Virginia Woolf Quotes - Page 7

Buy for me from the King's own kennels, the finest elk hounds of the Royal strain, male and female. Bring them back without delay. For," he murmured, scarcely above his breath as he turned to his books, "I have done with men.

Arrange whatever pieces come your way.

It was a desire, an echo, a sound; she could drape it in color, see it in form, hear it in music, but not in words; no, never in words. She sighed, teased by desires so incoherent, so incommunicable.

I don't believe in aging. I believe in forever altering one's aspect to the sun.

But love – don’t we all talk a great deal of nonsense about it? What does one mean? ... It’s only a story one makes up in one’s mind about another person, and one knows all the time it isn’t true. Of course one knows; why, one’s always taking care not to destroy the illusion.

Children, our lives have been gongs striking; clamour and boasting; cries of despair; blows on the nape of the neck in gardens.

The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder.

Why, if it was an illusion, not praise the catastrophe, whatever it was, that destroyed illusion and put truth in it's place?

…the art of writing has for backbone some fierce attachment to an idea…. It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to a shape….You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. Beerbohm, knowing that, come September or May, we shall sit down with them and talk.

It seems comfortable to sink down on a sofa in a corner, to look, to listen. Then it happens that two figures standing with their backs against the window appear against the branches of a spreading tree. With a shock of emotion one feels 'There are figures without features robed in beauty'. In the pause that follows while the ripples spread, the girl to whom one should be talking says to herself, 'He is old'. But she is wrong. It is not age; it is that a drop has fallen; another drop. Time has given the arrangement another shake. Out we creep from the arch of the currant leaves, out into a wider world. The true order of things – this is our perpetual illusion – is now apparent. Thus in a moment, in a drawing-room, our life adjusts itself to the majestic march of day across the sky.

Does it explain my astonishment the other day when Z, most humane, most modest of men, taking up some book by Rebecca West and reading a passage in it, exclaimed, 'The arrant feminist! She says that men are snobs!' The exclamation, to me so surprising - for why was Miss West an arrant feminist for making a possibly true if uncomplimentary statement about the other sex? - was not merely the cry of wounded vanity; it was a protest against some infringement of his power to believe in himself. Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.

They disagreed always about this, but it did not matter. She liked him to believe in scholarships, and he liked her to be proud of Andrew whatever he did.

For it would seem - her case proved it - that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.

By the truth we are undone. Life is a dream. 'Tis the waking that kills us. He who robs us of our dreams robs us of our life.

I am reading Henry James… and feel myself as one entombed in a block of smooth amber.

But what is more to the point is my belief that the habit of writing thus for my own eye only is good practice. It loosens the ligaments. Never mind the misses and the stumbles.

All the time she writing the world had continued.

How could one leap on the back of life and wring its scruff?

For while directly we say that it [the length of human life] is ages long, we are reminded that it is briefer than the fall of a rose leaf to the ground.

This late age of the world's experience had bred in them all, all men and women, a well of tears. Tears and sorrows; courage and endurance; a perfectly upright and stoical bearing.

Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.

In reading we have to allow the sunken meanings to remain sunken, suggested, not stated; lapsing and flowing into each other like reeds on the bed of a river

It is strange how a scrap of poetry works in the mind and makes the legs move in time to it along the road.

I don't care much whether I ever get to know anything - but I want to work out something in figures - something that hasn't got to do with human beings. I don't want people particularly. In some ways, Henry, I'm a humbug - I mean, I'm not what you all take me for. I'm not domestic, or very practical or sensible, really.And if I could calculate things, and use a telescope, and have to work out figures, and know to a fraction where I was wrong, I should be perfectly happy, and I believe I should give William all he wants.

But love...it's only an illusion. A story one makes up in one's mind about another person. And one knows all the time it isn't true. Of course one knows why one's always taking care not to destroy the illusion.

What she liked was simply life. "That's what i did it for," she said, speaking aloud to life... Could any man understand what she meant, either, about life? …But to go deeper, beneath what people said, and these judgments, how superficial, how fragmentary, they are. In her own mind now, what did it mean to her, this thing she called life? It was an offering…it was her gift.

Among the tortures and devastations of life is this then—our friends are not able to finish their stories.

For the eye has this strange property: it rests only on beauty.

The lake of my mind, unbroken by oars, heaves placidly and soon sinks into an oily somnolence.’ That will be useful.

A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the palsied or the dying. But worse was to come. For once the disease of reading has laid hold upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing.

The great revelation perhaps never did come. Instead there were little daily miracles, matches struck unexpectedly in the dark; here was one.

The voice of protest is the voice of another and an ancient civilization which seems to have bred in us the instinct to enjoy and fight rather than to suffer and understand.

