the heavens?I have not envied the bird its freedomNor have I longed for the ease of Nature,Driven by naught save this strange yearningFor the higher, and the closer, to plunge myselfInto the deep sky's blue, so contraryTo all organic joys, so farFrom pleasures of superiority But higher, and higher,Dazzled, perhaps, by the dizzy incandescenceOf waxen wings.Or do I then Belong, after all, to the earth?Why, if not so, should the earthShow such swiftness to encompass my fall?Granting no space to think or feel,Why did the soft, indolent earth thusGreet me with the shock of steel plate?Did the soft earth thus turn to steelOnly to show me my own softness?That Nature might bring home to meThat to fall, not to fly, is in the order of things,More natural by far than that improbable passion?Is the blue of the sky then a dream?Was it devised by the earth, to which I belonged,On account of the fleeting, white-hot intoxicationAchieved for a moment by waxen wings?And did the heavens abet the plan to punish me?To punish me for not believing in myself Or for believing too much;Too earger to know where lay my allegianceOr vainly assuming that already I knew all;For wanting to fly offTo the unknownOr the known:Both of them a single, blue speck of an idea?
Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed."But what was wrong with the performance?" she asked. "I thought it was wonderful.""Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!"Shimamoto laughed. "I wouldn't exactly call that art appreciation.""This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!""Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?"In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different.""You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.