If woman had no existence save in the fiction written by men one would imagine her a person of the utmost importance very various heroic and mean splendid and sordid infinitely beautiful and hideous in the extreme as great as a man some think even better.

This fiddling and drifting and not impressing oneself upon anything – this always refraining and fingering and cutting things up into little jokes and facetiousness – that's what's so annihilating. Yet given little money, little looks, no special gift – what can one do? How could one battle? How could one leap on the back of life and wring its scruff?

Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say[.]

anyone who’s worth anything reads just what he likes, as the mood takes him, and with extravagant enthusiasm.

I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!

Those comfortably padded lunatic asylums which are known euphemistically as the stately homes of England.

It was as if someone had taken a tiny bead of pure life and decking it as lightly as possible with down and feathers, had set it dancing and zigzagging to show us the true nature of life.

Such was the complexity of things. For what happened to her, especially staying with the Ramsays, was to be made to feel violently two opposite things at the same time; that’s what you feel, was one; that’s what I feel, was the other, and then they fought together in her mind, as now. It is so beautiful, so exciting, this love, that I tremble on the verge of it, and offer, quite out of my own habit, to look for a brooch on a beach; also it is the stupidest, the most barbaric of human passions, and turns a nice young man with a profile like a gem’s (Paul’s was exquisite) into a bully with a crowbar (he was swaggering, he was insolent) in the Mile End Road. Yet, she said to herself, from the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this–love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary.

These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the reason may be, I find that scene making is my natural way of marking the past.

Either I shall find it, or I shall not find it. I examine my note-case. I look in all my pockets. These are the things that forever interrupt the process upon which I am eternally engaged of finding some perfect phrase that fits this moment exactly.

What has seven editions (the book had already gone into no less) got to do with the value of it? Was not writing poetry a secret transaction, a voice answering a voice? So that all this chatter and praise and blame and meeting people who admired one and meeting people who did not admire one was as ill suited as could be to the thing itself — a voice answering a voice.

He who robs us of our dreams robs us of our life.

As we are a doomed race, chained to a sinking ship, as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the suffering of our fellow-prisoners; decorate the dungeon with flowers and air-cushions; be as decent as we possibly can.

So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words.

Literature is impoverished beyond our counting by the doors that have been shut upon women

...it struck her, this was tragedy-- not palls, dust, and the shroud; but children coerced, their spirits subdued.

He was incapable of untruth; never tampered with a fact; never altered a disagreeable word to suit the pleasure or convenience of any mortal being, least of all his own children, who, sprung from his loins, should be aware from childhood that life is difficult; facts uncompromising; and the passage to that fabled land where our brightest hopes are extinguished, our frail barks founder in darkness (here Mr. Ramsay would straighten his back and narrow his little blue eyes upon the horizon), one that needs, above all, courage, truth, and the power to endure.

Nothing thicker than a knife's blade separates happiness from melancholy.

Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.

My head is a hive of words that won't settle.

But it would have been a surprise, not only to Katherine herself, if some magic watch could have taken count of the moments spent in an entirely different occupation from her ostensible one.Sitting with faded papers before her, she took part in a series of scenes such as the taming of wild ponies upon the American prairies, or the conduct of a vast ship in a hurricane round a black promontory of rock, or in others more peaceful, but marked by her complete emancipation from her present surroundings and, needless to say, her surprising ability in her new vocation.

A biography is considered complete if it merely accounts for six or seven selves whereas a person may well have as many as a thousand.

The very stone one kicks with one's boot will outlast Shakespeare.

the battered woman--for she wore a skirt--with her right hand exposed, her left clutching at her side, stood singing of love--love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.

Is it not possible — I often wonder — that thingswe have felt with great intensity have anexperience independent of our minds; are in factstill in existence? And if so, will it not be possible,in time, that some device will be invented by whichwe can tap them? … Instead of remembering herea scene and there a sound, I shall fit a plug into thewall; and listen in to the past

To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.

You cannot, it seems, let children run about the streets. People who have seen them running wild in Russia say that the sight is not a pleasant one.

Anyhow, whether undergraduate or shop boy, man or woman, it must come as a shock about the age of twenty—the world of the elderly—thrown up in such black outline upon what we are; upon the reality; the moors and Byron; the sea and the lighthouse; the sheep’s jaw with the yellow teeth in it; upon the obstinate irrepressible conviction which makes youth so intolerably disagreeable—“I am what I am, and intend to be it,” for which there will be no form in the world unless Jacob makes one for himself. The Plumers will try to prevent him from making it. Wells and Shaw and the serious sixpenny weeklies will sit on its head.